The Golden Hour

The Golden Hour In Galilee (Rhode Island)

Duang and I have been in the USA for seven months now.  Caring for my parents takes up most of our time but on occasions we do get out for a few hours.  I am not able to take as many or the types of photographs that I prefer back in Southeast Asia.  Here in the USA people are more sensitive and suspicious of having their photograph taken; and even more so of photographs of their children!  Back in Thailand and Laos, people are honored to have you take their photograph and even more so photographs of their children.   Up until around 1999, the vast majority of my photographs were of landscapes and animals with perhaps as little as 5% being of people.  Now, outside of the USA, 90% of my photos are of people.

Saturday, Duang and I drove over to the Washington County Fair in nearby Rhode Island.  I wanted Duang to experience a quasi-rural county fair.  I brought along my camera gear in anticipation and hopes of getting some photographs.  The Fair was nice but after about two hours, Duang was a little intimidated by the amount of people and was tired.  I had taken only 6 pictures and was quite conscious that the few people that I would consider photographing were not all that willing to be subjects.  Undeterred we moved on to Plan "B".

On previous trips to the area, we had toured some of the areas that I had frequented during my years at the University of Rhode Island but we had yet to spend any time at the local fishing villages.  Plan "B" was to drive down to Galilee, have some dinner, and take some photographs during the "Golden Hour" which is sometimes referred to as the "Magic Hour"  If I could not take photographs of interesting people, I would fall back on to what I used to shoot ... landscapes and work on some portraits of my willing model Duang.

The "Golden Hour" is roughly the time just after the sun rises in the morning or the time just before the sun sets in the evening.  It is at this time that the sun is low on the horizon which produces a much softer and more diffuse light than the midday sun.  During the "Golden Hour", shadows are not as dark or as sharp as during the other times of the day.  The light is also warmer with more of a reddish hue.  This time is also a time when magic can occur.





Nossa Senhora do Carmo By Day, Ouro Preto, Brasil

The strongest example of the magic that I have experienced occurred in Ouro Preto (Black Gold), Brasil in November 2000.  Ouro Preto is a colonial mining town located in the state of Minas Gerais.  It is the location where gold was first discovered in Brasil. It is now a UNESCO World Heritage Center.  It is a beautiful and fascinating place to visit and even more so; to photograph.
The center of town is dominated by many large colonial structures one of them being the church, Igreja Nossa Senhora do Carmo.  The church is covered in stucco which like the concrete structures of Asia develops an unattractive "patina" of soot, smoke, mold and mildew making the buildings a dull light grey with streaks of black if they have not been recently power washed.  It is what it is.  However it can be at times marvelous especially during the "Golden Hour" when everything is magically transformed.




Igreja Senhora do Carmo During the "Golden Hour"


I had been walking about the city all afternoon long with my wife when we were headed into the center of town to have dinner before grabbing a taxi to our possada on the outskirts of town.  Walking the streets of Ouro Preto can be a challenge.  The town is very hilly, some of the streets are quite steep, and many of the streets are cobble stoned.  Along with the elevation of 1,100 meters (3,400 ft) and heat, these factors all contribute to tiring you out.  As we were crossing over a small stone bridge during the "Golden Hour" just prior to making our way up to the city center, I saw Nossa Senhora do Carmo unlike anytime before during our stay.  It was completely bathed in gold - golden light.  It was awesome.  Since my wife was tired I had her sit on a bench placed on the bridge, while I hustled up the steep street to get a better perspective for photographing the sight.  I ended up taking 7 pictures.  Seven pictures?  At the time I was shooting film so I was much more prudent in the number of photos that I took than today with my digital cameras.  After taking the seven shots, I excitedly returned to where my wife was waiting.  I described how beautiful the scene was and when I turned around to point out the golden scene, the light was already gone.  My "Igreja D'Ouro" (Church of Gold) had transformed with the dying of the light into a cold drab bluish grey building.  The entire metamorphosis from a light grey black streaked building to a golden shrine and then to a cold drab bluish grey structure had taken about 15 minutes.  Although the magical time is referred to as the "Golden Hour" it is not exactly an hour because of location and locale.  Because Ouro Preto is closer to the equator and because it is so hilly, the magic lasts much less than an hour.

"Igreja d'Ouro"

Eleven years later back in the USA, I had no expectations of capturing the magic of Ouro Preto but I was looking forward to seeing what could be made from the "Golden Hour" in Galilee, Rhode Island.  Like most places and all people, a great deal has changed in the 40 years since I left the area.

Where fishing boats used to command center stage in the center of the port, the two Block Island ferries, one traditional and the other high speed, dominate the port as well as surrounding land.  George's Restaurant is still at the mouth of the port serving up their famous chowder and fritters along with other seafood fare.  The restaurant is much larger than I remember and I am certain that wait staff are children and grandchildren of the staff that I was familiar with.  A great surprise was despite the cost increases, the food was better than I remembered and the best clam fritters that we have had since we arrived in America.

After our dinner we drove down to the edge of town where the fishing boats now are docked.  It was around 6:50 PM and it was a perfect time.  Other than a few people boarding charter vessels for night fishing excursions, we had the docks to ourselves and the sea gulls.  There was no one around to tell us what we could not do.  There was no one around to look out for us and to question our intentions or motives.

Duang and I walked along the various docks enjoying the sights and smells of a working fish dock.  I took some photos of moored boats and other things.  As in Brasil the "Golden Hour" was also a "Magic Hour".  The low sun was transforming ordinary things into extraordinary sights.  The diffuse warm light enhances the colors and textures.  I took some photographs of  a pile of fishing gear on the dock - a mundane subject if under the harsh light of the afternoon sun but very interesting under the soft light.

Duang was enjoying the moment by taking her own photographs with her camera.  We were on the dock that service boats with ice when I got the idea to take some portraits of Duang, my always willing model.  With the limited opportunities to take my documentary style photographs of people, I have been looking into learning more about studio lighting for portraits.  I have researched renting a studio and studio lighting as well as attending a class related to studio lighting hopefully in the near future.

In some aspects the available light on the dock in Galilee was the type of light photographers work to create in the studio artificially.  I decided to try some techniques out, after all it was free and I enjoy photographing Duang.

Duang In Galilee ... Galilee, Rhode Island

Duang On The Dock Of the Bay, Galilee

Duang Enjoying the "Golden Hour"

We spent 25 minutes photographing and enjoying the summer evening.  Around 7:15 PM the light quality was diminishing rapidly.  It was time to head on home.

It Is All About the Light

Our afternoon out had worked out very well.  Just as often the case is in life, things did not go as we had hoped or expected.  Just as in life we adapted and made the most of the opportunities that did present themselves.

In photography, we are all presented with the opportunities and magic of the "Golden Hour".  If you can get outside, it is there for you everyday and for free.  You may not be able to take the exact photographs that you typically do, but you can learn to broaden your perspectives and enlarge your focus - a worthwhile endeavor and pleasant way to spend any evening.

Now Showing ...

Sawasdee Thai International Restaurant, Groton CT

It is now official and available for viewing ... the first public display of some of my photographs.

Seven of my photographs, selected by the restaurant owner, are now on display at the Sawasdee Thai International Restaurant, 764 Long Hill Road, Groton CT in the Groton Plaza Shopping Center and will remain there for six months.

The frames, backboards, acrylic, and mats arrived on Thursday afternoon from Documounts in Portland, Oregon.  I was extremely impressed with the packaging of the items that I had ordered for this exhibit. All items were well protected and arrived in pristine condition.

Duang assisted me in assembling the metal frames, and mounting the photographs, which had arrived the previous week from Adorama in New York City.  The afternoon went by quickly as we assembled three sides of the metal frames, attached the selected photograph to the black archival mat, removed the paper backing from both sides of the standard acrylic sheet, inserted the acrylic sheet into the frame followed by the matted photograph and then the archival foam board before finally installing the last piece of the frame along with mounting hardware - all the while ensuring that no fingerprints or debris were captured in the process.



"Bent At The Waist" 2009
12"x18", Black Mat, Black Metal Frame



"Lao Loum Labor" 2008
12"x8",  Black Mat, Black Metal Frame



"Duangchan and Family Planting Rice" 2009
12"x18", Black Mat, Black Metal Frame



"Ma Jon and Mother" 2006
12"x8", Black Mat, Black Metal Frame



"Garlic Harvesters of Ban Huai Phueng" 2009
12"x8", Black Mat, Black Metal Frame



"Isaan Songkran Fun" 2010
12"x8", Black Mat, Black Metal Frame

"Ubon Ratchathani Dancers In the Rain" 2010
12"x8", Black Mat, Black Metal Frame

Yesterday afternoon, between the lunch and dinner servings, Duang and I brought the framed works to the Sawasdee Thai International Restaurant to show to Tai, the owner to ensure that the works were acceptable.  She was very pleased and wanted me to hang the photos right then and there.  I drove back to my parent's home to gather the tools to hang the photos ... tape measure, framing square, plumb bob and line, hammer and level.  Walking back into the restaurant with the tools, I felt like I was back in my old days as an apprentice pipefitter some 44 years ago.

I had previously made a scale drawing of the available space and had developed a layout for the photographs so the task at hand was to locate the points for hanging each frame on the wall.  Once again Duang was most helpful and supportive in assisting me to complete the task.  We were both very happy with the end result.  The owners and staff at the restaurant were very pleased also and complimentary.  The display meets the goal of Thai life - "Good for you.  Good for me".

I have a public venue to share and perhaps sell some of my work.  The restaurant has a complimentary addition to their decor.

After hanging the photographs, we returned home to make dinner for my parents.  We then returned to the restaurant to have an intimate dinner - just the two of us; a rare and most welcomed occurrence for us.  Naturally we selected the table across from the photo display.  The food, as always, was excellent.

Photography Exhibit Update

"Bent At The Waist"

A while back, actually almost 3-1/2 months ago, I wrote about being inspired as well as encouraged to develop a photography exhibit of some of my work.  I have not given up on that endeavor and I have been busy developing and redefining my original concept.

A local business has offered me some space to display some of my photographs and to handle any sales that may arise.

The prints have been selected and the prints arrived two days ago.  Frames and other mounting materials have been ordered and through the power of the Internet I am able to track their progress across the USA for a scheduled 5 August delivery.

I have been using http://www.adorama.com/ in New York City for several years for prints as well as my other photography equipment needs.  I have never been disappointed with their products or service.  I have even had them ship items to me in Thailand.  The prints that arrived the other day were sharp and correctly colored just as all the other prints that I have ordered over the years.

Only recently I have gotten into mounting and framing of my photographs.  After researching suppliers on the Internet, I selected http://www.documounts.com/ for my supplies.  Documounts has an extensive selection of frames, mats, and supplies required to display photographs.  Like Adorama, you are given a tracking number for your shipment.  I found that the pricing from Documounts to be very good and their customer service to be excellent.

This will be the first public display of my work and the process has been a learning experience.  Developing an exhibit, albeit a small exhibit, requires a great deal of work.

Based upon the three books that I have produced, I have developed a style for displaying my photographs.  As in my books, the photographs will be surrounded by a black mat.  The displayed photographs will be placed in black metal narrow frames to avoid distracting from the photograph as well as for economical considerations. Separate labels will be mounted below each of the framed photographs.  The labels mirror the style utilized in my books; black background, yellow lettered captions, and white lettering for information.

Prior to producing labels, I had to give a name to each piece of work and determine a price for the work.  Developing a price for your work can be quite daunting,  Photography discussion groups on the web are filled with people asking for help to price their work.  Fortunately I have had plenty of experience in pricing work related to construction projects so I did not have to seek assistance. However I did some research on what other people were charging for similar photographs and evaluated those prices against my wants and needs to develop my pricing.

Labels Created In Photoshop Elements


With names and prices determined, it was time to develop the individual labels.  I had read on the Internet that one person produced their labels using Photoshop.  I decided to try and make my labels out of Photoshop Elements, a watered down $100 version of the $600 Photoshop software program.  Using Photoshop Elements, I was able to create individual 1.5 inch high by 3.5 inch wide labels.  I created a jpeg file to print three labels per 4 inch by 6 print.  When all the labels were completed, I uploaded the files to a flash drive, drove to a nearby CVS Pharmacy, and printed the photographs on a Kodak Kiosk.  In five minutes I had my prints and was ready to move on to the next step of the process.

The 4x6 prints were glued to 3/16"  thick foam board using Scotch Craft Stick.  After allowing the glue to thoroughly dry, I cut the individual 1-1/2" x 3-1/2" labels using a metal straight edge and an Exacto knife.  The edges of the foam board labels were painted with black acrylic craft paint.  After the paint was dry, two small circles of double edged sticky foam were affixed to each label to complete the process of making individual labels for each displayed photograph.

The next order of business was to design the layout for the display.  This required taking measurements of the space and drafting a scaled drawing to develop the arrangement for the photographs.  Either through dumb luck, beginner's luck or Divine intervention, the layout was rather easy as well as symmetric - and more importantly fit the available space!

Discussion groups on the Internet are filled with tales of anger, disappointment, and betrayal regarding people doing business.  The standard question that is sent in response to the initial posting is usually along the lines of "What does the contract say?"  invariably the original poster acknowledges that there was no formal contract.  Having dealt with many claims and a few of construction lawsuits over the years, I understand how important and helpful a contract can be when conducting business.  I am hoping to avoid a personal tale of woe so it was back to the Internet to research contracts and consignment agreements.  Once the research was completed, I developed a proposed contract for the exhibit that is intended to meet the needs and concerns of both parties involved.

It appears that the exhibit will be set up by the middle of August.  I will announce the location when it is available for viewing.

In the mean time I have made a submittal to a local gallery involving my original concept for an exhibition.

URI LXA Reunion

Giving Credit and A Tribute to My Own Ones


Yesterday, Duang and I enjoyed a very special day; a day spent with some of my fraternity brothers, their wives, and some of our special friends from our days at the University of Rhode Island.  I had not seen many of the people since 1971.  Through the technology of the Internet I have reestablished contact with some of them through FaceBook but such interactions are rather restrictive as well as limited.

It was through FaceBook that I discovered that many of my fraternity brothers were reuniting for the weekend.  Yesterday I received the details and drove over to Rhode Island to become reacquainted with people with whom I share a common experience.

This morning as I reflect upon the friendship of yesterday and the bonds established 44 years ago, I am reminded of similar feelings from a previous visit back to America a couple years ago.  Just as then ...
I would like to share one of my favorite (I have many) songs that seems to summarize my emotions and thoughts so well regarding this reunion. Although I am not Irish, the words and thoughts of this song are meaningful and applicable to me and I believe to everyone. I found the lyrics on tp://www.lyrics.astraweb.com/.

Artist: Van Morrison

Album: Irish Heartbeat

Title: Irish Heartbeat

"Oh won't you stay


Stay a while with your own ones


Don't ever stray


Stray so far from your own ones


'cause the world is so cold


Dont care nothing for your soul


That you share with your own ones



Don't rush away


Rush away from your own ones


Just one more day


One more day with your own ones


'cause the world is so cold


Don't care nothing bout your soul


That you share with your own ones



There's a stranger


And he's standing at your door


Might be your best friend, might be your brother


You may never know



I'm going back


Going back to my own ones


Come back to talk


Talk a while with my own ones


'cause the world is so cold


Don't care nothing 'bout your soul


You share with your own ones




Oh won't you stay


One more day with your own ones


Don't rush away


Rush away from your own ones


This old world is so cold,


Don't care nothing for your soul


You share with your own ones"


I came back this time to be with my own ones - some of my friends from a distant past and a far away land of my youth.  More importantly, Duang was able to meet some of the people that influenced me and we had shared our youth together.

I was surprised and very pleased with the caring and camaraderie that I shared with some of my old friends yesterday. Some friends, I had last seen and spoke with during my last year of college back in Rhode Island in 1971.

Despite the lengthy physical separation, the bonds of our shared experiences during the four years at the university survived the years and tribulations of our individual lives. Although we physically changed a great deal, spiritually it was as if we were reunited after only a short semester break. Some people say or perhaps they wrote that making friends in New England is very difficult but that when you do make a friend, you have a friend for life.  Yesterday was truly a testimony to that fact.
I am not so sure that it true that New Englanders are not friendly - it just might be that they are suspicious!  However I know it to be true that a New England friend is a friend for life. There is no need to call, write, or visit often. The friendship is kept and maintained in the heart as well as in the soul.

Life is surprising and can not always be explained. Often it is best to accept and enjoy its richness for what it is. Yesterday was such a time for all of us - a time to celebrate and share our individual lives and the common experience of living.


"Oh won't you stay


One more day with your own ones


Don't rush away


Rush away from your own ones ..."

Duang and I stayed late into the evening as if trying to make the day last even longer, or to bask in the warmth of the day's camaraderie a while longer.  But duties and responsibilities remain so we had to leave.

However, it is through this blog and the Internet that I hope to continue to talk to and to be with my own ones.

I leave proud and happy to have seen and talked with my own ones once again.  Although the world in America has grown old and is experiencing serious economic hardships, their friendship as well as camaraderie survives and prevails. I am a richer person for the friendship, affection, and love of my own ones. I give them credit and I pay them tribute - "Thank You".

I am sure that you too share the wealth of your "own ones".  It is one of the treasures of life.

Sailfest 2011 Fireworks



Fireworks Over the Thames River

 The past two weekends have been busy here in Groton.  There have been two celebrations which provided Duang a little more flavor of American culture.

On July 4th, we attended the annual Groton Fourth of July parade.  The parade had a small town flavor to it and the highlight actually was watching the small children around us.  I was able to explain the Revolutionary War and Groton's role in the rebellion fairly well to Duang.  However I was not able to explain very well the large women roller skating down the street as part of the parade - they were representatives of a women's roller derby league.  Duang was just as much at a loss of understanding of the concept of "roller derby" as to why large women in unflattering clothing would be roller skating down the middle of a street in full public view.  I don't always succeed in explaining the idiosyncrasies of American culture but I always try.  As Duang often says "Thailand not same America".  I have seen women walking down the street in Thailand but they were always wearing their best clothing and behaving demurely and acting dignified - often part of a religious procession or celebration.

The big highlight of early July was the fireworks display on July 9 as part of Sailfest Celebration in New London across the river from Groton.  The fireworks display this year was sponsored for the 19th year by the Mashantucket Indian Tribe.  My parents had often told me how nice the fireworks were so I was determined to see them with Duang this year.  The Mashantucket Tribe own and operate Foxwoods Casino in Ledyard.  As I posted on FaceBook "Thank you to all those who gambled and lost (I guess that means just about everyone) for making this spectacular show possible."

I had been told that approximately 300,000 people could be attending the fireworks celebration so I knew that Duang and I needed a plan.  My first decision was that our plan would exclude driving our car to the event.  Fortunately the fireworks are fired from barges in the Thames River just upstream from Electric Boat - an area that I had walked to many times as a young boy.  I figured that the best place would be in the parking lot of Garbo's Lobsters.  Saturday afternoon just after lunch Duang and I drove down to the area to scout out optimum viewing locations.

As we drove, I was shocked to see how many streets were going to be closed to parking for the event.  This only reaffirmed my decision that we would be walking that night.  We made it down to Garbo's and the entrance to the parking lot was roped off.  Some people were lined up at 12:50 PM to enter the parking lot.  I spoke with some people and they said the the street along the river was going to be closed to traffic at 3:00 P.M.  Just before 1:00 PM a couple of men showed up to remove the barrier to the parking lot.  I spoke to one of the men, obviously the "Boss" since he was carrying a clipboard, about being able to walk onto the parking lot later for the show.  From our conversation I determined that it was possible but whether I had a car or not the fee for a space was $30.  I informed me that there were only a couple of spaces remaining.  It didn't matter to me because I had no intention of paying that amount!  Upon leaving the property I spoke with a family waiting to enter, the husband informed me that he had spent $90 to view the fireworks that night.  He also told me how crowded that it got in the Garbo lot and surrounding area.  He suggested that we walk down and place lawn chairs on the sidewalk across the street.  That sounded like a pretty good alternative to me and definitely a great deal cheaper.

Duang and I returned to our car and drove down Thames Street reconnoitering vantage points.  Everywhere along the river bank barriers had been set up to restrict access.  Property owners were either denying access to the river for their own use or were charging $20 to $30 a car for parking.  I remembered many fond days at Fort Griswold State Park overlooking the river, so I turned the car right to climb the heights to get to the Fort.  Just as our drive along the river vantage points were roped off and parking was severely restricted along the streets - either no parking along one side or no street parking allowed at all.  However when we got to the Fort, I could see people already entering the park carrying blankets, ice chests, and blankets.  From the sights it was obvious to me that this would be our site to view the fireworks.

Since the afternoon was still young and we had our plan, we drove over to New London to attend Sailfest.  Once we arrived in new London, I could not find any available parking for less than $20.  Undeterred I had an idea; we would drive to Shaw Cove, park the car, and walk to the festival.  Shaw Cove is an office development which houses government offices such as Social Security and Veterans Administration along with many doctor's facilities.  Since it was a Saturday afternoon, I thought that there would be plenty of parking,; free parking.   Well I was partially right there was plenty of parking but it was $20 a vehicle.  I found an empty lot that had a sign stating "Event Parking" with no barrier tape or attendants.  As I pulled in, the attendant from the lot across the street walked over to me.  I asked if I had to pay for parking and he confirmed that it was $20.  I told him that it was not personal and had nothing to do with him and inquired if he had a boss.  He confirmed that he had a boss after which I responded "Tell your boss, he can go ... himself"  The guy laughed and we returned to our home in Groton.

I had lived for a time in California where we also had festivals.  At those festivals the city persuaded or perhaps strong armed the local developments to allow the use of their vacant parking lots for festival use.  I suspect that the city provided police surveillance as well as clean-up services for the lots while they were being used.  The businesses contributed to the festival at no cost to themselves - a good deal for everyone.  The city also provided free shuttle service between the parking lots and the festival site.  I believe that New London is missing out on an effective and economical way to encourage festival attendance by not doing something similar.  However New London is the city that a few years ago made international notoriety by refusing to hire a policeman candidate because he scored too highly on an aptitude test.  They informed the applicant that he was too smart to be a policeman in New London.  I will write no more on that matter.

Part of the Gucci Fireworks Show

After returning to Groton, commencing at 6:00 P.M. we walked from my parent's house to Fort Griswold with our car conveniently parked in the driveway.  It was a beautiful night for a walk and most importantly - fireworks show.  The sky was clear.  There was no wind and the temperature was just right for sitting outside without a jacket.

I selected a scenic as well as nostalgic route to get to the Fort, showing Duang the way and building that I attended elementary school, pointing out where long gone restaurants, movie theatre, and friend's homes were located.  It was interesting how much the area had and had not changed over the past 4 decades.  Of course it was all new to Duang which made it exciting for her.

We had not travelled far when the wisdom of not driving a car was readily apparent.  The roads around the park and leading to the park were all closed to traffic other than pedestrians.  Police were at the intersections maintaining control.  We like so many other people walked up the center of the streets past the homes where residents were grilling as they enjoyed ice cold beverages.  All in all it was a very relaxing and festive atmosphere on our way to Fort Griswold.

We arrived at the east side of the park and walked leisurely towards the monument and Bill Memorial Library.  It was very impressive.  There was a mobile Connecticut State Police command center set up along with some ambulances staffed with several EMTs.  The area was well organized and under control.  The control was not oppressive or intimidating but just sufficient to keep thousands of people from getting out of control.  There were vendors booths set up along the road as well as booths where you could buy food and non-alcoholic beverages.  There were also plenty of Porta-Cans available should the need arise.  All in all I was very impressed with the planning and organization apparent along the viewing venues.

I stopped and asked a Policeman if the Fort it self would remain open for the duration of the show.  I believed that the park typically closed at sunset.  He replied that it would remain open for the show.  That was good enough for me.  Duang and I entered the fort and soon found a nice spot on the slope to set our beach blanket.  As it turned out we were actually almost directly behind and about 150 feet above my original planned destination of Garbo's Lobsters. After seeing all the closed roads, I knew that this location was superior for getting out at the end of the show.  It was also cheaper - $0.00 each.

There were a great deal of people watching the fireworks.  Many of the people were drinking.  We were out for 4-1/2 hours and did not see one incident of bad or threatening behavior.  It was, unlike many events in Isaan, a very peaceful as well as relaxing celebration.  Back in Isaan we attend many outdoor shows and we have only stayed from beginning to end at about 4 shows out of about 35.  There is drinking at those shows too but Duang always makes me leave when the fights start and the fights almost always start.  In Isaan it seems like the people get drunk, sloppy drunk; the kind of drunk where the person loves everybody and wants to be every body's best friend.  At some point this aggressive friendliness crosses the boundary of acceptance and becomes a perceived slight or affront.  A push or a punch is made and the fight is on.  Once a fight starts the night is fairly well ruined.  The initial combatants are usually separated but ancillary skirmishes break out between the people trying to break up the inital combatants.  "Face" is often lost which requires combat until "Face" is somehow believed to have been restored.  In general people are not afraid of the Police so running skirmishes continue until the concert is completed or shutdown by the Police.  Duang is afraid that somehow I will get involved in the middle of all this so she has me leave.  The funniest thing was the closest that I got to being involved was at the last show.  I had been dancing at the front of the stage in the "Mosh Pit" area.  Duang became fearful and walked up and brought me back to sit on a chair in front of the police.  While I was cooling off, she went off to buy me a soft drink.  While she was away, the first fight broke out followed quickly by a couple more.  The crowd ran in panic down the center of the viewing area.  The combatant ran along the edge of the viewing area right where Duang had placed me for "safety".  I dodged a couple empty beer bottles that had been thrown not directly at me but in the general vicinity of some "bad guys" that happened to run near me.  I went over to Duang's mother and hovered over her as I told her to go back to our truck.  She was impressed that I was concerned with her safety to the point that I am still in her good graces almost 9 months later.  Needless to say the excellent behavior of the crowd at the fireworks show made a very big impression on Duang as she told me "Amerika not same Isaan"  For me, this was an occasion that I was glad that "Amerika not same as Isaan".

 
 

 
The fireworks lasted about thirty minutes but it was a very intensive thirty minutes.  Tandem fireworks were constantly being fired into the sky.  There were all kinds of colors, sounds, and sights from the exploding fireworks.  There were special fireworks that when they exploded created star patterns and even "Smiley" faces.  Some fireworks exploded to create bi-colored hemispheres.  By chance we had watched a show on cable two weeks before about how fireworks were manufactured or more appropriately "created".  For us it was even more enjoyable to see the melding of science and art to create such an enjoyable art performance.
 

Our surprises for the night were not over.  The police kept the roads closed until most of the pedestrians had cleared the area.  Duang and I were home 30 minutes later and in bed and I am convinced - before many people in their cars had even got on the feeder roads out of the area.

The night had been very enjoyable and a tribute to the organizers of the event.
 

Blue Angels Air Show, +40 As Good As Ever

Last weekend, June 25 and 26, was the annual Rhode Island Air National Guard Air Show at Quonset Point.  I try to show things that are typical American cultural events and experiences so that Duang can get a better understanding and experience of what life in America is like.  I knew that she had never been to an Air Show before so taking her to Quonset Point was a high priority ... dependent upon the weather.  The weather did not seem too promising during the prior days but the forecast for Sunday seemed the better of the two days.  We woke of Sunday and found the weather to be promising for the air show.  The flying events were scheduled to start at 10:00 AM so we left Groton around 8:30.

I have seen many Blue Angels shows over the years.  The last show that I attended at Quonset Point was exactly 40 years ago when it was still an operating Navy base.  I had just graduated from nearby University of Rhode Island.  At that time the Blue Angels were flying the McDonald Douglas F4J Phantom and the war in Vietnam was on going.  The Blue Angels today fly the Boeing F-18 Hornet, a newer version of a plane that they have been demonstrating for 24 years.  Today war in Afghanistan is on going with additional involvement in conflicts in Iraq and Libya.

This year also marks the 100th Anniversary of U. S. Naval Aviation.

I have always been impressed with the ritual of the Blue Angels team preparing to commence their flight demonstration as well as their ritual at the completion of their flight.  I consider the prologue and epilogue to be integral parts of the overall Blue Angel performance.  I wanted Duang to see the complete Blue Angels performance.

Unlike 40 years ago, the Blue Angels were not set up on the main flight line of the Air Show.  The Blue Angels F-18s were parked behind the crowd that was was facing the water where the flying was taking place.  Duang and I set up our chairs right at the barrier separating the public area from the runway and facilities being used for the Blue Angels.  Since we arrived at 10:00 AM we were the first ones in position there for the Blue Angels scheduled 3:00 PM performance.  We were situated in front of Blue Angel #1 and about 20 feet from a large concrete block that anchored the cables used in the barrier to keep people away from the planes.  We turned our chairs to face the water and enjoyed the other performers in the air show.

Blue Angel #4 Arriving After Checkout Flight

I had read in the newspaper that during Saturday's performance there was an engine problem with Blue Angel #4.  On the way to Quonset I had mentioned to Duang that I thought that the air crews would have worked through the night to repair the plane.

I don't know if they crews had worked through the night, but the engine had been repaired.  Although Blue Angel #4 is piloted by Lt. Rob Kurrle, the morning checkout flight was piloted by Lt. David Tickle, Blue Angel #7 and the narrator for the show.  I suppose he was flying to maintain flight hours and to give Lt. Kurrle a break.

Blue Angel Pilot Communicating With Crew After Checkout Flight

Lt. Tickle took off with a roar, made a pass over the flight line and disappeared to less crowded skies to put the F-18 through its paces to ensure that it was fully prepared for the afternoon show.  It seemed like he was gone for around an hour when the plane returned.  The flight was a success for Blue Angel #4 was returned to its designation on the flight line between Blue Angel #3 and Blue Angel #5.  The flight line was aligned perfectly from Blue Angel #1, Flight Leader, through Blue Angel #6, Opposing Solo.  Far to the right of the flight line where some of the other show performers were staged, Blue Angel #7 the Narrator's plane was positioned.

The Job Is Nor Complete Until the Paperwork Is Complete

When I worked in construction, we had a saying that the job was not completed until the paperwork was completed.  I guess the same also applies to flying for the Blue Angels.  After the checkout flight, Lt. Tickle sought the relative comfort and shade of the back of a support van to fill out his paperwork along with the flight crew for Blue Angel #4.

It was interesting to observe a different aspect of the Blue Angels show.  Duang was intrigued by the discipline and formality associated with all aspects of the team.  Throughout the day she would say "Ohhh very nice.  Good.  America up up Thailand.  Thailand not have.  America up up Thailand money"  Later in the day I was told that a Blue Angels performance costs around $1,200,000.  For me, that price is well worth it and I consider it to be taxpayer's money well spent.

Duang and I held our positions at the barrier all afternoon long.  Occasionally one of us would leave to get a closer look at the other performances, to get water, or to just get a change of scenery.  It was in no ways boring and there always seemed to be something interesting to watch, if not interesting to photograph.  We were in it for the duration and committed to enjoy the time.

This looks serious, very serious.  Did I do something wrong?

Around 2:30, one-half hour before the scheduled start of the Blue Angels flight demonstration, things became ominous.  Three security men carrying guns started walking directly towards me.  They seemed very serious.  We had seen security personnel throughout the day but they were more like somebody's young brother parked or driving around in a pickup truck and they appeared to be unarmed.  The guards approaching in the late afternoon seemed to be professionals and were walking and riding in open military vehicles carrying some serious rifles.  Knowing that I had done nothing wrong, I continued to photograph them.  About 20 feet from Duang and I, they finally broke to the left and stopped.  They were looking at the concrete block that anchored the barrier cables.  I then realized what it was all about.  Behind the concrete block was a unattended cardboard package!  I shouted out to them and they came over to me.  I informed them that the box had been delivered by a young woman on their side of the barrier from a beige "Blue Angels Support" van.  I gave a description of the woman to them.  They asked me when was it that she placed the block there and I told them about an hour earlier.  The leader of the team, an apparent civilian, said to the others that it was about right.  There were several walkie-talkie conversations and they seemed to relax - just a little.  With my story seemingly checking out they focused on the package rather than me.  After a while, one man cautiously approached the box and looked at it very carefully.  He shook his head "Yes" and backed off.  The package remained there and the men still seemed concerned about it.  After about 10 minutes, I called the civilian leader over and told him that if they needed someone to go over and open the box, I would do it but it would cost them ... as I pointed over the the Blue Angels flight line and said "I wanted a ride on any one of those planes"  He smiled and said that he had been working security for the Blue Angels for six years and had not gotten a ride yet.  I knew then my best chance to get a ride was not going to be good enough.  Interestingly, when the Blue Angels were performing he was walking the barrier along the flight paths on the other side of the show so I suspect he was the head of Blue Angel security.  As for the box, it remained there behind the concrete block until just before the planes arrived after performing.   Several Navy enlisted people arrived opened up the box and passed out souvenir brochures to the spectators along the barrier.  The Blue Angel pilots then autographed the brochures for people - including Duang.

Once the security threat was resolved the Blue Angel flight demonstration began.  The show starts with the Blue Angels support C-130 plane, "Fat Albert" taking off and performing.

"Fat Albert" In Flight Over Quonset Point

With "Fat Albert" entertaining the 55,000 people in attendance, the Blue Angel pilots and ground crews commenced their ritual to get the F/A-18s airborne.

Lead by Capt.McWherter the Blue Angel Pilots March Down Flight Line to Their Craft.

The six performing pilots lead by Capt. Greg McWherter, Blue Angel Flight Lead, marched in unison along the flight line from Blue Angel #6 towards Blue Angel #1.  As they approached Blue Angel 6, all the pilots in unison returned the salute of the Crew Chief.  Lt. Simonsen, Opposing Solo pilot, broke off from the marching pilots to mount his F/A-18.  As each of the remaining pilots approached his jet, he returned his Crew Chief's salute, broke from the pilot's formation and made his way to the awaiting ladder to mount his plane.  The last pilot to climb aboard his jet was Capt. McWherter; as the team's leader he is the last to mount, first to take off, and first to land.





Capt. McWherter and His Crew Chief Saluting

Flight Leader/Commander McWherter Climbs Aboard His F/A-18

Blue Angel #1 Commencing Roll Down Flight Line

Once the Flight Leader/Commander was aboard his craft the team went through a synchronized ritual of closing their canopies, starting their engines, completing preflight inspections and checkouts, before Blue Angel #1 broke from ground formation to commence his roll down the flight line past the other craft.  Unlike 40 years ago, the planes did not need external auxiliary equipment to start their engines.  After a few seconds of high pitched whining, the engines burst into a throaty roar. Just after being passed by Blue Angel #1, LCDR Tomaszeski taxied Blue Angel #2 behind his leader.  This ballet of aircraft continued until all six Blue Angels were following their leader down the runway.

Capt McWherter Leading the Way

The Show is On!

Part way into the flight demonstration there was a mechanical problem with Blue Angel #1.  I did not hear exactly what the problem was other than it was a "minor mechanical" problem.  later while editing some of the 706 photographs that I took during the day, I noticed that Blue Angel #1 had not deployed the arresting hook while the other planes in formation had.  I suspect that this may have been the problem.

Blue Angel #1 Returns With "Mechanical " Problem

Capt. McWherter returned to the base.  While he was away, the remainder of the pilots continued the demonstration for a while and then flew holding patterns off in the distance.  About twenty minutes later after landing, Capt McWherter roared back into the air ... flying Blue Angel #7.

The Show Must Go On!  Capt McWherter Roars Back Flying Blue Angel #7

The flight demonstration resumed and was everything that I expected and had hoped for.  Duang was in a constant state of excitement with frequent exclamations of "Ohhh!"  "Awhhh!"  "Very Good, Very Nice!"

Flying Blue Angel #7, Flight Leader/Commander Lands At Flying Demonstration Conclusion

At the conclusion of the flight demonstration, Capt McWherter lead his team in landing and taxiing to the original staging area for the Blue Angels.  Although the flight demonstration was over, the show was not over.  Just as there are a series of choreographed movements and ritual for the Blue Angels to take off there are similar movements and rituals for the Blue Angels upon landing. Once again Duang and I relocated; this time from the main air show flight line to our original location at the Blue Angel flight line.





Capt McWherter About Ready to Turn into Formation



The Count On Deck Is Six; All Present and Accounted For ...

Flight Leader/Commander Exits His Jet

 Starting from Blue Angel #6 the pilots form up and march in unison towards Flight Leader/Commander Capt McWherter.  The flight crews having completed they work of securing and chocking the plane's wheels stand at attention.





LCDR Tomaszeski Congratulates His Crew For A Job Well Done

Blue Angel Pilots March Towards Their Flight Leader/Commander

It had been a great day.  Ye. s the sky could have been bluer.  The skies could have been higher.  The Blue Angels did perform an abbreviated show.  I could have been rewarded with a ride in a F/A-18 but was not.  It took us two hours to exit the base at the conclusion of the show.  But it is like life, happiness is not to be found in "What could have been" or "What should have been".  Happiness is found in taking pleasure of what there is and what you have.  Duang and I returned to Groton; both very happy.

Gregg Stradiotto, Artist

It has been a while since I last posted.  It is not to say that we have not been busy.  Caring for my elderly parents is a pretty much full time job which leaves little time for trying to be creative.  The combination of Connecticut climate and social attitudes here have presented few opportunities to use my camera so I have been focused on developing a greater knowledge and attempting to develop post processing skills utilizing Adobe Photoshop Elements software.

Last week I received an email from an artist who had come across my blog and photography galleries on the Internet.  I am always amazed at the power of the Internet to connect people from various backgrounds and from distant locations.

Gregg Stradiotto is an artist who carves "netsuke", an article used in traditional Japanese costume.  As is typical of Eastern culture, there is more than what just meets the eye with "netsuke".  There is a great deal of symbolism as well as tradition involved in the subject matter and depiction in each "netsuke".  Gregg also takes it further in some of his works by infusing some Summi (Lapland) motives.

I was very impressed with his work and in correspondence with him, I found him to be a supporter of multi-culturalism which I am also an advocate of.  http://hale-worldphotography.blogspot.com/2010/10/free-to-be-you-free-to-be-me.html

I am sharing the link to Gregg's website because I believe that you will find it interesting and informative - another part of the world that we all share but may not be aware of.

www.greggstradiotto.com