Showing posts with label Ruesi. Show all posts
Showing posts with label Ruesi. Show all posts

Tuesday, May 10, 2016

Korb Siarn Khru 2016




Por Gae Ta Fai

Duang and I drove out to her home village on May 1st to witness another Korb Siarn Khru ritual being performed at the Wat located just outside the village amongst the sugar cane fields.  This was the third ritual that we have observed during the past three years.

 The Korb Siarn Khru ritual is a variant of the  Wai Khru ritual.


In a Wai Khru ceremony, devotees pay homage and demonstrate their respect for their teachers and the deities associated with their art or practice.  The term, "teachers", is not restricted to the people who are employed to teach reading, writing, and arithmetic.  Teachers in this sense of the word includes all those that have instructed, inspired, and trained others in a wide variety of matters.


Buddha is considered to be the greatest of teachers.  There are teachers of many things such as music, dance, martial arts, astrology, traditional healing, and magic.

The Wai Khru ceremony is not a Buddhist ceremony although Buddhism is often involved in the ritual.  The origins of the Wai Khru ceremony are in the Animist and subsequent influence of Brahmanism.  Animism was the original religious belief system of the native peoples of Thailand and in particular the inhabitants of the region referred to as Isaan (Northeast).  The history of Southeast Asia is fraught with migrations, wars, invasion, and subjugation. One of the consequences of the turbulent past was the spread of different religions and philosophies.  One of the religions that spread to Thailand was Brahmanism, the precursor of Hinduism, originating in Northern India but most likely spread in Thailand from Cambodia as part of the Khmer Empire.

Rather than eliminating the former Animist practices, beliefs and rituals with the arrival of Brahmanism, the old traditions were assimilated into the new system.  The same thing occurred later when Buddhism arrived from Ceylon.

This all makes for a very interesting and quite often confusing religious system which is practiced here in Isaan today.  Today, 95% of the Thai people are Theravada Buddhists but a vast majority of the Thai people's religious beliefs, practices, as well as rituals are vestiges or heavily influenced by Animism and Brahmanism.  The Wai Khru Ceremony is one example.





The Korb Siarn Khru ritual involves paying respects to teachers known as "Ruesi", sages and seers, who are masters of the occult (outside of ordinary knowledge).  In a twist on the Wai Khru ritual, the devotees have a mask placed upon their head to transfer blessings and to link them to the lineage of the masters and deities.

The Korb Siarn Khru ceremony removes black magic spells and provides protection to the devotee.




Attending large and well known events such as the Wai Khru Ceremonies and Korb Siarn Khru Ceremonies provide opportunities for me to meet my ambition and achieve my goals in regards to photography.

I prefer the smaller, more intimate venues where there are not television cameras, reporters, or thousands or even hundreds of tourists.  These events and venues, where the people are conducting rituals for their own benefit offer much better opportunities to experience and better understand the event and its impact on the local people.

Living in Thailand and being married to an ethnic Lao, gives me many opportunities to experience and photograph "extraordinary people doing ordinary things."  Often I have opportunities to experience and photograph "ordinary people doing extraordinary things" 


Often my wife, Duang, will get a phone call from someone in the extended family notifying her of some ritual, event, or thing that they believe that I would like to photograph.  Just as new religious systems have been assimilated, I have been assimilated into Duang's extended family.


The young Monk of the Wat performed a typical offering ritual outside of the shrine at the white covered table while devotees sat in chairs underneath the pavilions.  After completing this part of the ritual, he went inside of the shrine for the remainder of ceremony - the Korb Siarn Khru Ceremony.


The Ruesi shrine has changed over the past year.  The open sides have now been enclosed and there are two additional shrines inside of the enclosed space.

Ruesi were and are hermit sages who spend their time meditating and developing their psychic powers - sort of like wizards.  They collect magical herbs, and minerals.  Using magical ingredients they produce love charms, spells and powerful amulets. The goal of the Ruesi is to help others have a happier life by telling their fortunes, conducting rituals and making spells to reduce the effects of bad karma.  Ruesi also are able to ward off evil spirits.  They also help people by protecting them from enemies.  Certain rituals performed by Ruesi can bring good luck and fortune to their devotees. Some of the Ruesi make Sak Yants, the magical and powerful tattoos known throughout this world.


One of the most important Ruesi rituals is performed once a year is the Korb Siarn Khru - laying the Ruesi mask of the master teacher, Ruesi Por Gae, on the devotee  The Korb Siarn Khru is performed during the Wai Khru Ceremony.  The Siarn Ruesi mask is a full sized mask with head dress with an open mouth, three eyes, two teeth sticking out of the mouth, a moustache, and a beard.  There are also masks of other deities within the Ruesi pantheon - some of them being tigers, elephants, yaks (giants) and other creatures.







Inside of the shrine there was an 
overhead matrix  formed by stringing sai sin  across the room in a checkerboard pattern.  Where the sai sin intersected, separate lengths of sai sin were coiled up.  As the devotees entered the shrine they uncoiled the sai sin and wrapped the free length around their head connecting them physically and spiritually to the Buddha image in the corner of the room, the Ruesi image and the items used by the Monk in the ritual.  A thick sai sin dropped down from the overhead grid just to the right of the Monk conducting the ritual.  He held the thick cord in his hand and several times during his incantations would violently pull on the heavy cord causing the entire grid to pulsate up and down in rhythm to his chanting.  It was at this time that things started getting intense and for many people - very intense.

As part of this initial ritual which involved all the devotees as a group of roughly 20 people, the Monk would sprinkle the crowd with sacred water that had been produced during his chanting by wax dropping from two lit horizontal white candles suspended over a metal bowl of water.

In Thailand there is an often used expression of "Same, same but different"  At first it is easy to snicker and dismiss such an expression.  However, after living here for a while, I have developed an appreciation for the phrase.  It captures some of the essence of being Thai and conveys the notion of being connected to something in a changing world.  For Buddhist life is change. Nothing remains the same  ... unchanged.

This Korb Siarn Khru ritual was the third that we attended and it was "Same, same but different"

The biggest difference in the ritual was the part of preparing the sacred water that is sprinkled on the devotees and attendees of the ceremony.

The water is produced pretty much in the same manner that Monks use in many of their merit making rituals.




The young Monk allowed the drippings from two white candles to fall into a converted Monk's bowl as he recited katas.





This year however was different, at the conclusion of the preparation of the sacred water, the Monk ate the fire from the candles.




The "eating of the fire" was not a carnival or street-performer feat.  The Monk,  a devotee and disciple of Por Gae Luesi Ta Fai was demonstrating his expertise of "Kasin Fai" - Fire Elemental Control.

Por Gae Lusi Ta Fai is a hermit wizard with a third eye.  He can stare at anything and make it burst into flames.




As the ritual continued a sort of mass hysteria developed in the devotees as the volume, intensity, and rhythm of the Monk's chanting increased.  Some of the devotees would have their bodies stiffen and go into spasms.  They would begin to hyperventilate followed by roars, squeals, and animal sounds. Their limbs would start to flail about followed by the entire body going into convulsive spasms.  The devotees who have Sak Yant tattoos adorning their body, are now in the possession of their internal animal spirits - animal spirits associated with their Sak Yant tattoos.
To be honest, there were moments when I felt very uncomfortable with all the screaming, growling, screeching, and  growling along with the highly unusual movements of the possessed people about me. Once or twice I thought about bolting out of the shrine - but it was just too interesting to leave.



The intensity quickly diminished once the young Monk sprinkled the devotees with the sacred water.


The devotees then scrunched forward to the Monk with their pre-prepared offering plates (candles, joss sticks, flower buds, three cigarettes and sprigs of leaves) along with their money offering.  The individual plates were gathered and placed first on a gold colored pressed metal tray and then transferred to the raised platform where the Monks were seated.


As their turn arrived the devotees, who had not made their offerings previously, would place themselves in front of the Monk involved in the ritual.  Once in place they would make an offering and give it to the Monk.


After accepting the offering and placing them on the raised  area off to the left from where he was seated, the Monk would start chanting.  It was a special chant called a "Kata".  Chanting a Kata is necessary to cast a spell.  As the Monk was chanting, he selected a Ruesi mask and placed it over the face and head of the devotee.  As the Monk's chanting became louder and more animated, the devotee tensed up with his arms and hands becoming rigid as if going into a catatonic state or becoming possessed - for some ; once again.


The devotees would grunt, howl, and screech the sounds of the animal or deity that was possessing them - their spirit.  The devotees would then start to writhe, crawl, jump, and hop as the spirit took control of their body.  To prevent damage to the devotee, Monk, observers and the shrine, layperson assistants flanking the devotee, would restrain the devotee as the possession reached its apogee.  The Monk would then blow upon the devotee to energize the Sak Yant tattoos and to complete the transference of the spell.  The Monk would then remove the mask.  The devotee, physically and emotionally spent, would then perform a wai (bowed, raised hands clasped in prayer position - the Thai demonstration of respect and gratitude) before leaving the shrine.


This was just a glimpse into the realm of the occult here in Isaan.  Interestingly the occult here is related to doing good and benefiting people whereas my previous view of the occult in the West was that it was related to doing evil.

There is always something to learn and experience no matter where you are or how old you are if you are only willing to get off the beaten track and interact with the ordinary people.

If you have seen it before, there is always the opportunity to better understand and gain greater knowledge.  As often is the case, there will be more than sufficient "Same. same but different" to also keep it interesting.

Thursday, June 5, 2014

Korb Siarn Khru Ceremony In A Small Village











Back in March, my wife and I went on a special trip to the area west of Bangkok.  The main purpose of our journey was to observe and experience the Wat Bang Phra Tattoo Festival.  As I learned, the main purpose of the Wat Bang Phra Tattoo Festival is to conduct a Wai Khru ceremony.

In a Wai Khru ceremony, devotees pay homage and demonstrate their respect for their teachers and the deities associated with their art or practice.  The term, "teachers", is not restricted to the people who are employed to teach reading, writing, and arithmetic.  Teachers in this sense of the word includes all those that have instructed, inspired, and trained others in a wide variety of matters.  Buddha is considered to be the greatest of teachers.  There are teachers of many things such as music, dance, martial arts, astrology, traditional healing, and magic.

The Wai Khru ceremony is not a Buddhist ceremony although Buddhism is often involved in the ritual.  The origins of the Wai Khru ceremony are in the Animist and subsequent influence of Brahmanism.  Animism was the original religious belief system of the native peoples of Thailand and in particular the inhabitants of the region referred to as Isaan (Northeast).  The history of Southeast Asia is fraught with migrations, wars, invasion, and subjugations. One of the consequences of the turbulent past was the spread of different religions and philosophies.  One of the religions that spread to Thailand was Brahmanism, the precursor of Hinduism, originating in Northern India but most likely spread in Thailand from Cambodia as part of the Khmer Empire.

Rather than eliminating the former Animist practices, beliefs and rituals with the arrival of Brahmanism, the old traditions were assimilated into the new system.  The same thing occurred later when Buddhism arrived from Ceylon.

This all makes for a very interesting and quite often confusing religious system which is practiced here in Isaan today.  Today, 95% of the Thai people are Theravada Buddhists but a vast majority of the Thai people's religious beliefs, practices, as well as rituals are vestiges or heavily influenced by Animism and Brahmanism.  The Wai Khru Ceremony is one example.

Table of Offerings for Wai Khru Ceremony - Tahsang Village

At the Wai Khru Ceremony conducted at Wat Bang Phra, the energy and powers of magical tattoos, called "Sak Yant" were renewed.  The former Abbott of Wat Bang Phra, Luang Phor Penn, was world famous for the powers of his tattoos.  Thousands of his devotees and thousands of foreigners make the pilgrimage to Wat Bang Phra for the Wai Khru ceremony.

My ambition and goal in photography is "to show extraordinary people doing ordinary things.  In so doing, I wish to show how different people appear, to provide a glimpse of other cultures, to celebrate the diversity of mankind, and to demonstrate that despite our appearances, we are so much alike"

Attending large and well known events such as the Wat Bang Phra Tattoo Festival provides opportunities to meet my ambition and achieve my goals in regards to photography.  However I prefer the smaller, more intimate venues where there are not television cameras, reporters, or thousands or even hundreds of tourists.  These events and venues, where the people are conducting rituals for their own benefit offer much better opportunities to experience and better understand the event and its impact on the people.

Living in Thailand and being married to an ethnic Lao, gives me many opportunities to experience and photograph "extraordinary people doing ordinary things."  Often I have opportunities to experience and photograph "ordinary people doing extraordinary things"  Often my wife will get a phone call from the extended family notifying her of some ritual, event, or thing that they believe that I would like to photograph.  Just as new religious systems have been assimilated, I have been assimilated into Duang's extended family.

Such an opportunity occurred on May 1.  Duang had gotten a call earlier in the week that a Wai Khru Ceremony was going to happen at the "Outside" Wat in Tahsang Village.  We drove out to the Wat under the bright and hot sun through the parched sugar cane fields to the "Outside" Wat (the Wat outside of the village as opposed to the Wat inside the village)

Pig's Head Offering

At the perimeter of the Wat's grounds, near the small huts were the Monks sleep, we went to the small shrine.  We had gone to the small shrine a few times for special rituals where Duang and her friend would be doused with buckets of water by the Monk in a special ritual and when Duang's brother received some special blessing while wearing an ornate mask.  Visiting this shrine is not a common occurrence.

Three pavilions had been erected around the shrine with plastic chairs set up for people  to sit out of the strong sun light.  In front of the shrine a large folding table covered with a white cloth had been set up.  Upon the white cloth covered table there were many objects associated with the upcoming ritual.

There was a Pahn Sii Khwan, a centerpiece made by local women out of fresh banana leaves, jasmine buds and chrysanthemums, along with a smaller handmade arrangement on the table along with food offerings to the spirits and deities. The main food offering was a  cooked pig head.  Offerings of a pig head are not common and typically reserved for special occasions. There were also offerings of eggs, pineapple, cooked prawns, sweet potatoes, coconut, cooked duck, oranges, limes, bananas, mangoes, prepared bananas, sticky rice and coconut wrapped in banana leaves, and some bowls of special desserts.

Ruesi Mask - "Siarn Ruesi"
The table also had a silver colored pressed metal ornate tray upon which rolled up sii sein string, a tiger skin cloth and a full life sized Ruesi mask (Siarn Ruesi) and a pumalai of chrysanthemums along with jasmine buds.  The items all symbolize things for and in the ritual.  Pumalai symbolize and celebrate beauty of this life but as they age and deteriorate they remind people of the impermanence of this life as well as the fate that awaits all of us.  The tiger skin patterned cloth is symbolic of Ruesi, hermits of the forest some of who make Sak Yant (magical tattoos). In another  silver colored pressed metal ornate tray containing the sweet potatoes were lotus flower buds, white candles and joss sticks. There was also a large tray of chrysanthemum petals on the table along with an ordinary serving tray of pumalai.



The young Monk of the Wat performed an typical offering ritual outside at the white covered table while devotees sat in chairs underneath the pavilions.  After completing this part of the ritual, he went inside of the shrine for the remainder of ceremony.

Devotees At the Wai Khru Ceremony

Ruesi Shrine

The Ruesi shrine was very congested.  One wall of the room was covered with statues and masks related to Ruesi.  Ruesi is a hermit sage that is prominent in several legends as well as stories in Thai folklore.

Ruesi was and are hermit sages who spend their time meditating and developing their psychic powers - sort of like wizards.  They collect magical herbs, and minerals.  Using magical ingredients they produce love charms, spells and powerful amulets. The goal of the Ruesi is to help others have a happier life by telling fortunes, conducting rituals and making spells to reduce the effects of bad karma.  Ruesi also are able to ward off evil spirits.  They also help people by protecting them from enemies.  Certain rituals performed by Ruesi can bring good luck and fortune to their devotees.  Some of the Ruesi make Sak Yants, the magical and powerful tattoos know throughout this world.

I was about to dip my toes, if not enter, into a new world, the world of the occult in Thailand - "Saiyasart" (waes -magical spells).

As Dorothy said in the Wizard of Oz - "Toto, I've a feeling that we're not in Kansas anymore" or at least any parts of Kansas that I visited some 20 years ago!

One of the most important Ruesi rituals is performed once a year is the Korb Siarn Khru - laying the Ruesi mask of the master teacher, Ruesi Por Gae, on the devotee  The Korb Siarn Khru is performed during the Wai Khru Ceremony.  The Siarn Ruesi mask is a full sized mask with head dress with an open mouth, three eyes, two teeth sticking out of the mouth, a moustache, and a beard.  There are also masks of other deities within the Ruesi pantheon - some of them being tigers, elephants, yaks (giants) and other creatures.



 
 
Inside of the shrine there was a matrix overhead formed by stringing sii sein  across the room in a checkerboard pattern.  Where the sii sein intersected, separate lengths of sii sein were coiled up.  As the devotees entered the shrine they uncoiled the sii sein and wrapped the free length around their head connecting them physically and spiritually to the Buddha image in the coroner of the room, the Ruesi image and the items used by the Monk in the ritual.




As their turn arrived the devotees would place themselves in front of one of the two Monks involved in the ritual.  Once in place they would make an offering and give it to the Monk.


Making Offering

After accepting the offering, the Monk would start chanting.  It was a special chant called a "Kata".  Chanting a Kata is necessary to cast a spell.  As the Monk was chanting, he selected a Ruesi mask and placed it over the face and head of the devotee.  As the Monk's chanting became louder and more animated, the devotee tensed up with his arms and hands becoming rigid as if going into a cationic state or becoming possessed.

Placing a Ruesi Mask On A Devotee

Monk Chanting A Special Kata To Cast A Spell

The devotees would grunt, howl, and screech the sounds of the animal or deity that was possessing them - their spirit.  The devotees would then start to writhe, crawl, jump, and hop as the spirit took control of their body.  To prevent damage to the devotee, Monk, observers and the shrine, layperson assistants flanking the devotee, would restrain the devotee as the possession reached its apogee.  The Monk would then blow upon the devotee to energize the Sak Yant tattoos and to complete the transference of the spell.  The Monk would then remove the mask.  The devotee, physically and emotionally spent, would then perform a wai (bowed, raised hands clasped in prayer position - Thai demonstration of respect and gratitude) before leaving the shrine.



So what was that all about?

In the Korb Khru ritual, devotees believe that they receive very powerful blessings, are rid of evil influences and black magic is eliminated,  In addition, the merits and strengths of the ancient Ruesi Por Gae, the master teacher of all Sak Yant practitioners.  The Master Teacher, Kroo, protects devotees of his teachings that have passed through the ages amongst the teachers from word of mouth.

I learned from Duang that the young Monk at the "Outside" Wat had studied under Luang Pi Nunn at Wat Bang Phra.  People often remark that it is a small world obviously referring to this physical world but apparently the spirit world is also somewhat finite.



Unlike the Wai Khru Ceremony at the Wat Bang Phra which lasted approximately one hour, the Korb Siarn Khru and subsequent Wai Khru Ceremony at Tahsang Village lasted from 9:30 A.M. to 3:00 P.M.  People, all of them from local villages, arrived by motorbike or pick up truck.  There were no tourist vans or tour buses. It was a event for ordinary people - local people.  It was an extraordinary event - a great opportunity for photography and a special opportunity to experience a unique aspect of Thai culture.

This was just a glimpse into the realm of the occult here in Isaan.  Interestingly the occult here is related to doing good and benefiting people whereas my previous view of the occult in the West was that it was related to doing evil.  My goal now is to learn more about Ruesi and the associated practices from the young Monk at Tahsang Village.

There is always something to learn and experience no matter where you are or how old you are if you are only willing to get off the beaten track and interact with the ordinary people.