Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts

Saturday, September 28, 2013

Stopped In the Name of the Law



High School Students Perform Lao Traditional Dance

Thursday night, Duang and I drove out to Ban Nong Han to attend a big party where her brother was performing.

It turned out the the party was for the retirement of a long time public employee for the Sub-District.



My brother-in-law and his group were not the only entertainment for the evening.  We were pleasantly surprised to see the local high school troupe, Ban Chiang Witthaya School Silipin Tai Puan, that we enjoyed at a previous retirement party in Udonthani on 13 Sept were also performing.

High School Cultural Band Performing
The high school students play traditional music using traditional instruments and perform traditional Lao dances while wearing traditional costumes.  Apparently the troupe helps to support itself by hiring out for private functions.  It is good to see that the unique aspects of Lao Loum culture are maintained and celebrated by the younger generations.


We arrived at the party location at 6:30 P.M., in time to see the entire performance of the Ban Chiang Witthaya School.


There were quite a few presentations and speeches before Duang's brother got to perform.  I was confused as to what was going on in regards to the retirement festivities.  I had a pretty good understanding of the man who had retired.  After people made a speech about him, he was presented with an envelope or a colorful wrapped box.  He then presented the envelope or box to the person who had just finished speaking. That confused me.  I asked Duang about it and she said the man who was retiring gave the gift to the person who had talked nice about him.  It seems that in honor of the person who is retiring, people bought a gift for the retiree to give to the big bosses.  Hmmm ... I wonder if many of my liberal progressive friends would approve of such a means of wealth redistribution or what their comments would be.  The retire did receive some gifts and actually got to keep them.  I was telling Duang that in America when people retire they get to keep all the gifts.  But then again in America, the bride and her pay for the vast majority of the wedding rather than here in Thailand where the groom pays for the wedding and the bride's family spend it.


Duang's brother'st was his typical great show.  In addition to Lon and the band, there were four dancers, a male performer and a female performer.  Two of the dancers I recognized from a previous show last year. One of them apparently remembered me, too.  When she saw me photographing her, she did a couple of her dance moves that I had appreciated so much last year.

One year later, still kicking and thrusting to the music
The people at the party were very friendly which was not all that surprising.  The Lao Loum people are very friendly and hospitable.  I was offered alcoholic drinks several times.  Each time, I thanked the person and explained to them in Thai and gestures that I do not drink beer or whiskey when I am driving because I am afraid of the police.  One man had some difficulty understanding and I had to explain to him three times.  It was not that I could not explain it properly or clearly - he was just so loaded that he could not understand why any one would refuse a free drink.  The others who heard and understood me, seemed to think that I was a little paranoid.

We left the party at 11:00 P.M. to return to our home roughly 30 minutes to the west.  As we drove along Highway 22, a four lane divided thoroughfare that links Udonthani to Sakon Nakhon, Duang remarked about how few cars were on the road.  It was a fairly easy drive back to Udonthani if I don't dwell on the man stopped on his bicycle on the left side of the lane I was driving in rather than in the breakdown lane. Fortunately he was wearing light colored pants that I saw just as I came upon him.  Duang did not see him until I passed him.  I am also not dwelling on the broken down motorbike on the left side of the lane that we were in.  In was a good night in that, on the way home, there were no vehicles driving the wrong way or motorbikes passing us on the wrong side or on both sides simultaneously.

About 1 km (1/2 mile) from our home where the Ring Road 216 intersects with the main road to Bangkok, Highway 2, we came upon a scene up ahead.  Duang who does not drive at night did not understand what it was. I, perhaps because I am paranoid, knew exactly what we were headed for - A police DUI checkpoint.

Being a child of the 1950s, we used to play cops and robbers with the highlight of our play being the "cops" yelling "Stop in the name of the law ... or I will shoot"  I don't ever want to get into that type of predicament here in Thailand or even back in the USA.  I always err on the side of caution and slow down and become prepared to pull over and stop. Often it is confusing because the Thai Police are often not that demonstrative or assertive with their hand or flashlight signals as to what their intentions for me are.

Thursday night there was no confusion.  There were two check stations in the road that had been narrowed down to a single lane at a point where there was no opportunity for a u-turn or any other turn to avoid the check point.  The car in front was flagged over to the first and I was flagged into the second.  I rolled down my window as one of the two policemen approached the truck. When he saw me he was surprised and said "Oh, falang." (Oh a foreigner).  I don't believe there was any ill intent in his remark.  I suspect it was more along the lines of "Oh a foreigner, this could get difficult if he is drunk"  He then said "Alcohol" and pointed a flashlight shaped device at me.  I had to blow at the device.  In about 5 seconds there was a beep and the policeman said "Varry gud"  I told him in Thai that "No problem.  I do not drink beer or whiskey.  I am afraid of the police.  Police love falang too much.  200 baht, 300 baht".  "200 baht, 300 baht" ($6+, $5 USD) refers to a practice where foreigners get stopped for "speeding", driving in the right hand lane rather the left hand lane other than passing, or some other minor infraction or perceived infraction but the foreigner can pay a 200 or 300 baht "fine" on the spot and continue on their way.  In six years it has happened to me four times but not in the past two years.  The policeman started laughing and wished us a good night and sent us on our way.  I have no complaints - the police were doing their job politely and respectfully along with a sense of humor.

If you flunk the alcohol on your breadth test, you are given a formal breathalyzer test on the spot.  If the tests or tests confirm that you are driving impaired, you will spend the night in jail, go to court the next morning and pay a fine depending how badly you failed the breathalyzer test.  The typical punishment is around 10,000 baht fine ($330 USD), perform 30 hours community service, and have your car confiscated for 6 months. This may seem rather lenient, but I still would not to spend a night in any Thai jail.  There is also a kicker - if you are caught a second time, any where in Thailand, you will go to jail for 6 months.

You might avoid the breathalyzer tests by paying a negotiated "fine", but once the breathalyzer test(s) are administered, everything is documented and recorded with extremely unlikely chance to avoid the justice system.

Duang and I returned home smiling and laughing about our experience.  I was reminded of an old saying from the 60s "Just because your paranoid doesn't mean you are not right"  Yes I may have been overly paranoid, but the other night it was wonderful approaching a checkpoint with complete confidence and without any panic.

I am a guest in Thailand, allowed to stay in the country for one year at which time I have to apply for a years extension.  I enjoy my life here too much to complicate or risk it by doing something that is illegal and even worse doing something wrong which I have complete control over.


Monday, March 4, 2013

A Rare Day




Dancers Make Final Adjustments Prior to Climbing On Stage

Yesterday was a rare day for my wife and me.  We attended one of my brother-in-law's Morlam Shows.  That in itself is not so rare in that we attend most of his shows.  This show was held during the day while most of his shows are held at night typically starting at 9:00 P.M..  This show being in the daytime did not make for our rare day.  We attended the entire show which is a rare occurrence for us.  We never stay for the entire show at night for two main reasons.

The first reason that we do not stay for the entire show at night is that the shows are 6 to 7 hours long!  The show does not end until 3:00 or 4:00 A.M.  It was not all that long ago that I would party in Brasil or Vietnam until 6:00 A.M. or 7:00 A.M. but I was not driving then either.  Here in Thailand you can run into unannounced night roadblocks where all drivers have to blow into a device for alcohol.  I do not want to complicate my stay here by getting a DUI either rightfully or wrongfully.  In my opinion it is easier and best to just avoid the entire situation.

The second reason that we never stay for an entire show is that we leave when the fights start.  For a night show the fights typically start about three hours into the show.

Yesterday was rare in that there were no fights.  The show was conducted on the grounds of a neighborhood Wat northwest of Udonthani.  The Wat was having its annual festival and my brother-in-law was hired to put on the official entertainment.  I use the term "official entertainment" because the entire event is entertaining at least to me.  With it being daylight and my decision to not drink, there was very little that went on that I did not observe - and it was all very entertaining,

The purpose of the festival is to raise money for the Wat and I also suspect for the people to have some fun. Perhaps even an effort to build or to maintain a sense of community for the villagers and other local communities.  The head Monk of the Wat spoke with the village Headman and the Headman collected 100 baht from each household to help pay for the Mohlam show. Mohlam?  Yes and it is also spelled as  Yes, that is a problem in Thailand of anglecizing Thai words; there are many different English spellings for the same Thai word.   Several different spellings for the same type of ethnic music is not all that big of deal if you are not obsessed with "proper" spelling.  However different spellings can be a serious problem and definite source of frustration in reading street signs and maps.



Inside the Bot, Villagers Offer A "Money Tree" to the Monks
We arrived at the Wat around 10:00 A.M.  A small group of people were marching around the Bot, worship hall, carrying "money trees". We all know that money does not grow on trees, perhaps it grows on a certain weed, but not on trees.  But in Thailand money is placed on trees as offerings to the Monks.  Typically the "tree" is a banana stalk that has holes poked into it. Pieces of split bamboo are stuck into the holes.  Each "branch" of split bamboo has a baht note in between the two pieces of the bamboo.  Sometimes a tree is fashioned out of rice straw.  Banknote offerings are placed on the trees and after a procession the festooned trees are brought to the Bot to be offered to the Monks as part of a merit making ritual.

Villager Offers Money Tree to Monk
Monks Performing Merit Making Ritual
The show started around 11:00 A.M.  I was pleased to see a familiar face, the khene player that I had photographed in Si That last month.  Since it was a day show, he had brought his wife and young daughter. The dancers that my brother-in-law had hired for the day were new people.  My brother-in-law lives on a small street in the center of Udonthani, a street populated by singers, dancers, and musicians.  When my brother-in-law has been booked for a show, he, sort of like in a pick up game of basketball, contacts the people that he knows to put the show together.  If they are unavailable, they most certainly know others who are available for the performance.  He contracts with specialty companies for the scaffolding, stage, sound system, and sometimes, the band.

The Khene Player Backstage
As always, I had access backstage of the show.  Backstage is far from glamorous.  Backstage is a series of woven reed mats placed upon the rough ground.  The performers apply their make-up, eat their provided meal, and change their costumes upon these mats amongst the the scaffolding bents that support the stage, lighting, and large speakers.  A large tarp is strung between scaffolding and other objects to restrict access to the area.  The roadies during the show rest in hammocks strong in or beneath the large truck that carries the gear.

The performers change their costumes underneath large pieces of cloth that they wrap around themselves.  As provocative as their dance movements, song lyrics, and dialogue on stage are, the performers are very modest.  At a vast majority of the shows, the dancers wear a beige leotard, pantyhose, and either panties or short shorts underneath their dance costumes.



Prior to the start of the show offerings are made to the spirits backstage.  Prior to climbing up to the stage for their first dance, the dancers kneel and offer their respect to the spirits.

Lead Female Performer Sings Backstage Prior to Her Grand Entrance
There is also another ritual to these shows that I find fascinating   For their first song of the show, the singer will sing the song hidden from the sight of the audience - sort of setting the stage for a grand entrance.  After completing about 3/4 of the song, the singer will climb the stairs up to the stage to the applause of the crowd.  It is all great theater and quite entertaining.

One of Many Policemen In Attendance Yesterday
Yesterday there was a large contingent of Police on hand along with a large "paddy wagon" conspicuously placed for everyone to see.  Surprisingly there were no fights for the entire day.  It was not because people were on their best behavior or that they were not drunk.  As always is the case at these shows, there was a great deal of drinking at the festival.  People were constantly drinking beer, whiskey and Lao Lao (moonshine type whiskey).  As the day wore on the people became more and more vocal as well as demonstrative of their good feelings for each other. here in Isaan it is common to see people hugging each other and trying to help each other walk as they get drunker and drunker. It is in these situations that the fights typically break out.



Besides the rare occurrence of watching the entire show and not witnessing any fights, yesterday also had a rare occurrence  it rained.  It actually rained for about two and one-half hours - very rare for March.  It was not a heavy rain.  It was more like a heavy drizzle.  It was enough to stop the live performance for one-half hour while people grabbed a pavilion from elsewhere on the Wat grounds and install it over the stage to shelter the performers and musicians.  The pause did not affect the audience in the least.  They kept dancing to the prerecorded music that was blared over the sound system.

One of the dangers at these events, is people throwing empty bottles during fights.  Yesterday there was a system in place to minimize that risk.  A man and his son spent the day wandering around collecting the empty bottles.  Well the boy spent the day collecting the bottles while his father split his time between collecting bottles, dancing, and emptying some bottles.

The boy was around 10 years old and rather rare for a Thai child - obese.  He resembled the television character "Pugsley Adams" form the 1960s series The Adams Family. I suspect that one reason that he is over weight is attributable to the way that he collects the bottles.  He gathers the bottles in a white plastic bag  and brings them to his father's somlaw (three wheeled motorcycle with attached wagon).  He would then inspect every bottle.  When he found a bottle that still had a little liquid in it, he carefully poured the contents into a large plastic cup.  He would then stir the contents of the cup with great gusto and gleefully drink his cocktail of beer, whiskey, and Lao Lao. He then would set about to find some more bottles, often dancing a little jig along his way.



Like all the shows that we attend, there were people of all ages there.  The children seem to especially enjoy these events.  They wander about eating ice cream, fruit, and other foods.  They also exert some independence by exploring the venue albeit still under the watchful eyes of their family. They make friends with other children and end up playing with balloons and other toys that are sold by vendors at the event.



As the afternoon wore on, the audience became more and more entertaining.  One man was dancing with his shirt off.  He used his shirt pretty much like a majorette uses a twirling baton - twirling it around in the air above his head, passing it from one hand to the other hand between his legs and the piece de resistance - throwing it high up into the air and catching it with one hand.  It was very entertaining for my wife and me.  I believe that it was very embarrassing for his family or friend.  Another man. not much more sober, attempted to remove the dancing majorette.  After about 10 minutes of struggling and stumbling, he finally succeeded in removing the dancing majorette.  Both of the men were not seen again.



This by no means ended the off stage entertainment.  The lady boys who had been drinking all day long along with their female friends were putting on quite a dancing demonstration.  By this time the onstage performance had reached a fevered pitch - one song after another song with no interruption   The go-go girls danced for at least an hour and one-half without interruption   Their pelvic thrusts along with the animated movements of the khene player only seemed to whip up energy and mania of the audience more.  It was truly amazing. The cool weather and moisture in the air did nothing to dampen anyone's spirits.  From our sheltered position underneath the head Monk's cabin, Duang and I had a great viewing vantage.


I did not drink any alcohol - not that I do every time that I go out or especially when I am not driving.  It just wasn't proper for me yesterday.  The head Monk and I had hit it off.  He brought me a container of soy milk for me to drink earlier in the day.  When it started to rain, he invited us to sit on his porch. Later he brought me a large bottle of orange Fanta to drink.  Still later, he brought me a large bottle of Coke, ice, and drinking water.  He was very friendly and I felt very bad that I could not understand most of what he was saying.  I kept trying to get Duang to translate but it was very difficult for her- logistically.  Monks are a higher status than other Buddhist people and are always to be at a higher level than the common people.  The Monk insisted that I sit next to him on the bench.  As a devout Buddhist, Duang could not bring herself to sit next to me to translate or to stand next to me. Sitting on the floor at our feet was not a very good option because of the sounds of the show made it very difficult for her to hear what we were saying.  It was also difficult for her to find a spot to sit on the floor because of the children that I had invited up to share the Coke with.  For many children, a soft drink is a rare treat.  No matter the case, we managed to show our appreciation and give thanks to the Monk for his kindness as well as to answer many of his questions.

The show concluded at 5:00 P.M. and after paying off his performers, my brother-in-law joined us for the trip back to Udonthani.

Although it had been a rare day in the sense of seeing an entire show without any fights on a rainy March day, our day had been no more interesting than any other day here in Isaan. Without a job now, our priorities remain the same everyday - to enjoy ourselves.


Monday, February 11, 2013

For Love of King and Country





For Love of King and Country ... how many countries in today's world does this statement carry any significance?  I don't know other than it is not a large number.  However the statement is very relevant here in Thailand.

King Bhumibol Adulyadej is highly respected and revered here in Thailand.  He is considered to be the father to the Thai people.  His photograph is widely displayed along the highways and roads of Thailand.  I am tempted to say based upon my personal observations that a photograph of the King is displayed in every Thai home and business.  Our home is no exception to that statement.

Two weeks ago, we were invited to attend a "big show" being held at the mall in the center of Udonthani.  Our invitation came from Duang's brother who performs in Morlam Lao shows throughout the area.  He was not performing in this show but he was going to pick up a khene from a woman who is considered to be one of the grand dames of Morlam in this area.  Duang's father was also a performer and remains respected and remembered by many of today's older performers - many of them former students of his.  Respect and tradition run very deep in Isaan culture.

The mall in the center of Udonthani has a large theater for stage shows and expositions.  It is a very impressive venue.

Duang and I arrived for the show before Duang's brother.  Fortunately, Duang knew the woman who had arranged for our seats.  We were shocked at the location of our seats - second row seats just to the right of where the dignitaries were to be seated.  We were seated in amongst many of the performers. Our benefactor was aware of my penchant for photographing unique aspects of life here in Isaan and upon our arrival took great efforts to let me know that I was free to get up and take any photographs that I wished to.

Our Benefactor Performing Tradition Morlam Lao With Her Daughter Playing the Khene
I was at first somewhat reluctant because as it turned out the event was sponsored by the Police.  Many high Police officials were in attendance and the event was also being televised.  Eventually the magnitude and beauty of the event overcame my initial reluctance to leave my seat to take photographs.

We discovered that the event was a demonstration of love of King and country by the music departments of each of the universities and colleges in Udonthani.  Each university and college performed a very professional stage show of three songs.  Adult performers also performed.

The audience was mostly university students all wearing their distinctive school uniforms. Paper Thai and Royal flags had been taped to the backs of the chairs so at the appropriate times the audience was a washed in a sea of waving colors.


Some of the performances were accentuated with still photos and film clips of the King on a large video screen behind the performers and on screens located at each side at the front of the stage.  An orchestra on stage played many types of music during the show using some traditional Asian musical instruments as well as typical Western instruments.

University Students Performing Traditional Dance
 In addition to stills and movie clips of the King, some of the performances were accentuated with clips of Thai military personnel and military exercises which seemed to be a sort of recruitment production. All the performances were first rate productions.  The audience's emotional and enthusiastic responses were genuine.

A Student Sings

Close-Up of One of Many Beautiful Student Dancers
Despite moving around to get better positions to photograph the performers, I was able to meet with some of the officials at the show.  One man was the teacher who was responsible for one of the performing groups.  He viewed some of the photos on my camera's monitor and requested that I send him some photos of his group's production.  I declined his offer to pay me and sent him some of the photos as email attachments.  I will now send him a CD with larger files for printing.


I was amazed at how professional the productions were.  I don't know why I keep being surprised at the beauty, grace, and allure of Thai culture.  After four years here, I should be accustomed to it by now.  Perhaps my surprise is more over the magnitude of the beauty, grace, and allure rather than its mere existence.


The show ended with a massive and lengthy pep rally for Thailand.  Police and government officials joined all the performers on stage to sing patriotic songs and wave the flags.


It had been quite an afternoon and a special afternoon.

Tuesday, January 15, 2013

The Beat of a Different Drum






Two nights ago, we attended a a traditional Mahlam Lao show in Nongdaeng Village located here in Isaan, the Northeast of Thailand.  The show which started at 21:00 would run until 03:00 or 04:00 - that it is the way it is here in the Lao Loum culture.  The people work hard and when they decide to party, it is an all out, no holds barred event.  I experienced the same spirit the two times that I lived and worked in Brasil.

The show was part of the merit making event to mark the death of one one Duang's relatives some twenty years ago.  In the Lao Loum culture here in Isaan, there is a merit making ritual after a person has been cremated.  This ritual which can and is often viewed as a party is typically about one year after the cremation but the real determining factor is when the family is capable of paying for the event.

The event is very much like the celebrations for a son becoming a Monk, or a couple getting married.  Canopies are erected in the front yard or if the front yard is not large enough - in the street in front of the family home.  Round tables and plastic chairs are set up beneath the canopies at which guests can eat and drink.  Underneath one of the canopies accommodations are made for the visit from the Monks - do to their status, Monks are seated at a higher level than the laypeople.  This most typically accomplished by erecting an elevated wood platform reserved for the Monks.  The platform in covered in cloth and sahts (woven reed mats).  Small squares of higher value fabrics or decorated textiles designate the area for each Monk to sit.

Sometimes if a special merit making service is to be conducted, such as a sermon, or what I refer to as a "morality play", the participating Monks are seated in an ornate gold colored raised throne like chair where they can sit with their legs crossed.

Off to the side and in back of the home there are canopies for preparing and cooking food for all the guests. People typically arrive around 08:00 and will stay until 20:00 or even much later if there is a show associated with the celebration.  For the entire time, people are eating and drinking.  Each table, at a minimum, typically has a 1.5 liter bottle of Coke, 1.5 liter bottle of Sprite, a couple bottles of drinking water, a couple bottles of Leo Beer, and perhaps a bottle of whiskey with "Lao Lao" being the type of choice.  Young girls ensure that there is plenty of ice at each table for the soft drinks, and beer.  People here drink their beer "on the rocks" and their whiskey "neat" or "straight up".  Empty bottles are quickly replaced.

As new guests arrive, they are quickly ushered to a table to be start eating and drinking.  The food is ethnic cuisine and typical consists of 7 or 8 dishes or rather different items.  There is a difference between "dishes" and 'items"  many of the foods are eaten with the hand so there may not be an individual dish for each guest. The guests will make a small ball of sticky rice in their hand and dip the ball in a common bowl of whatever at the center of the table.  Often soups are consumed from a common bowl at the table with each guest having their own spoon.

The celebration that we attended on the 12th was a grand event.   After the day events we returned to our home to freshen up and get some rest for the night's activities.  We returned for the night show.

The night show was a more traditional Lao music event.  The music was based upon the ubiquitous Lao musical instrument, the khene.  The singing was a sort of Lao rap except that for the most part there were no set lyrics.  The performer made up or rather adlibbed the words to suit the occasion or moment.  The singing style is also long and drawn out with a great deal of warbling as well as tonal range - again very Lao.

Besides the khene, the music is performed by conga type drums, and cymbals.  This is the accompaniment that you would find in traditional Lao villages.  In a concession to evolving times and mores, the group also had a couple of electric guitars, keyboard, and drum set for some of their songs. There were also four go-go dancers.


I was most impressed by the traditional drummer playing the two conga style drummers.  He was a show  unto himself.  I almost took as many pictures of him as I did of the go-go dancers.


The drummer had a distinctive face.  His age and face reflected a life of many experiences and I suspect more than a few adventures.  He performed on the drums with a zest and confidence that a lifetime of experience allows - confidence, uniqueness, and individuality.

I have written most recently twice about little "Eat" from Tahsang Village marching to the beat of a different drummer.  I had also mentioned that as a person who has marched and sometimes danced to the beat of a different drum, I had appreciation for little "Eat".  Well at the night show I found a man who marched, danced, and even played a beat to a different drum.  What could be better than that?  Imagine being comfortable and confident enough to march and dance enthusiastically to your beat on your own drum.  That truly must be a component of being "free".

Kissing the Drums In Appreciation
The drummer danced around his drums playing them with his hand and striking their sides with a drum stick.  The drums bore the scars of many a performance.

Playing the Drum With His Forehead
As part of his performance the drummer also would strike the drums with his forehead.  At other times he would "dry hump" his drums.

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He would also, on occasion, direct a pelvic thrust towards one of go-go dancers, perhaps all four of them.

Mahlam Lao shows are akin to vaudeville shows - singing, dancing, stand up comedy, music, and always a definite bawdy element.  Many of the jokes at best are double entendre and many times risque.  Many of the lyrics song between the male and female singers have to do with things of a sexual nature.  Sometimes the  female singer will try to grab the male singer by his genitals but seems to always not to succeed much to the delight of the crowd.  The male will sing about what he would like to do and can do to the female singer.  He will sometimes bend down to try to get a better glimpse of her but she always manages to foil his efforts - again the amusement of the crowd.  The antics are never obscene and often remind me of how close friends and family after a few drinks might joke and tease each other.

The Audience Loving the Show

The drummer was demonstrating his freedom to be himself.  It was comforting as well as reassuring to me to see that such diversity in culture still exists and to know that in areas such as Isaan are thriving.


There seems to be pressure in these modern times to develop a more homogeneous mankind perhaps in the belief that the more people are alike, the less conflict there will be. That scares me for it is the diversity of mankind and especially their culture that adds to the richness of living - for everyone.

There is no one culture that has the optimal solutions or even answers for all peoples.

There is no culture, let alone any society, that can best meet the needs and wishes of all peoples.

Seeing the drummer the other night - marching, dancing, and playing to the different beat of his own drum, gave me optimism that we hopefully will never get to "One World"

In "Allen's World" I am free to be me but even more importantly, you are free to be you.

Tuesday, August 18, 2009

Giving Back - Thanks For The Votes

Yesterday was a very busy day for us.

Peelawat, our 6 month old grandson dropped by with his parents to return the pickup truck that they had borrowed for three days. We loaded their motorbike into the back and we all headed back to Tahsang Village - to drop them off back home as well as to offload the bike.

They had borrowed the truck to take care of family business and to bring Peelawat to the doctor for his 6 month check-up. The poor little guy had had a rough day. He received his second haircut and apparently did not like the noise or feel of the clippers. At his checkup, he got another shot. He was already running a slight fever by the time they got to our house. Despite his problems, he was still in a good mood without any crying. He was just a little subdued for him and he went to sleep in the truck as I held him during the trip out to the village.

We had gotten a call from Duang's cousin earlier in the morning. She wanted to let us know that there was going to be a Mahlam Lao show in a nearby village that afternoon. I have written about these shows before and how they mark various celebrations throughout Isaan. Well yesterday I learned of another reason to have a show - politics!

After settling Peelawat into his home and having something to eat, Duang, her cousin, another village woman and I headed out to see the show. The justification as well as the responsibility for the celebration was the election of a new Village Headman. He was recently elected and was giving back to the community by arranging as well as sponsoring the show. Village Headman are important men or women in Thailand. When we went to get my "Yellow Book" (House Occupant Book for a Foreigner), we had to take our Village Headman, actually a woman, to the Provincial Offices to have her testify and sign that I am actually living in the house. In Tahsang Village when one of the local young women ran off and abandoned her baby to live with a crazy man in a distant village, it was the Village Headman that called the other village to arrange for her return. He also accompanied the relatives to the other village to retrieve her.


We arrived after the celebration had started - perhaps not too long but long enough for just about everyone to be well on their way to being drunk. The show was a typical village Mahlam Lao event. There were a couple canopies set up to protect people from the sun. Underneath the canopies plastic chairs and tables were set up for people to eat and drink. Additional tables and chairs were set up underneath the elevated houses that surrounded the area where the show was going on.

The people were all very friendly. The show was going on full tilt. We were welcomed by some old friends of Duangs from the village. We were immediately introduced to the Village Headman as well as the local Police official. They insisted that we join them for eating and drinking.

We had previously eaten so we got away with not eating anything. However my desire to not drink anything was countered with the argument that I had to wish everyone good luck and happiness which could only be properly done with alcohol. I relinquished and had a couple glasses of beer with ice. Here in Isaan, people drink beer out of glasses with ice cubes.

Duang's friend dragged her out on to the dance area and kept trying to get her to dance. One of the village woman dragged me out to dance and I was a more willing dance partner. Everyone was enjoying themselves.

I took several photographs. The young men were congregating in front of the stage doing their thing like they do at all of these occasions. The performers were keeping everyone entertained.


As time went by, Duang's friend became more and more persistent. Her friend then kept trying to speak to me however due to her condition and the loudness of the show, I had no idea what she was saying or even trying to say. In a short while an altercation broke out on the perimeter of the crowd between some young men. This happens at just about every one of this celebrations usually in front of the stage. The heavy drinking, testosterone levels, hot sun, and the Lao Loum sensitivity to not losing face all combine into combat. Since everyone is related and there is a strong village identity, fights between two men frequently escalate into potential bigger scenes. After a couple of blows, or due to their inebriated state the first wild swings, the sides form up. By this time, the mothers head into the area along with their sisters to yell at their son as well as the other participant. Sometimes uncles head into the fray but in their efforts to break up any pending violence often lead to them squaring off amongst themselves. By this time the show has stopped with the singer pleading with everyone to behave themselves. The Police move in followed by the Village Headman. The Police are often ignored but some how their presence distracts everyone so tensions subside. The Village Headman makes some statements and peace is restored if only temporarily. Usually there will be one or two more flare ups before the show is shut down. As they say "A good time was had by all"


Years ago when I attended the company family picnic, we would always stay until a fight broke out. Once the fight broke out I knew that we had seen all there was to see so we could go home. Nothing has changed. We took our cue and left - safe and definitely not sorry.

When we got home to Udonthani, Duang's cousin (one out of 93) came over and we bought a new Toyota pick up truck - but that is the subject of tomorrow's blog.

Wednesday, May 13, 2009

The Dancing Lao Loum Farmer - Video

Yesterday, I learned how to post a video to this blog. It was actually not difficult at all to do.

I had mentioned about perhaps posting a video of a new friend dancing at the Kham Chanot concert. Today I am posting that video.

He was a local farmer that absolutely enjoyed himself as well as the Lao Kao (moonshine whiskey which is very popular in Isaan) He took a liking to me and ensured that no but he got took close to me while I was filming. He even got into a little directing - motioning me to come closer to the stage to get a closer view of the Go-Go girl that he was most interested in. I showed him how I could zoom in for closer shots without having to move. When I showed him in the camera monitor screen how I could zoom in for just that special shot that he wanted, he got all excited and started clapping me on the shoulder in appreciation. I then showed him how that wasn't very good in that it shook the camera and ruined the scene. I did not have to show him again.

This clip shows a little of the spirit and energy which is so often observable here in Isaan. The people really enjoy their music and dance. They while being modest are typically uninhibited at these events. The energy and enthusiasm along with the heavy drinking often leads to flare ups.

The concert on Saturday was no exception - there were some fist fights towards the end of the concert. As happens at every event that I have attended the flare ups are directly in front of the stage and involve teenagers. Unlike some concerts, Lady Boys (Kathoeys) were not involved. There were plenty of police around so matters were contained and were brief. No problem - everyone enjoyed themselves. Perhaps they did not enjoy themselves as much as the "Dancing Lao Loum Farmer" but not many people can.