Kok Sa-nga, King Cobra Village

Kok Sa-nga Resident Fights A King Cobra

About two weeks ago, I watched a very interesting National Geographic documentary titled "Hiss of Death" from 2004.  The program dealt with a small village in Northern Thailand where King Cobras are kept as pets and used in local shows.  As it turned out the village, Kok Sa-nga, is located in Isaan outside of Khoen Kaen which is 90 minutes south of our home in Udonthani.  Much of the program dealt with a young 8 year old boy, "Touk", who wanted to be a snake fighter like his uncle, Khun Tongkum.

In 1951 a man named Khun Ken Yongla from Kok Sa-nga discovered an herbal remedy for poisonous snake bites.  He prepared the medicine and sold it to local people who were happy with the product.  Mr Yongla went door to door selling his remedy.  To increase sales, he decided to bring a snake in a wooden box with him as he went from village to village.  As people gathered around to look at his cobra, he would market his product.  Even today traveling medicine or "snake oil" shows ply the back roads of Isaan.  I wrote of one such experience in Tahsang Village over a year ago in my blog
http://hale-worldphotography.blogspot.com/2009/09/snake-oil-salesman-health-care.html  Originally Khun Ken used a spitting cobra in his marketing strategy but after 6 (!!) years he changed over to using a King Cobra which does not spit its poison.  The King Cobra has to strike in order to utilize its venom.  This makes it safer for the audience.  Khun Ken used to take his children with him out into the countryside on his sales trips.  He developed a wide reputation for his skill in handling snakes.

In 1982 the Tourism Authority of Thailand investigated reports dealing with Khun Ken and Kok Sa-nga Village.  They found that over 200 King Cobras were kept as pets in the village.  It was during 1982 that the King Cobra Club of Thailand was founded at the local Buddhist Temple - Wat Srithumma.

The program was fascinating and with the village being rather close to our home, I decided that we needed to visit the place.  As is standard operating procedure for planning our trips, I researched the location on the Internet.  I found directions to the village as well as more information about the program.  I decided to go on a weekend because village school children take part in the shows when they are not attending school.  My research also indicated that the best time to visit was during Thai New Years (Songkran - Mid April) when there was a large celebration.  Since the village was not far away, I decided to visit it now to determine if it was worthwhile to visit during Songkran.

We located the village with no problem at all.  From Udonthani we took Highway 2 south towards Khoen Kaen.  About 35 km north of Khoen Kaen, we exited left onto Highway 2039 towards Nam Phong.  At 14 KM from Highway 2 there is a narrow dirt road on the right that leads 600 meters into Kok Sa-nga.  You take the first left in the village and the first of the snake shows is 1/2 Km on the left.

There are two venues for snake fighting in Kok Sa-nga.  The first one that you encounter is a private enterprise.  The second one which is located about 200 meters further down the road at Wat Srithumma is run by the King Cobra Club of Thailand and receives some government support.  Having been to both shows, with both shows not charging admission, with both shows seeking donations, and with both shows lasting about 20 minutes each, I recommend that people visit both locations.  Both locations also allow photography including the use of a flash.

Our first stop was at the private enterprise.  There appears to be no formal show times.  We had arrived around 11:00 A.M. and were in no hurry or on any schedule.  I was content to just sit around and watch the local residents doing their thing.  My photography is "documentary" style so I do not necessarily have to have a staged event to take pictures that I seek.


A Snake Fighter Kisses The Head of a King Cobra

In front of the show pavilion there were booths that sold snacks, drinks, souvenirs, clothing items, and herbal "medicines".  There is limited parking in front of the pavilion with additional parking across the street.  There were not many visitors on the day of our visit.  We waited about five minutes for the start of the show. The performers congregate around and seem to perform so that visitors do not have to wait very long.

Both shows commence with young girls dancing to Mahlam Lao music.  Midway through their dance, pythons are draped over their shoulders.  After awhile dancing with the snakes the girls place the snake's head in their mouth.  Pythons are none poisonous however as I watched I could not help to be somewhat concerned about bacteria on the snakes getting into the dancer's body.


Kok Sa-nga Man With King Cobra In His Mouth


After the dance, older men fight King Cobras.  At the private show, the man was more violent as well as aggressive with the snake.  He used his fists and feet to actually touch the snake.  At the second venue, the man resorted to more shadow boxing type movements to illicit strikes from the cobra.  Both techniques were interesting to observe.

Man Versus King Cobra

When the older men were completed, a young boy fights snakes but not King Cobras.  The snakes that the young boys fight are extremely quick and aggressive.

Touk, now 14 years old, Fights A Snake

At the King Cobra Club of Thailand we were greeted just as enthusiastically as we had been at the private club.  I immediately recognized Touk from the National Geographic program.  He is now 14 years old and continuing to learn his uncle's trade of snake fighting.  I did not see or if he was there I did not recognize his uncle Khun Tongkum.

Touk The Snake Fighter

Touk and the Other School Aged Performers of the King Cobra Club of Thailand

This Young Girl Loved to be Photographed



King Cobra Club of Thailand Performer

After the show we stayed around to talk with the villagers.  They were as interested in learning about us as we were in learning about them.  I took photographs of the young performers while Duang continued chatting with the villagers.  Here in Isaan, people never seem to be at a loss for words.
Prior to leaving, the villagers placed two pythons over my neck and shoulders.  I made sure that the villagers had not told the snakes that I had eaten python when I lived in Vietnam.  They had a good laugh.  We all had a good laugh when Duang overcame her fear and posed with one of the pythons over her neck.


Brave Duangchan Holding a Python - Her First

We enjoyed our visit and we will return in April for the large celebration.  We were pleased to have witnessed another unique aspect of life here in Isaan.

Young Kok Sa-nga Villager Dances to Mahlam Lao Music As She Heads Home

New Photos Added - Isaan Go-Go Girls

Ten new photographs from last night's Mahlam Lao stage show have been added to the gallery - "Isaan Go-Go Girls"

http://hale-worldphotography.smugmug.com/People/Isaan-Go-Go-Girls/8185157_q4YxR#826378674_f82CZ

New Photographs Added - "Isaan Go-Go Girls"

Thirty-three new photographs from the Song Poo Day celebration have been added to the gallery "Isaan Go-Go Girls"

http://www.hale-worldphotography.com/People/Isaan-Go-Go-Girls/8185157_q4YxR#826377375_BYvud

New Photos Added - Isaan Go-Go Girls

Some new photographs have been added to one of the galleries, "Isaan Go-Go Girls", located on my photography website

http://www.hale-worldphotography.com/People/Isaan-Go-Go-Girls/8185157_q4YxR#534645833_s5QuD

Giving Back - Thanks For The Votes

Yesterday was a very busy day for us.

Peelawat, our 6 month old grandson dropped by with his parents to return the pickup truck that they had borrowed for three days. We loaded their motorbike into the back and we all headed back to Tahsang Village - to drop them off back home as well as to offload the bike.

They had borrowed the truck to take care of family business and to bring Peelawat to the doctor for his 6 month check-up. The poor little guy had had a rough day. He received his second haircut and apparently did not like the noise or feel of the clippers. At his checkup, he got another shot. He was already running a slight fever by the time they got to our house. Despite his problems, he was still in a good mood without any crying. He was just a little subdued for him and he went to sleep in the truck as I held him during the trip out to the village.

We had gotten a call from Duang's cousin earlier in the morning. She wanted to let us know that there was going to be a Mahlam Lao show in a nearby village that afternoon. I have written about these shows before and how they mark various celebrations throughout Isaan. Well yesterday I learned of another reason to have a show - politics!

After settling Peelawat into his home and having something to eat, Duang, her cousin, another village woman and I headed out to see the show. The justification as well as the responsibility for the celebration was the election of a new Village Headman. He was recently elected and was giving back to the community by arranging as well as sponsoring the show. Village Headman are important men or women in Thailand. When we went to get my "Yellow Book" (House Occupant Book for a Foreigner), we had to take our Village Headman, actually a woman, to the Provincial Offices to have her testify and sign that I am actually living in the house. In Tahsang Village when one of the local young women ran off and abandoned her baby to live with a crazy man in a distant village, it was the Village Headman that called the other village to arrange for her return. He also accompanied the relatives to the other village to retrieve her.

We arrived after the celebration had started - perhaps not too long but long enough for just about everyone to be well on their way to being drunk. The show was a typical village Mahlam Lao event. There were a couple canopies set up to protect people from the sun. Underneath the canopies plastic chairs and tables were set up for people to eat and drink. Additional tables and chairs were set up underneath the elevated houses that surrounded the area where the show was going on.

The people were all very friendly. The show was going on full tilt. We were welcomed by some old friends of Duangs from the village. We were immediately introduced to the Village Headman as well as the local Police official. They insisted that we join them for eating and drinking.

We had previously eaten so we got away with not eating anything. However my desire to not drink anything was countered with the argument that I had to wish everyone good luck and happiness which could only be properly done with alcohol. I relinquished and had a couple glasses of beer with ice. Here in Isaan, people drink beer out of glasses with ice cubes.

Duang's friend dragged her out on to the dance area and kept trying to get her to dance. One of the village woman dragged me out to dance and I was a more willing dance partner. Everyone was enjoying themselves.

I took several photographs. The young men were congregating in front of the stage doing their thing like they do at all of these occasions. The performers were keeping everyone entertained.

As time went by, Duang's friend became more and more persistent. Her friend then kept trying to speak to me however due to her condition and the loudness of the show, I had no idea what she was saying or even trying to say. In a short while an altercation broke out on the perimeter of the crowd between some young men. This happens at just about every one of this celebrations usually in front of the stage. The heavy drinking, testosterone levels, hot sun, and the Lao Loum sensitivity to not losing face all combine into combat. Since everyone is related and there is a strong village identity, fights between two men frequently escalate into potential bigger scenes. After a couple of blows, or due to their inebriated state the first wild swings, the sides form up. By this time, the mothers head into the area along with their sisters to yell at their son as well as the other participant. Sometimes uncles head into the fray but in their efforts to break up any pending violence often lead to them squaring off amongst themselves. By this time the show has stopped with the singer pleading with everyone to behave themselves. The Police move in followed by the Village Headman. The Police are often ignored but some how their presence distracts everyone so tensions subside. The Village Headman makes some statements and peace is restored if only temporarily. Usually there will be one or two more flare ups before the show is shut down. As they say "A good time was had by all"

Years ago when I attended the company family picnic, we would always stay until a fight broke out. Once the fight broke out I knew that we had seen all there was to see so we could go home. Nothing has changed. We took our cue and left - safe and definitely not sorry.

When we got home to Udonthani, Duang's cousin (one out of 93) came over and we bought a new Toyota pick up truck - but that is the subject of tomorrow's blog.

The Dancing Lao Loum Farmer - Video

Yesterday, I learned how to post a video to this blog. It was actually not difficult at all to do.

I had mentioned about perhaps posting a video of a new friend dancing at the Kham Chanot concert. Today I am posting that video.

He was a local farmer that absolutely enjoyed himself as well as the Lao Kao (moonshine whiskey which is very popular in Isaan) He took a liking to me and ensured that no but he got took close to me while I was filming. He even got into a little directing - motioning me to come closer to the stage to get a closer view of the Go-Go girl that he was most interested in. I showed him how I could zoom in for closer shots without having to move. When I showed him in the camera monitor screen how I could zoom in for just that special shot that he wanted, he got all excited and started clapping me on the shoulder in appreciation. I then showed him how that wasn't very good in that it shook the camera and ruined the scene. I did not have to show him again.

This clip shows a little of the spirit and energy which is so often observable here in Isaan. The people really enjoy their music and dance. They while being modest are typically uninhibited at these events. The energy and enthusiasm along with the heavy drinking often leads to flare ups.

The concert on Saturday was no exception - there were some fist fights towards the end of the concert. As happens at every event that I have attended the flare ups are directly in front of the stage and involve teenagers. Unlike some concerts, Lady Boys (Kathoeys) were not involved. There were plenty of police around so matters were contained and were brief. No problem - everyone enjoyed themselves. Perhaps they did not enjoy themselves as much as the "Dancing Lao Loum Farmer" but not many people can.

Go-Go Girls At The Door to The Water Underworld

It has been over a week since my last blog, but it is not because we have not been doing anything. To the contrary we have been very busy. I have completed reviewing approximately 2,000 35mm slides from the past 32 years. I ended up with 57 packets of 35 slides with identification labels attached. After boxing them up, we were off to the Post Office to ship them to the USA where they will be sent to India for digital scanning.

Saturday we set aside everything and went to a show put on by Duang's brother.

Her youngest brother continues the family tradition of performing. Duang's father is a former mahlam morlam (Lao traditional music). His youngest child puts on and performs in the modern versions of the shows. The shows are popular throughout Isaan. Performances are presented for religious holidays, weddings, festivals, anniversaries of a death, Monk ordination celebrations celebrations, and sometimes - to just have a party. Often as you travel the roads of Isaan you will pass trucks loaded with staging, sound equipment, musicians, and dancers traveling to or from a performance. Often in the middle of no where, you will stumble upon a show venue. The shows are put on in the morning, afternoon, and nights - sometimes all night long.

The shows are typically comprised of a live band. For big shows such as Siriporn Amphaipong the band has 16 musicians. Duang's brother's band runs 6 to 8 members. In addition to the lead performer there are other singers. Duang's brother typically has 3 to 4 other singers whereas big shows can have up to 8 other singers. The shows always have dancers. At one Siriporn Amphaipong concert that we attended, I counted 56 dancers - male and female. Duang's brother has 3 to 4 female Go-Go dancers. His show's complement depends on how much money that he gets paid for the show. More money gets more performers and more musicians. Typically a show will last 6 to 8 hours. Most of the time the shows are free. When we attend the big Siriporn Amphaipong productions, it costs around $3.00 USD for the 6 hour show.

In downtown Udonthani, there is a street alongside Wat Matchimiwat there is a street where many Mahlam Morlam performers live. They live in very narrow and small tin roofed buildings with large advertising banners for their shows over the doorways or utilized to provide additional weatherproofing to the structure. The entire front of their home opens up to the sidewalk when the sliding doors are opened. The residents can always be found sitting at concrete tables and chairs that are set on the sidewalk. There is a very strong sense of community amongst the residents of this street.

Saturday's show was scheduled to start at 10:00 A. M. at Wat Kham Chanot about 2-1/2 hours from Udonthani, so we arrived at the performer's street at 6:15 A. M. As we sat outside on one of the concrete benches, people were just getting up and starting the day. In addition to Duang's brother's show that morning there was another show to prepare for. Young girls, the Go-Go dancers came out of their houses and either set off to the local market to buy breakfast or to sit on the concrete benches to commence doing their hair.

Go-Go dancers in Thailand wear elaborate hairdos. The hairstyle, like their dance moves, are very reminiscent of the late 1960's. Typically hair pieces are worn that provide long tresses down the dancer's back and a large bun of curls on the top of their hair. A tiara is often used to accentuate the hair style.

Upon arrival at the show sight, the girls set their shopping bags of cosmetics and plastic boxes of costumes in the sheltered area behind the stage that the roadies had set up earlier. After placing sahts, the ubiquitous woven reed mats, on the ground the dancers commenced the laborious task of applying their make-up. Like the singers in the luuk thung shows, the dancers wear heavy makeup. The eyes get very special treatment - many different layers of powders, liners, and outrageously long eyelashes.




I sat down and just photographed the girls as they prepared for their performance. It was not long before we were joined by some young children. Two young girls stood by intently observing the go-go girls applying their make-up. Their attentive demeanor was much like any young girl watching a bride to be applying her make-up on her big day. These young girls were perhaps dreaming of the day when they will be watched as they apply their make-up before a show. This is a reality of Isaan. To escape the grips of poverty and limited opportunities in the region, many young women enter into the entertainment field. The villages of Isaan are continuously supplying fresh young dancers and entertainers to local shows as well as to the tourist centric establishments in the bigger cities.


In a previous blog I noted that people working in the garlic fields make 100 baht a day ($2.85 USD). The 18 and 19 year old dancers that work for Duang's brother are paid 500 baht for a 6 to 8 hour show. In addition the dancers are often given tips from people watching the show. Spectators often walk up to the edge of the stage to hand a singer or dancer a gift in appreciation of their performance. Gifts are often 20 or 100 baht bank notes but sometimes are fresh flowers or paper chain necklaces like we used to make in elementary school to decorate Christmas trees. The exchange and acknowledgement of the gifts is a significant as well as important component of the performance. Tips from a show can run from an additional 200 to 1,000 baht for a dancer depending upon the venue.


Saturday's show was at a Wat Kham Chanot out in the middle of no where. This Wat is an important place for the local people. It is located in an area known as "Wang Nakhin" - (Naga Place). Nagas are water serpent creatures that have mystical powers. In ancient times the worship of naga spirits was practised in China, India, Thailand, Laos and Cambodia. The belief if not worship of these spirits remains today in many areas - in particular Laos and Isaan. There is a shrine located on an island out in the middle of the rice paddies that is reached by walking along an elevated zig zag concrete elevated bridge. At the head of the bridge leading out to the island are two naga heads. Their bodies lie atop the railings of the bridge out to the island. The shrine is built on an island where the local vegetation has remained untouched. Huge palm trees and all kinds of tropical plants flourish at the site. The name of the site "Kham Chanot" is derived from the tall chanot palm trees that grow unencumbered on the island. There is a large elevated pool of water at one side of the site. People walk up to the side of the pool to collect its waters in plastic bottles or to sprinkle the water over their head while reciting some prayers. I was told that this was very special water because it was very old and came out of the center of the Earth. This mystical and spiritual site is considered to be the door way to the water underworld of the naga. Outside of the shrine there were three gongs varying in diameter from 6 feet to 2.5 feet. The gongs were made out of thin metal and had a round protrusion pressed out in the center and smaller bumps pressed out of the disk closer to the edge. I have seen these before and I have actually rung them using a mallet placed near them. However Saturday was different. After kneeling before the gongs, saying a prayer or two, the worshipper placed their hands inside the hollowed out protrusion and vigorously rub their hands back and forth. For most of the people, and for some unexplained reason - all the children, the gong would start to vibrate and give off a loud as well as an un-earthly hum. Apparently this facilitates the prayers being heard by those who can do something about the requests.

On the land side of the Wat complex, a festival was being held. These festivals are very similar to the church bazaars held by the Catholic Church back east in America to raise money to support the Parrish. There were booths with local foods for sale. Other booths sold small fireworks. There were stalls where typical festival games such as breaking balloons with darts, shooting targets with air rifles, and throwing rings over bottles. There was a small merry go round for very small children as well as a large inflated slide. There were even two trampolines for children to jump on. I knew that I was not in America when I noticed not "Release of Liability" documents to signed by the parents, anyone spotting at the side of the trampolines, 3 to 5 children jumping on each trampoline, and no lawyers hovering around in eager anticipation of a negligence suit. The children had a great time just being children on a hot sunny day jumping and falling on a trampoline under the shade of a blue plastic tarp. Part of the joy I have in Thailand is due to the innocence of the children as well as the adults here. It is much like the America of my parent's childhoods that they told me about so many times. A place where people are free to be themselves and not preoccupied with the fears of not being politically correct or intimidated by the specter of capricious litigation. A place where you can stop and talk to babies without aggravating the parents. A place where taking photographs of strangers is accepted as an honor or compliment rather than as a perceived threat.

The festival at the Wat was several days long. As part of the celebration rockets were being launched. Saturday there were several rockets launched with a great roar and swoosh. Little boys perhaps in dreaming of or contemplating the future fired smaller bottle rocket type fireworks into the sky at the edge of the rice paddies.

The previous night a stage had been erected and a makeshift movie screen had been set up. A movie was shown for the enjoyment of the villagers and others. Others? The movie was apparently a comedy that the villagers enjoyed very much as well as the phii (ghosts) that showed up to watch. Apparently several ghosts had been observed watching and laughing along with the people. This area is well known amongst local people for having friendly and good phii.

Anyhow - back to the Go-Go girls.

The show started at roughly 10:00 A. M. The girls danced with a great deal of energy as well as enthusiasm - song after song after song. The music has a rapid driving beat and the dancers synchronize their movements to the music. Often strong drum beats are accentuated with large pelvic thrusts by the dancers. Other popular dance moves are leg kicks, flailing arm movements, and even squats. The routines are very similar to what American teenagers and Go-Go dancers were doing in the late 1960s. Can it really be 42 years ago? Despite the provocative dance movements, the dancers are actually rather modest. They wear a tight opaque short tee shirt over their bra and underneath the "brassiere" portion of their dance costume. Underneath their dancing skirt they wear pantyhose covered by black very short-shorts. More skin is seen at any beach in the USA than is seen on these Go-Go dancers. Of course more can be seen inside the clubs and bars of the bigger cities but that is an entirely different culture and venue. The modesty of the dancers includes their costume changes. There are no dressing rooms at the concert venues so the girls change costumes behind the stage. They put on a typical Isaan or Lao long skirt and pull it up to their arm pits and change inside the skirt.

The Go-Go girls danced outside the doorway to the naga waterworld from 10:00 A. M. until approximately 1:00 P. M. when the show took a 45 minute break to eat. The show and their dancing resumed from 1:45 P. M. until 4:00 P. M. in the glaring sun. The temperature was at least 90 degrees F or 95 degrees F all afternoon. The afternoon set was more energetic than the morning set. The catalyst was the audience. The audience was very energetic and animated in the afternoon. The performers fed off the crowd's energy. The catalyst for the audience was beer, and whiskey. By the afternoon after several hours of drinking, everyone was in a party mood. I was busy filming the show at my brother-in-law's request so my involvement in both the drinking and dancing was limited. Even so, by 3:30 P. M. I was sick - sick from the heat and sun.

The go-go dancers had danced approximately 4.5 hours during the 5-1/4 hour show but their day was far from over. They and the rest of the company had to drive 4 hours to the south in order put on another show starting at 9:00 P. M.. The night show would continue through the night and end around 7:00 A. M. The dancers would earn another 500 baht plus tips for the second show. We were invited to join them for the second show but I wasn't too proud to admit that I couldn't handle it. I needed to get home and recuperate from another memorable experience in Isaan.