Sunday, July 30, 2017
Bhutan - Fifth Gallery Is Now Available
Finally! Finally the fifth gallery of our trip to Bhutan earlier this Spring is available for viewing on my photography website.
http://www.hale-worldphotography.com/Bhutan-Day-8
This gallery covers the eighth day of our journey across Bhutan. Most importantly the gallery documents the first day of the 2017 tsheschu - Domhkar Festival.
May 5, 2017 was the first time that Duang and I had witnessed the sacred dances called "cham" which are so important and defining of Tibetan and Bhutanese religious culture.
The event made quite an impression upon us and we consider it to be an experience of a lifetime.
This gallery of 74 selected photographs has been distilled down from over 4,000 photographs that I took that day - thank goodness for digital photography, I could not afford to do it in the old days of film! I am pleased and proud of these photographs which I believe represents the best work that I have ever done in photography.
Labels:
"merit making",
"prints for sale",
Allen A Hale,
Bhutan,
Buddhist,
dancing,
Domkhar Festival,
masks,
photographs,
photography,
ritual,
Tshechu
Thursday, July 20, 2017
Bhutan - Fourth Gallery Is Available
Children Reacting to Passing Helicopter |
We have returned from our month long trip back to America. Now that we are back in Thailand with a repaired computer, easy access to the Internet, and access to my original files, it is time to focus on completing post processing of the photographs from our recent tour of Bhutan.
The fourth gallery, 19 photographs, from the fifth day of our tour - 2 May 2017 is now available for viewing on my personal photography website.
http://www.hale-worldphotography.com/Bhutan-Day-5
Man Making a Bucket for Yak Milking |
Labels:
"prints for sale",
Allen A Hale,
Bhutan,
Gallery,
photographs,
photography
Thursday, June 8, 2017
Bhutan - Third Gallery Is Available
The Butter Lamp Cleaner |
Another gallery of our recent tour across Bhutan is now available for viewing.
http://www.hale-worldphotography.com/Bhutan-Day-12
This gallery of 20 photographs is from May 9th, the 12th day of our tour.
The photographs are from the eastern city of Mongar situated at 1600 meters elevation (5,249 feet).
Much of our day was spent at a wonderful temple named Kadam Gompa which serves as an elderly daycare center. Many elderly people spend the day there worshiping and socializing along with being fed lunch while their children are working. On the day that we were there, there was a special day long ritual going on for a special annual Buddhist holy day.
Duang and I spent most of the morning in the temple observing the special Mahayana ritual - Monks chanting, drums beating, horns blaring, incense burning ... Because of the holiness of the temple and ritual, we were not allowed to take photographs but we were fed tea and bread along with the Monks that were all around us - a very special memory for us. We returned in the afternoon. Duang spent the afternoon in the temple worshiping while I spent the afternoon photographing outside of the temple and going to a primary school variety show.
Exiting the Temple - Watch Out for all those shoes! |
Labels:
"prints for sale",
Allen A Hale,
Bhutan,
Gallery,
photographs,
photography
Monday, June 5, 2017
Bhutan - Second Gallery is Available - Brokpa Cultural Program
Brokpa Dancer Performing a Cham, a Ritual Dance |
The second gallery, 41 photographs, from our recent tour across Bhutan is now available for viewing on my personal photography site.
http://www.hale-worldphotography.com/Bhutan-Day-14
The gallery covers the 14th day of our tour, a very special day. We had reached the eastern most location of our journey across Bhutan. We attended a cultural exchange program sponsored by our tour company. A group of Brokpa people, semi-nomadic people who tend yak herds, had hiked two days to participate in the program highlighted by their performance of traditional Mahayana Buddhist chams (ritual dances) along with their unique Yak dance.
As per tradition in Bhutan, we as sponsors and esteemed guests, served lunch to the Brokpa people as well as the local villagers who show up. It was a great event with many opportunities to get up close and personal with the Brokpa people as well as the people who inhabit the farms in the area. Best of all, the only foreigners in attendance were our travel companions.
Young Monk With Puppy |
It was a great day which left me wondering as to which group enjoyed themselves the most - much happiness in a land that values GNH, Gross National Happiness, rather than GNP, Gross National Product.
Labels:
"prints for sale",
Allen A Hale,
Bhutan,
Brokpa,
Gallery,
photographs,
photography
Saturday, June 3, 2017
Bhutan - First Gallery is Available
Three weeks ago, Duang and I returned from a very special tour of an extraordinary place - Bhutan.
We had spent 16 days traveling across the land-locked Himalayan kingdom (Constitutional Monarchy).
We were fortune to travel with a small group of extremely interesting people from the USA, Canada, Russia, and Australia.
Our tour was truly the trip of a lifetime.
We returned home to Thailand with many new friends, some wonderful memories as well as a desire to return in the Fall of 2018.
I also returned with 12,823 photos. I have been very busy and will continue to be busy, if not obsessed, for the foreseeable future with editing as well as post processing the photos.
The first gallery of 26 selected photos is now available for viewing on my personal photography website at the following link:
http://www.hale-worldphotography.com/Bhutan-Day-13
As time goes by, I will be adding more galleries as well as blog entries documenting this extraordinary place and wonderful people - often referred to as "The Last Shangri-la"
Labels:
"prints for sale",
Allen A Hale,
Bhutan,
Gallery,
photographs,
photography
Wednesday, March 1, 2017
Going Back Once Again - Ta Prohm
Ta Prohm - August 10, 2007 |
Ta Prohm - 14 December 2016 |
The decisively characteristic thing about this world is its transience. In this sense, centuries have no advantage over the present moment. Thus the continuity of transience cannot give any consolation; the fact that life blossoms among ruins proves not so much the tenacity of life as that of death.
— Franz Kafka
Ta Prohm - August 10, 2007 |
Ta Prohm - November 2014 |
Ta Prohm - 14 December 2016 |
International Tourism to the Angkor Wat region has dramatically increased from 2006 when approximately 900,000 tourists visited. In 2016 the number of foreign tourists was 2,205,000. Tourism to the region increases each year and naturally they all typically end up touring the ruins.
The ruins are mainly constructed from sandstone. Millions of footsteps each year on and across the sandstone blocks cause both erosion and stress on the blocks. The material eventually breaks down sooner than if they were just exposed to natural forces. Just as wind and water can wear down rock, so can pedestrian traffic but quicker.
Millions of footsteps on the ground surrounding the ruins also damages the roots of the trees. Damaged roots lead to diseased trees which collapse and cause additional damage to structures. Compacted soil around the ruins affects the drainage of the area which affects the stability of the ground beneath the structures.
The international community, for various reasons and motivations, has sponsored and supervised the restoration of many of the temples.
Carving of Devata at Ta Prohm |
Buddhism teaches that all things that are dependent upon something else or affected by something else are in flux, changing and not permanent but is impermanent. The temples of Siem Reap are roughly a thousand years old - a very long time in human terms and perspective but they are far from permanent.
Many of the temples have strangler fig trees, sprung trees, and silk-cotton trees growing in them. The roots of the trees grow over the tops of the structures, first starting in small crevices between the building blocks and as the roots increase in size - growing deeper and larger separating the building blocks and eventually contributing to the collapse of the structure - a process that ran pretty much from the fall of the Khmer Empire in the 15th century to the 20th century intervention by the Europeans.
The 21st century has ushered in accelerated efforts by nations such as The People's Republic of China, Republic of Korea, and India to "restore" and "save" the wonders of the region.
India sponsored and supervised the "restoration" of the famous "tree" temple, Ta Prohm. Ta Prohm besides being known a s the Khmer temple ruin with the trees growing on top of it and was also the location for several scenes of the Angeline Jolie film "Laura Croft, Tomb Raider".
The restoration project lasted from 2003 to 2014. The restoration and conservation effort involved installation of boardwalks and a railing system to control access by visitors as well as to minimize the impact of visitors on the site.
Conservation efforts also included efforts to repair and protect the trees from the stresses induced by visitors, fungal attacks, and instability due to pour drainage at the site. It had been determined necessary to ensure the health of the existing trees in and on the structures to safeguard the structures. For many of the structures the flora and the ruins had become inextricably one - literally and figuratively. The tree root systems in many area support the structure and what would Ta Prohm, "The Tree Temple", be without the trees?
"A man sees what he wants to see, and disregards the rest" paraphrasing Paul Simon.
So it is with the ruins of Siem Reap area and I am fairly confident of any other 1,000 year old ornate structures built by man.
At first glance and typically during the first visit, the majesty and complexity of the structures are over whelming. The grandeur of man's works is astonishing. However a more relaxing pace or second visit reveals that all is not what it originally appears to be. There is often a hodgepodge of discontinuous carvings, shapes, ill matched textures, ill fitting block work, filled in window openings as well as filled in doorways. This reality was missed by our mind's desire to fill in the blanks when first viewing the massive ruins. We want the ruins to be what we want them to be and our minds suppress processing the realities that do not fit into our desired interpretation of what we see.
Upon seeing these discontinuities, you are able to be aware that the ruins for a large part have been reconstructed by man. The ravages and onslaught of time and nature have been mitigated by men far removed from the original builders. Newer blocks and bricks along with recreations of portions of carved murals have been included into the modern ruins.
Part of the Indian restoration of Ta Prohm involved reconstructing a gallery that had collapsed. For other structures, the reconstruction involved dismantling the structure and reassembling it in a more stable configuration. Structures that were heavily braced by large timbers in 2007 are now free standing in 2016.
One of my favorite photos of our 2014 visit is of a gallery at Ta Prohm that I did not remember from our earlier visit in 2007 ... a collapsed gallery in 2007 that is now rebuilt as part of the 21st century restoration.
Ta Prohm Gallery - November 20114 |
The ruins of Cambodia are changing, constantly changing from the forces of nature, time, gravity and man - well intended or not. The ruins of Cambodia are impermanent just as all other things, that are affected or dependent upon something, are impermanent.
Our trip back to Siem Reap was not going back in time because changes have made that impossible. The ruins are no where near what they were one thousand years ago. The ruins are not what they were just nine years ago. They are not what they were nor are they what they will be.
However, Duangchan and I were able to experience and to enjoy the ruins with a different perspective. We were able to embrace and accept the ruins as they were ... December 2016.
Although this was our third visit to Ta Prohm, and many changes had occurred since our first visit, there were sights there that had been there all the time ... only to be revealed to us on a third visit.
A carved head surrounded by a tree |
Our experiences of this trip has left me wondering though. I wonder about the futility and cost of restoration programs. The intervention of man against nature and time will not stop changes. At best the intervention will delay the manifestation of major change but never prevent it. At its worst, man's intervention to stop change will create unnatural change or worst of all obliterate the spirit of the original object. At what point is the original object destroyed leaving only the restorer's vision or interpretation to remain?
We were able to thoroughly enjoy our trip because we were able to appreciate and experience the changes ... to experience the ruins as they are.
Although major restoration work has subsided at Ta Prohm , conservation efforts related to vegetation continues. Outside the main temple area in a field of moss covered stones distributed among the trees, Cambodian workers continue the effort to document the ruins. The debris had unique identifying numbers painted on them. Due to rain, moss, and intense sunlight, many of the stones were losing their identity. A team of workers were cleaning the areas where the identifications were located and repainting the unique letter/number combinations with white paint.
Restoration work - repainting identification of stones |
Thomas Wolfe wrote a novel entitled "You Can't Go Home, Again"
Quoting from the novel ""You can't go back home to your family, back home to your childhood ... back home to a young man's dreams of glory and of fame ... back home to places in the country, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time – back home to the escapes of Time and Memory"
We were not able to go back in time but it was a pleasant as well as rewarding journey, once again, to Ta Prohm. It was an opportunity not to see it as it originally was but how it is today.
Monday, February 27, 2017
Tonle Sap Revisited
Flooded forest of Tonle Sap |
Tonle Sap is the largest fresh water lake in Southeast Asia - not that this fact justifies a visit or even a revisit. It is more than just a "Great Lake". Tonle Sap is a way of life and a unique culture to be experienced. It is one of my favorite places.
Tonle Sap is referred to by the Lonely Planet guide book as the "Heartbeat of Cambodia". Personally for me, Tonle Sap is the lungs of Cambodia. The lake provides food and irrigation water for one-half of the people in Cambodia. The great lake is connected to the mighty Mekong River - one of the greatest rivers of the world. Tonle Sap's water level fluctuates greatly in response to the seasons.
Sunrise over Tonle Sap - November 2014 |
In the rainy season from May to October, when the Mekong River is at its fullest, water flows from the Mekong into the lake. In the dry season as the Mekong's flow diminishes, water flows from the lake into the Mekong. The ebb and flow of the Mekong River as well as local rainfall causes the water levels in Tonle Sap to range from a maximum of 2 meters (6 feet) in the dry season and to a maximum of 10 meters (32 feet) in the rainy season. The flooding of surrounding land during the rainy season provides a great deal of food and shelter for aquatic life thereby making Tonle Sap one of the richest sources of freshwater protein in the world. Tonle Sap is a nursery for many of the fish in the Mekong River. During the dry season fisherman average a take of 220 to 440 pounds of fish a day.
Tonle Sap grows from approximately 965 square miles in the dry season to just over 5,020 square miles in the rainy season. The increase in area as well as increased depth presents challenges in terms of housing for the inhabitants in the area. The local people have met the challenges of Tonle Sap by building either floating homes or building homes atop stilts roughly 20 to 30 feet high. It was the opportunity to witness this unique lifestyle that first attracted me to visit Tonle Sap. Both Duang and I are interested in seeing how people live in environments and situations different from what we are accustomed to.
Raised houses of Khampong Khleang |
Our first trip to Tonle Sap was in August 2007, during the rainy season. It was thrilling to lookout the plane's window to see miles and miles of flooded forest as we approached Siem Reap International Airport on the roughly one hour flight from Bangkok. It is a sight that I am just as thrilled and excited about today as back then. Even during the dry months of November and December the flooded plains are impressive.
Based upon our experience during our first trip to Tonle Sap in 2007, we incorporated a home stay in the village of Kampong Khleang to better learn and understand Cambodian life on Tonle Sap during our return to Tonle Sap in November 2014. I had planned our trip to Tonle Sap to coincide with the full moon and Bon Om Touk (Cambodian Water Festival). Bon Om Touk is an annual festival held in November to celebrate the reversal of Tonle Sap water flow. The reversal of flow into the Mekong River marks the start of commercial fishing season on Tonle Sap - the fish that had hatched during the rainy season, and were nourished on the nutrient rich waters of the floodplains of Tonle Sap migrate from the shrinking lake and out into the Mekong River.
Checking a fish trap - November 2014 |
In 2015 I had considered returning to Tonle Sap including experiencing another home-stay. After doing some preliminary research for a return trip, I discovered that the water levels in the lake were very low. Since one of my goals was to document more of the life on the flood plain, in particular the fishing, I decided not to return to Tonle Sap until water levels were higher/
Last year based upon our 2014 trip, I considered going in either December or January - once again for the full moon. I believed that going a month or two later would improve the opportunities for documenting the commercial fishing activities on the lake as the flow out of the lake into the Mekong River would be more established.
I also wanted and knew that I can take better photographs of moonlight over the floodplain - partially submerged trees, flat water, and a full moon low on the horizon and climbing high in the sky.
Research indicated that December 13 would have a full moon and January 12 would be another full moon. On December 13, the moon would rise at 4:09 PM and set the following morning at 4:12 AM. On January 12 the moon would rise 4:51 PM and set at 4:58 AM the next morning. These times were convenient for the photographs that I intended to take.
In October, after consulting with our previous guide, I learned that the water levels had returned to the 2014 levels. I decided and made arrangements to return for the December full moon.
Although we were returning in the dry season, the weather forecast for our week in Siem Reap was not good. Fortunately the rain was not as bad as had been predicted although any hopes for photographing the moon over Tonle Sap or Khmer ruins were dashed. The mostly cloudy skies actually helped with photography in that it greatly cut down on the dynamic range between the bright and dark areas of the scenery.
Fishing boat being offloaded in the rain |
We approached the village of Kampong Khleang, where we were going to spend the night in a villager's home, in the middle of a rain shower. My decision to return in December, a month later than our trip in 2014, was already paying dividends. Outside of Kampong Khleang we came upon a commercial fishing offloading station.
Women packaging the day's catch |
Middle-men from the various villages and from Siem Reap, mill about waiting for their orders to be filled. After paying for their product to the people set up across the dirt road from the packaging station, the vendors loaded up their fish in a motley assortment of vehicles - motorcycles with large bamboo woven baskets strapped to their sides, "beater" cars, cars that have been modified to be a quasi-pickup truck, pickup trucks, and an occasional light truck - either stake bodied or enclosed.
Everyone worked quickly, the women sitting on woven mats and tarps placed on the mud with a temporary metal pole and plastic tarp canopy providing some cover from precipitation or sun. The men swiftly walked up the muddy slope from the lake to dump basket full loads of fish on the tarp in front of the women, then hustling back down to the beached boat where their coworkers filled the baskets to repeat the process.
After observing the offloading process, we continued on our way to our home-stay. We continued along the narrow dirt road until we arrived at a barrier. Due to the road having been underwater the previous month and the recent rains, the road was unusable to vehicles other than motorbikes. The road was a quagmire for about 50 meters. It was a complication and a challenge that was well met by our guide team. A few phone calls and a couple of conversations later, we boarded a somlaw, a three wheeled motorcycle with a passenger or cargo compartment. A short ride past the barrier brought us to a congregation of boats for hire. After a short conversation, we were on a boat with our guide headed to our home-stay.
Our previous home-stay is no longer available so we were staying with another family in a different part of Kampong Khleang. This was fine with us because it was an opportunity to experience a different locale and family.
Our Kamong Khleang Home-Stay |
Our home-stay was one of the raised houses located on one of the main "streets" of Kampong Khleang - a street that we had taken a boat down 5 months earlier when the water level was higher. The house was built about 25 feet above street level and rose out of the main canal. From the open side at the back of the house there was always something going on - day and night. During the day there was a constant parade of boats plying the waters - fishing boats coming and going, small boats filled with uniformed students, tethered convoys of boats transporting farm equipment and workers to distant fields, small boats containing tourists, and boats of local people, many of them children, going about their daily business. At night, all night, the sound of un-muffled car engines, and un-muffled small diesel engines that powered the fishing boats punctuated the darkness.
Sunrise over Kampong Khleang |
From the front of the house which overlooked the main dirt road, a parade of people, bicycles, motorcycles, and somlaws went about. The road is used to go to the local schools, the market, a Wat, and to access sections of the village further down the canal to the permanent lake. In the late afternoon and morning of the second day, the street was filled with uniformed students on their way to and from school. There are two sessions of school everyday so it seems that there are students in the streets all day long.
Kampong Khleang is a fishing village - a real fishing village and not one of those tourist "fishing villages" that you often encounter back in New England. There are no hotels, motels, service stations, chain restaurants, international fast food outlets, or souvenir shops for tourists. All the facilities there support and are for the benefit the local people. We are visitors into their world - a world that is different and definitely unique.
The Shooter |
Since the homes do not have front yards, the areas between homes, underneath houses, and alongside the street are the playgrounds for the children. Children occupy themselves riding bicycles, playing marbles, pretend fighting - super hero style, and helping with chores such as repairing fishing nets.
Adults also spend time along the streets doing a myriad of activities such as repairing fish nets, cleaning fish nets, coating metal fish traps with some type of hot black coating, drying ghost shrimp in the sun, and stacking firewood for the kitchen.
This location was definitely a "photography rich environment". Our tour company once again had delivered exactly what I had been hoping for.
Our host worshiping at home shrine |
Our home-stay hosts were a father, mother, and their middle-aged daughter. The father is a very devout Buddhist and he was a kindred spirit for Duang. He performs a daily ritual just as Duang does and has a large shrine in the home just as Duang has. Although they could not communicate together they shared a common belief system and could worship together using Pali, the common language of Theravada Buddhism - akin to Arabic for Islam. As so often works out in our relation, the Thai modern day mantra "Good for me, good for you" came into play. Duang elected to remain at the home and worship while I set off after lunch in the light rain on a hired boat to visit Moat Khla.
Our host prepares our lunch in the Home-Stay kitchen |
A boat fishing with medium sized wire fish traps |
Shortly after leaving Kampong Khleang, the light rain stopped. The voyage out to Moat Khla was quite enjoyable - passing over and through the flooded forest. Passing and being passed by boats of many sizes and purposes. We saw fast speedboats, wood dugout type boats paddled by a single person, a string of three barge type boats filled with farming equipment and workers being towed by a small boat, large boats piled sky high with metal cage fish traps, and small boats piled high with small round metal fish traps. We passed several locations where a fish camp had been set up comprising of one or two floating houses, several small powered boats, and a medium sized boat for transporting the large catch to an off-loading station.
Setting out small fish traps on Tonle Sap |
Before the Deluge
Some of them were dreamers
And some of them were fools
Who were making plans and thinking of the future
With the energy of the innocent
They were gathering the tools
They would need to make their journey back to nature
While the sand slipped through the opening
And their hands reached for the golden ring
With their hearts they turned to each other's hearts for refuge
In the troubled years that came before the deluge
And some of them were fools
Who were making plans and thinking of the future
With the energy of the innocent
They were gathering the tools
They would need to make their journey back to nature
While the sand slipped through the opening
And their hands reached for the golden ring
With their hearts they turned to each other's hearts for refuge
In the troubled years that came before the deluge
Some of them knew pleasure
And some of them knew pain
And for some of them it was only the moment that mattered
And on the brave and crazy wings of youth
They went flying around in the rain
And their feathers, once so fine, grew torn and tattered
And in the end they traded their tired wings
For the resignation that living brings
And exchanged love's bright and fragile glow
For the glitter and the rouge
And in a moment they were swept before the deluge
And some of them knew pain
And for some of them it was only the moment that mattered
And on the brave and crazy wings of youth
They went flying around in the rain
And their feathers, once so fine, grew torn and tattered
And in the end they traded their tired wings
For the resignation that living brings
And exchanged love's bright and fragile glow
For the glitter and the rouge
And in a moment they were swept before the deluge
Let the music keep our spirits high
Let the buildings keep our children dry
Let creation reveal its secrets by and by, by and by
When the light that's lost within us reaches the sky
Let the buildings keep our children dry
Let creation reveal its secrets by and by, by and by
When the light that's lost within us reaches the sky
Some of them were angry
At the way the earth was abused
By the men who learned how to forge her beauty into power
And they struggled to protect her from them
Only to be confused
By the magnitude of her fury in the final hour
And when the sand was gone and the time arrived
In the naked dawn only a few survived
At the way the earth was abused
By the men who learned how to forge her beauty into power
And they struggled to protect her from them
Only to be confused
By the magnitude of her fury in the final hour
And when the sand was gone and the time arrived
In the naked dawn only a few survived
And in attempts to understand a thing so simple and so huge
Believed that they were meant to live after the deluge
Believed that they were meant to live after the deluge
Let the music keep our spirits high
Let the buildings keep our children dry
Let creation reveal it's secrets by and by, by and by
When the light that's lost within us reaches the sky
Let the buildings keep our children dry
Let creation reveal it's secrets by and by, by and by
When the light that's lost within us reaches the sky
Songwriters: Jackson Browne
Before the Deluge lyrics © Kobalt Music Publishing Ltd., Peermusic Publishing
Moat Khla home - home on the lake |
Moat Khla School - floating school of course! |
Moat Khla is a fishing village of floating houses anchored among the trees and vegetation of the Tonle Sap flood plain. There was a floating school for the children. A floating Wat for worshiping and for some local Monks. Some of the floating structures were floating markets - sort of like 20'x 20' general stores. I even saw a floating mobile phone store.
Moat Khla Schoolgirls |
No place for bicycles - boats only |
In a floating village, live is lived a great deal out in the open - the only walls are the walls of the houses and often those walls are not complete walls so that you can view life going on inside of the homes.
Homework in Moat Khla - repairing fish net |
Moat Khla |
Preparing a meal - of course - FISH! |
After two passes through the village we commenced our two hour return voyage back to Kampong Khleang. The return trip was much like the trip out to Moat Khla - many boats of all types with people occupied with their livelihood of fishing the riches of Tonle Sap.
A family fishing team |
After another good meal with the host family and our guide, we went to bed early. We all slept in the great room of the house. The house had a great room, a small kitchen, a bathroom with a squat toilet, a covered open front porch, and a small bedroom that was not used while we were there. There was a handmade bed in the great room that we were given the option of sleeping in or on a mat placed on the floor. We chose to sleep on the floor and a young nephew slept in the bed. Prior to going to bed, mosquito netting had to be erected over the sleeping spaces - one for us, one for the grandparents, one for our guide, one for the daughter, and one for the nephew. The house had no doors and the front and back of the house did not have walls.
We actually had a pretty good night's sleep although interrupted several times by boat traffic in the canal but what would you expect staying in a fishing village? I woke up early and after a quick hand shower I laid in a hammock on the back of the house and enjoyed the sunrise - watching the light increasing in the sky revealing details along the canal and listening to the sounds of an awaking village. It was a memorable stay.
A fellow diner at breakfast |
We walked down to the local market in Kampong Khleang and then to a small. very small, restaurant for a delicious bowl of soup for breakfast. Along the way to and from breakfast we experienced many more glimpses into life in a fishing village and of course many more smiling and waving people. One elderly woman ran into the street so that she could have her picture taken with us.
My experience on Tonle Sap was not over. There was another albeit shorter boat tour of the area. Once again Duang opted to remain at the home-stay to worship and meditate. I went with the guide to visit the area where small family boats sell their catch to middlemen in small boats. The boats congregate outside of the village in a area off to the side of one of the main waterways that leads out to the deeper lake. We had visited the same area on our 2014 trip.
Catch being loaded for sale to vendor |
Outside of the village we came upon a section where there several floating houses. We were greeted everywhere with smiles along with waves. There were also some surprises along the way too. In the USA there is a saying usually a somewhat sarcastic response to a statement of the obvious ... "Does a bear shit in the woods?" I know that bears do because I have seen their scat in the woods, But for this revisit to Tonle Sap I have the evidence to "Do children pee in the lake?"
Brother and sister doing what comes naturally |
As we drove away from Kampong Khleang with Tonle Sap on our right, once again I thought of the Jackson Browne song as observed the flood plain.
"And in attempts to understand a thing so simple and so huge
Believed that they were meant to live after the deluge" I always find comfort and take solace from our journeys to witness how people live. These experiences show me that there are many different ways to survive, and in most cases to live happily other than the way that I am accustomed to. These experiences give me confidence that if circumstances change for us we will be able to survive - that we are meant to live IF we are willing to adapt.
These experiences with other cultures and life styles, for me, are also a celebration and appreciation for the diversity of man and the spirit of all mankind.
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