The Fruits Of Their Labors

Duang has been very busy the past week learning from her friend how to make pahn, also known as pahn sii kwan and pahn bai sii.  Besides learning how to make pahn, Duang is actually helping to produce pahn for making special offerings during Vassa.

In Thailand the Buddhist Retreat is known as Vassa.  Buddhist Lent starts the first day of the waning moon in the eighth lunar month (typically July).  Buddhist Retreat lasts three lunar months.  During the period, Monks are supposed to remain at their home Wats or monasteries.  The practice predates Buddhism when religious holy men in India would not travel during the rainy season in order to prevent damage to crops growing in the fields, to reduce the likelihood that they could kill insects that they were unable to see in the mud or water, and also to reduce the likelihood that they could injure themselves.

For the Theravada Buddhists of Thailand, there is also a connection between the practice of the Retreat and the life of Buddha.  There is a legend, a belief for others, that Buddha retreated to heaven to give a sermon to his mother who had died seven days after his birth.  He stayed in heaven for three months.  When Buddha returned to Earth, he was welcomed back with great enthusiasm and joy.  The welcome back celebration was so joyous that the gods and goddesses joined in.

We are in Vassa.  During this time, Monks are to remain in their monastery and refrain from overnight travel.  During this time, it is customary for laypeople to make offerings of candles to the Monks because Vassa is a period of intense study of scriptures and teaching by the Monks.

During Buddhist Lent many women made extra merit by wearing white clothing when participating in merit making rituals and when praying.  Some of the women also attended overnight women's retreats at the Wats where they recited and studied scriptures.  Duang has attended one of these overnight retreats already this season.

She and her friends wear white clothing when creating their pahns.

Sunday we traveled 4 hours from our home to make offerings to a special Monk.  We traveled with our daughter-in-law., our grandson Pope, Duang's son, Duang's friend, the Monk from the new Wat near our home, and two other women from the new Wat.  We ended up going in two vehicles due to the threatening weather conditions.

Our journey took us along Thai Highway 2195, a two lane country road, that parallels the Hueang River.  The Hueang River is 90 miles long and empties into the Mekong River.  We travelled along part of the 56 miles of the river that constitutes the border between Thailand and the Lao People's Democratic Republic.  In many places the "river" is in a gully about 50 feet from the side of the road.  Across the 50 foot wide river, on the other side, is Laos - literally a stones throw away - even with my rag arm!  For me it sure put a new perspective on the concept of building a wall to secure a country's border.  It was difficult terrain and a great distance even the short time that we traveled along the border.

Thailand does not have a wall but the border is not ignored.  We went through two sections of road where we were forced to navigate around several hefty log barriers topped with concertina wire which narrowed the road to a single serpentine lane.  The checkpoints were not manned when we passed through them.  However on our way to the shrine, we were stopped by a squad of armed military.  I suspect that they were Thahan Phran, Thai Rangers, paramilitary light infantry.  They were all armed with HK33 assault rifles.  We were stopped, questioned as to where we were going, and given a good look over.  We were quite the lot - a Buddhist Monk, a 4 month pregnant woman, a two year old, my stepson, and me - a foreigner!  We were wished a good day and sent along on our way.

We eventually pulled off of Highway 2195 and took country road 3033 up into the highlands to Wat Phon Nong.  Wat Phon Nong is precided over by a very important Monk.  Duang says that he is the Number 1 Monk in Isan.  He is 49 years old and has been a Monk for 17 years.

Pakoo Pawahna Vilotwavi (?) teaches 16 other Monks at Wat Phon Nong.  His patrons are high ranking officers in the Thai military.  He has meditated for as long as 15 days and nights.  His reputation is also for knowing everything ... knowing the future, telling fortunes, as well as being a great judge of character.  These beliefs of the laypeople are strong and very important in Isan culture.

We arrived at Wat Phon Nong during a light rain shower that continued on and off during our entire stay.  I went up to the sheltered portico were some laypeople were seated on the tile floor in front of Pakoo Pawahna Vilotwavi.  The others of our group stayed at some little huts alongside of the road, busy assembling the offerings to be made.

After about 20 minutes, I was joined by the others lead by Duang carrying a completed offering.  The offering was a large sculpted saffron colored candle, about 9 inches in diameter and roughly 4 feet long, mounted inside of a large pottery pot painted like a strawberry.  The women had assembled components of their pahn sii kwan around and along the candle to be a large Naga (serpent) topped off with three heads with interwoven red, white and blue ribbons.  Red, white and blue are the colors of the Thai national flag. Yellow chrysanthemums, pumalai made from chrysanthemums, and ribbons created out of Thai currency completed the candle offering.  The other people of our group carried the other candle offering as well as the smaller pahn offerings and placed them before the esteemed Monk.

After receiving a blessing from the Monk, time was spent in small talk.  I asked several questions to get a better understanding of what I was observing.  One of the Monks then took me on a private tour of the facility which I greatly appreciated.

With another four hours of driving awaiting us before we were once again home, we soon bid our farewell to the Monks and hit the road once again. The weather had not been great but we had had a great day.  Duang and her friends were quite satisfied and pleased with their offerings to an important Monk.  I was pleased to experience yet another unique aspect of Isaan culture and life.

We will return to the area some day when the weather is more conducive to outdoor exploration.

Passing On

Pahn Sii Kwan

"Passing on" - this blog entry is not another entry regarding the funeral rituals of the Lao Loum people who inhabit the Northeast Thailand.  This blog entry has nothing to do with someone's death. rather it is about keeping a culture and a handicraft alive.  They are kept alive by passing on the knowledge and training others to develop the skills required to maintain the traditions.

Here in Isaan, ornate centerpieces created out of banana leaves, chrysanthemums, and jasmine buds are used during many significant events celebrated with rituals based upon Buddhist, Hindu, and Animist religions.   The centerpieces, called Pahn, Pahn Sii Kwan or Pahn Baisii, can be seen at funerals, 100 Day Parties, weddings, ordinations, birthdays, baii sii rituals, and special Buddhist days.

I have seen pahn being created many times and consider them to be one of the hallmarks of life here in Isaan and in Lao.  The making of pahn, like many things here, is a community endeavor.   Prior to the reason for celebration, women, typically older women, will gather to make the pahn.  In addition to making the pahn, the women spend their time eating, drinking, and most of all ... socializing.  Some of the women chew betelnut, a pastime similar to chewing tobacco even down to spitting out copious amounts of darkly colored saliva.

I had mention some time ago to Duang that it would be nice if she learned how to make pahn.  Duang is clever as well as artistic so learning to make pahn seemed natural to me for her.  There was also another contributing factor for her.  Since pahn are used as offerings in religious rituals, merit is earned by their creators.  Duang agreed and said that she wanted to learn how.  She was willing and we only had to wait for a way.

Tearing Banana Leaves to Use for Pahns

For the past two years, Duang has been going to the local market and purchasing pahn for the shrine in our home.  She has also ordered special pahn to take to rituals in her home village of Thasang Village.  Over the time she developed a friendship with the vendor.  Last week through the vendor, Duang learned of the special ritual to cast the Naga at the local rustic Wat.  After our visit for the casting of the Naga, the woman offered to start teaching Duang how to make pahn.

On Sunday, we drove back to the local rustic Wat near our home for Duang to start her training.  I went along to take photographs specifically to work on using speedlights to control the lighting for photographs.

I had not properly prepared to take photographs.  I had not checked on the numerous AA batteries that I would be using to power the speedlight and two radio transmitters to trigger the speedlight.  A total of 8 batteries are necessary for the technique that I planned on using.  After the first few shots, the flash no longer worked either due to its depleted batteries, depleted batteries in the radio receiver attached to the flash or depleted batteries in the radio receiver on top of my camera - or so I thought.  I had not brought my battery tester so troubleshooting was a hit or miss affair - with many misses.  Despite my shaking, reinstallation of batteries and swapping out of batteries along with several "words of encouragement" from me, the flash did not operate consistently or reliably.  It was then that the Abbott who was casting Naga parts just outside of the room where the lessons and photography were going on got involved.  He told Duang that she and her friend needed to make some offerings and say some prayers to the spirits.  The spirits were upset and did not want photographs.

Apparently earlier, a television crew had arrived at the site to make a film.  They were unable to get their equipment to work.  Apparently the spirits were not pleased and would not allow the filming.

Duang told me to wait.  She and her friend moved over to the corner of  the room that contained a shrine.  Together they made an offering of a pahn and said their prayers, Duang beseeching the spirits to allow me to photograph and not to make me angry.

Upon completion of their worship, my flash began to function properly, consistently, and reliably.  Duang is certain that the spirits had relented and allowed me to continue.  Personally I suspect that I had resolved the issue by using my third radio transmitter and scavenging four batteries from my spare speedlight.  In my experiences and travels around this world I have found that man has a need to explain and understand the events that occur about them.  Duang has solace in her faith and I have comfort in my trust of science - different solutions from different perspectives but solutions that satisfy a common need.

With the technical issues resolved, the lesson began.  The commitment and supportive teacher showed her eager student how to fold, bend, staple pieces of banana leaves and jasmine buds to form the components that will stapled and pinned with sewing pins to create simple pahn.

The women kept busy with their craft while I was occupied with taking photographs.  Their efforts and my efforts were periodically interrupted by my need to share with them the results of photograph efforts. It was a very relaxed atmosphere with plenty of conversation and laughter.  Duang and her friend often laughing at my efforts to take photos from different perspectives such as laying on the floor.  I made several quips about Duang's efforts ... when her friend praised her pahn, I remarked that Duang was good but slow!  Truthfully, Duang had done very well.  Her instructor had gone to school for one year to learn the handicraft and has spent 6 years supporting herself, her mother, and her daughter making pahn to sell at the local market so making speed comparisons was unfair.

I was impressed with the patience of Duang's instructor.  She is the type of teacher that we all wish that we have had.  She watched over Duang's efforts without interfering with Duang's learning process.  She was extremely supportive and encouraging.

Duang concentrated on making the simple pahn while her friend moved on to the more complicated components for intricate pahn.

After three hours of intense learning and work, we left.  Duang said that learning to make pahn was "same same" as learning English ... "think think too much, my head hurt"  We shared a good laugh and returned satisfied and content.  Duang enjoyed her lesson and will return tomorrow for more instruction.

I was pleased to see that Duang will be able to maintain a tradition so closely related to her culture.  Like I often find and appreciate in photography there are people who are willing and capable of passing on their knowledge.  Our world is a better place due to their efforts.  Their students are the legacy and testimony of their teachers.

Pha Kwan

Pha Kwan (Pah kwan)  Used In "Marriage" Ritual

I have written that I do not necessarily believe everything that I learn and experience in my life here in Southeast Asia but then again that is also true of my life back in the USA - perhaps even more so because language is not such an issue for me over there.  However I strive to be truthful and accurate in what I have observed and experienced here.  I leave it to the reader to come to their own conclusions based upon the facts that I have shared.

Last week I witnessed the preparations for the Bone Party of a villager in Tahsang Village, my wife's home village.  A big part of the preparations, along with preparing food, making offerings for the upcoming ritual, and building basahts, was making the banana leaf and flower centerpiece for the ritual.  For a long time I have referred to this arrangement as "bai sii su kwan" or "pahn sii khawn".  I did not make it up, this is what I was told by my wife or at least what I heard her tell me.

Duang is ethnic Lao - a heritage and culture more in line with the people who live along the lowlands of the Mekong River in Lao than the majority of Thai people.  The people here speak "Isan" - actually Lao amongst themselves and speak Thai when dealing with government and "high class" people.  As such Duang knows two words, sometimes very different words, for everything.  Two words that she has to translate into English for me to understand.  Take for instance - Jack Fruit, one of my favorite fruits.  In Lao it is, or what sounds like to me - "Buck mee" but in Thai it is or once again sounds like to me - "koh num".  I have mentioned a couple of times, "or what sounds like to me", this is of great importance especially in being able to write an Anglicized version of the word.  But it is extremely difficult here - Isan has six tonal variations for saying words.  The way you say a word completely changes its meaning - talk about apples and oranges!  Thai is also a tonal language but has ONLY five ways of saying a word. This complicates communication at times - all the time when you can only distinguish three of the tones most of the time.

Two pha kwan for Bai Sii related to casting Buddha statue

Well I now learn that what I had been calling "bai sii su kwan" or "pahn sii khawn" is actually "pah kwan" or/and "pha kwan".

Pha kwan is an ornate floral arrangement consisting of banana leaves, ornate pressed metal bowls either silver or gold colored (gold is typically used for more auspicious ceremonies), flower buds, flowers, and pieces of cotton string.

Pha kwan are the centerpiece(s) of an ancient ritual of the Lao peoples (including their cousins now living in Isaan (Isan, Esan, Esarn, Isarn).  The ancient ritual, Bai Sii (Baci, Su Kwan or in the case of my wife - "Bai Sii Su Kwan") harkens back to the time when Animism was the religious belief system of the land - in the time before Brahmanism, Hinduism, and eventually Buddhism arrived.

Bai Sii (baci) rituals dominate life here in Isaan even today.  Bai Sii rituals are conducted to mark significant events in an individual's life or community events.  Bai Siis are performed for marriages, prior to the ordination of a novice Monk, birth of a child, a Bone Party, to heal or cure, to celebrate recovery from illness, to wish good luck before a grand journey, to honor visitors, and to celebrate a success.

It is believed, still today, that there are 32 spirits that inhabit the body.  These spirits are necessary to maintain health, wealth, and fortune.  Sometimes some of the spirits will wander off which creates problem for the individual.  A bai sii ritual is conducted to call back the wandering spirits and to ensure that they remain in place by wrapping around and tying the right wrist of the person with short pieces of cotton string - sai sin.

Elderly Female Villagers Making Pha Kwan Components

The creation of the Pha Kwan is an integral component of the Baci ritual.  The making of the pha kwan is typically the work of the elderly women of the family and village.  They typically sit on top of low wood platforms of rough wood or of bamboo to produce the components for the pha kwan.  If they do not position themselves on the handcrafted platforms, the elderly women will work upon woven reed mats, sahts, placed upon a tile floor.

Assembling a Pha Kwan

One woman is recognized as the master or best Pha Kwan.  She is responsible for taking the various components created by the other women and assembling them into a completed pha kwan.  The center of the pha kwan is a cone created from many banana leafs wrapped, twisted, and held together with homemade pegs fashioned from bamboo.  The large cone is placed in the center of an ornate pressed metal ceremonial bowl.  Scraps of banana leaves are bunched around the cone to secure it in the bowl or a banana leaf covered foam ring is placed over the cone and against the interior of the bowl .  Although similar, pha kwan reflect the style and experience of the individual and community that create them.  The often used Thai expression of "Same, same but different" definitely applies to pha kwan.

The other elderly women associated with making the pha kwan were occupied with making smaller cones, placing flower buds at the tips and stringing them together.



Duang's Aunt At Work

The strings of small banana leaf cones will be shaped to form wing like shapes attached to the central cone of the pha kwan.

Soaking Wing Like Structures To Keep Them Fresh

Attaching the Wing Like Structures to Central Cone

Plucking Buds To Attach to Banana Leaf Cones

One of my favorite models in Tahsang Village was part of the group of women working on the pha kwan to be used the next day for the Bone Party ritual.  There are a small group of people that I get a great deal of satisfaction photographing.  It is interesting to document the progression of this life for them.

The baci ritual is intended to benefit an individual - either living or dead.  However, as often in the case here, it is not what it first seems to be .  Besides benefiting the individual, the baci ritual also benefits the family and community by strengthening their bonds - just as the bonds of the sai sin contain the recalled spirits of the individual. Harmony of the community as well as within the individual is a highly respected and a desired state for the ethnic Lao of Lao and Northeast Thailand.