Saturday, September 21, 2013

Nang Ai and Pha Daeng - A Warning to Squirrel Eaters






Nang Ai and Pha Daeng, Tambon Nongwha May 2013
Earlier this year, in May, Duang was contacted by one of her 96 cousins, who works for the local government, in regards to our participation in a local festival. Bun Bang Fei Tambon Nongwha was taking place on 19 to 20 May.

Early May in Isaan and neighboring Lao People's Democratic Republic, is the time for local festivals where homemade gun powder rockets are launched into the sky.  The festivals are a combination of fertility and thanksgiving for the return of the essential monsoonal rains for the planting of the year's rice crop.

I wrote the following blog,  http://hale-worldphotography.blogspot.com/2013/05/ban-that-rocket-launches.html which provides some of the background and details related to the Bun Bang Feis.

On behalf of the sub-district (Tambon), Nongwha, of which Tahsang Village is one of the eleven villages (Ban, Baan), we were invited to participate in the opening day's morning procession.  To participate, we would dress up in "fancy clothes like King long time ago".  I did not have a problem with that.  Then Duang dropped the bomb on me. I would have to ride a horse.  She asked me if I had ever ridden a horse.  "No", I had never ridden a horse before.  Duang seemed very honored and excited to be asked to be part of the procession.  I then thought that after almost 64 years perhaps it was time that I did.  After we accepted and reconfirmed that we would participate, Duang received a personal call from the Sub-District Headman to officially invite us and get our acceptance.  It was a sealed deal now.  It was also time to get the details regarding the horse.  Duang told me that I did not have to worry, the horse would go slow.  I expressed concern that the horse would be big enough for me.  She checked and informed me that the horse would be big enough for both us.  Since her cousin had met me, I felt somewhat reassured.

On the morning of the 19th, we woke up at 3:00 A.M. to have our make-up applied and to get dressed.   Two young men from the local university drama department came to our home with make-up kits and plastic containers of our elaborate costumes.

Duang was going to portray "Nang Ai" and I was to be "Pha Daeng".  In mythology there are several stories about Nang Ai and Pha Daeng.  The plots vary but they all agree in that Nang Ai was a very beautiful woman and Pha Daeng was a handsome stranger from far away, the ruler of Phaphong.

Duangchan Being Transformed into "Nang Ai"
For the Bun Bang Fai Festival, Nang Ai is the queen of the pageant and Pha Daeng is her champion.



Fortunately for this pageant I did not have to wear any makeup.  I did have to wear a costume ... fit for an ancient ruler.

Nang Ai

We left our home around 6:30 A.M. traveling down Highway 2 the main highway between the Lao/Thai border and the area around Bangkok.  Traffic was light that morning but I had a suspicion.  Here in Thailand, there are often Police check points.  The Police often will stop vehicles, and especially motorbikes, to check for drinking, drug use, license, registration, insurance, "speeding", lack of helmets, and sometimes because they are thirsty or hungry.  About one-half down our trip along Highway 2, I spotted a Thailand Highway Patrol checkpoint.  It is often confusing for me at these checkpoints to determine if I am to pull over or not. That morning there was no confusion, with authority, the policeman waved me to the side of the road.

I rolled down the window as he approached my side of the truck.  I greeted him in Lao and asked him how he was doing.  I pulled out my wallet and fumbled to show him my Thai drivers license.  He did not seem all that interested in that type of formality.  He was looking at Duang and me and was speaking to her.  He seemed to be in a good as well as jovial mood.  Shortly he waved me forward and wished us a good day.

I was confused as to what had just happened.  I asked Duang and she started laughing as she explained.  The policeman saw me driving down the road and wanted to see better what I looked like.  I guess there are not too many falang (foreigners) driving a four door pickup truck around Northeast Thailand dressed up like the ancient (mythological?) ruler of Phaphong.  This is another reason why I love Thailand - the surprises that happen so often!

When we arrived at the Sub-District office where the procession was forming up, I was relieved.  Our horse, a huge horse, was standing in the back of a pick-up truck.  It was not a real horse but a combination metal and fabric replica of a horse ... a very large and anatomically exaggerated horse!

Nang Ai and Pha Daeng Riding His Horse, Bak Sam
In this story of Nang Ai and Pha Daeng, Nang Ai's beauty and fame catches the attention of Phangki, son of the Naga King, Phaya Nak.  Phangki shape shifts himself into a very handsome man to court Nang Ai. Phangki is not successful in his efforts to win over Nang Ai from Pha Daeng. Frustrated he once again shape shifts into a white squirrel to better track and keep an eye on Nang Ai with the intent of finding an opportunity to kidnap her.

When Nang Ai and Pha Daeng see the white squirrel, they order a royal hunter to trap it.  The squirrel, son of the King of the Nagas, ends up dying.  The meat is fed to the people of the town.  It miraculously keeps increasing until 8,000 cartloads of meat is fed to the people of the city and surrounding villages.  (Hmmm - reminds me of another story that I know but it is with fish instead of squirrel meat.).  Phaya Nak, King of the Nagas, vows to kill everyone who has eaten his son's flesh. (on a historical note:  I have eaten squirrel meat but fortunately it was grey squirrel not white squirrel )

After eating, a very large thunderstorm suddenly hit the city.  Since that did not typically happen, Pha Daeng tried to escape quickly with Nang Ai on his horse, Bak Sam. from the rising flood.  All of Isaan is turned into a swamp. The escape was not successful. Nang Ai is swept off the horse by the tail of a naga.  The spirit of the white squirrel had become King of the Nagas and had taken Nang Ai into his underwater kingdom.

Pha Daeng is devastated by the loss of his true love, Nang Ai, and soon dies.  His spirit recruits and organizes an army of spirits from the air to wage a long war against the Naga kingdom.  The war eventually ends in a stalemate, both sides too tired to continue.

It is said that the Nong Hon Kumphawapi Lake is a remnant from the flood and the trench that can be seen today in Tambon Pho Chai was created by Bak Sim's erection as he ran to escape the flood.  For that reason and the ancient fertility rites associated with the festival, our horse that we rode sported a very exaggerated erection and testicles.



Duang and I sat on our horse out in the hot and bright sun for a long time.  After finishing the procession, we dismounted and sat under the protection of a canopy along with the dignitaries and government officials.



Dance troupes from each of the eleven tambon villages performed traditional dances in a competition to determine the three best village participation.  Tahsang Village won second place which was very welcomed.


Duang and I returned to our home to change clothing and returned that evening for the Muay Thai boxing matches.

It had been quite a day for us.  Everyone was very kind and gracious to us.  It was obvious that everyone also appreciated our participation in the cultural event.

There has been plenty of rain (thankfully) in the Sub-District which is welcomed and I have heard that some of the good fortune has been attributed to our participation.

If invited, we will participate again next year.  If we participate, I will be certain to apply sun screen.

I have heard of people being considered to be a "legend in their own time".  I am not that, but I am definitely pleased to have been a "legend from another time"

Thursday, September 19, 2013

Wan Kao Saht - Feeding the Spirits





Tahsang Villagers Offering Food to the Spirits

Today was a special day in Isaan.  Today, 19 September 2013, 2556 BE, is Wan Kao Saht.  It is the Mid-Autumn Festival or Moon Festival.  For Westerners it is the "Harvest Moon".

I have been calling it "Wan Kao Sa" but this afternoon after consultation and closer listening to my wife, I have confirmed it to be "Wan Kao Saht".  On this special merit making is performed in offering food to the Phii (ghosts).  People also earn merit through offering "Kao Tawtek) to their local Monks.  It is also traditional for older people to give gifts of Kao Tawtek and money to children.  I was hoping to photograph the giving of the Kao Tawtek and money today, but it was apparently occurred yesterday.

Like many things here in Thailand, Kao Saht seems to be adapted and amalgamated from other cultures. The Chinese celebrate a Hungry Ghost Festival but that was 7 August to 4 September of this year with "Ghost Day" on 20 August.  In Vietnam, today is the second biggest holiday with an emphasis and focus on children.

We drove out to Tahsang Village, my wife's home village, early this morning to be able to participate in the daily merit making ritual of offering food to the Monks.  After picking up our young grandson we drove through the bright green rice paddies, "high as an elephant's eye" sugar cane fields, and muddy fields lying in fallow, we arrived at the "Outside" Wat.

Today in addition to earning personal merit, the participants are earning merit for the spirit of their dead relatives.  In the Lao Loum culture, as well as other Southeast Asia cultures, the people have to take care of the spirits of their family as well as other ghosts.  Spirits need merit in death as well in life to assist them in their journey to enlightenment.  Merit is the basis for determining what form and status a person will be reincarnated as.

We had brought offerings of bottled water, food, and toiletries for the two Monks of the Wat.  We were not alone.  About one-half of the Tahsang Villagers were at this Wat.  I assume that the other half of the village were at the "Inside" Wat where "Rocketman" is the senior Monk.

Baskets of Food for the Spirits Connected by Si Sein to Monks
The villagers, in addition to the normal offerings of food for the Monks, had brought baskets of special foods wrapped in banana leaves.  The baskets were carefully placed on the floor of the incomplete Sala next to a concrete column.  A si sein (cotton string) was placed across the tops of the baskets.  The si sein ran up the column, across the sala and ran down a second column near where the Monks would sit slightly above the villagers.  The si sein terminated in a ball placed on a plate at the side of the Wat's senior Monk.

Many of the women were dressed in white uniforms like the attire that Duang wears just about every night during Vassa when she conducts her ritual upstairs in our home where my roll top desk has been converted into a shrine.  The women, including Duang's mother, are participating in a women's retreat at the Wat tonight.  They will spend the remainder of the day and most of the night reading and studying the scriptures and receiving lectures from the Monks.


The offering of food to the Monks was a typical daily ritual with one exception, while the Monks ate their one meal of the day, the women along with a couple of Brahmans chanted in Pali.

At the end of the ritual, the villagers gathered up their baskets and went outside.  The villagers scattered throughout the Wat grounds selecting specific trees to stop at.  My mother-in-law selected a large bohdi tree (Ficus religiosa).  She squatted down next to the exposed roots of the sacred tree.  It is considered sacred because it is said that Buddha sat under bohdi trees while meditating.  Yai Puh, Grandmother Puh, laid out food for the spirits of deceased family members.  The food was placed upon banana leaves an consisted of peeled fruits, sticky rice, chili sauces, dried fish, and other typical Isaan foods.  Off to the side was a banana leaf with betel-nut chewing items.  After the foods were laid out, water was poured over them as the family members said things along the lines of "You come down now to eat.  Good for you.  I miss you.  You look after family.  Good luck for you.  You go back up to Buddha. Santa Claus take care of you"  Santa Claus?

Feeding the Family Spirits
I think that Duang is trying to help me to understand the ritual in terms that I can better relate to.  I sincerely doubt that any of the villagers there this morning know about "Santa Claus" let alone in the context that Duang refers to him.

Five years ago we were in Bangkok for Christmas.  I woke before Duang on Christmas morning.  I took one of her socks, placed some money in it and since the hotel did not have a fireplace in our room, hung her sock from the large flat screen television.  When she woke I explained to her the story of Jesus's birth, the three Kings and Santa Claus.  What is the saying about throwing things up against the wall to see what sticks? The "Santa Claus" part of my explanation of Christianity is what Duang has retained.  To her, Santa Claus, is Christianity's supreme being or spirit, - the guy that makes all things happen, the entity that you pray to for favors.

So in that context, I believe that she was helping me to understand that the people were beseeching the supreme power to look after the departed spirits.

Offerings to the Hungry Ghosts At the Base
of Bodhi Tree (Ficus religiosa)
The offerings to the spirits also included two lit yellow candles and two sprigs of "dogkhut" - I suspect Thai jasmine buds.  When offerings are made to Buddha, three of each item are offered - one for Buddha, one for the teachings of Buddha (Dhamma), and one for the Buddhist religious community (Sanga).  For spirits the offerings are in pairs.


Food Offering to the Hungry Spirits
After the family spirits had been offered food and drink, the people hung filled thin banana leaf packets in the trees throughout the grounds.  The banana packets contained food offerings to the other spirits.

After a while, perhaps ten minutes, one of the men rang the Wat large bell three times signifying that the spirits had completed eating.  The small banana leaf packets were removed from the trees and returned to the family baskets.  The packets will later be placed in the sugar cane fields, rice paddies, and other lands to feed the spirits (ghosts)  that inhabit them.  In return for feeding the hungry ghosts, the people ask that the spirits watch over the land and its crops bringing success as well as good luck to the owners.

The villagers returned to the sala to have a community meal with the food leftover from the offerings to the Monks.  There is always too much food offered to the Monks and since they are allowed to take only what they can eat that morning for their one meal of the day.  The food, that the Monks have not taken, is eaten by the laypeople in a community meal in the sala after the Monks have left.

Young Villager Enjoying the Community Meal
We returned to our home for a relaxing afternoon.  In the late afternoon, Duang offered food and drink outside to the spirits of our land.  After dinner she put on her religious attire and performed her nightly Vassa ritual which lasts about one hour.

Duang's Nightly Vassa Ritual
Life goes on here in Isaan measured in part by the seasons of the crops and the cycle of religious events.  Whether it is the seasons of the crops, the cycle of religious events, or personal life milestones, life here always is interesting and is often "enlightening".

Tuesday, September 17, 2013

Sai Mai - Another Special Isaan Treat




Roadside Vendor Making "Crepes" for Sai Mai

We had to go out to Tahsang Village on Sunday for Duang to take her father to the hospital for his scheduled appointment.  I have often mentioned that there are no secrets here in Isaan,  Well once again it was proven in regards to our planned trip out to the village.  On Saturday during one of my wife's daily calls with her family, a message from our 4-1/2 year old grandson, Peelawat, was conveyed to Duang.  Peelawat reminded her to stop along the road and buy him some Sai Mai.

We live very close to Highway 2 the main road from the Lao border south to the Bangkok area.  We travel on Highway 2 on our journeys out to Tahsang Village.  Highway 2 is typically a 4 lane separated modern road.  Despite being a modern thoroughfare, the highway can be quite interesting.  The King has sponsored a program, OTOP (One Tambon, One Product) where sub-districts (over 7,000 of them) focus on marketing a single handicraft or product.  Along the road just before the turn off to Kumphawapi, the road in both directions is lined with little stands built out of bamboo and sheltered by a large umbrella where local people sell a local specialty - sticky rice cooked inside of bamboo with coconut milk and a few beans.  If I understood my wife properly and have spelled it correctly, it is known as "Pan Kao Thai".

Further south along the road you will find villages where Isaan Sausages are cooked and sold to motorists.  In other locations, bottles of honey are for sale.  Not all the products are edible along the road.  In some areas, pottery, walking canes, rattan furniture, and textiles are featured.

Of course anywhere along the road, you will come upon places where people are grilling chickens and serving other foods to passersbys.

I have written about the seasonal treat, kao tawtek, that is now being prepared for Kao Sa on 19 September.  September is also the time for preparing and consuming another special treat - Sai Mai.  Spotted along Highway 2 on the way to Kumphawapi are stalls that are selling Sai Mai.  We stopped at one just before the Udonthani Mail Sorting Facility.


Sai Mai is a two component treat that is assembled by the consumer.  Sai Mai consists of small thin crepes that have a sugar product placed on it and rolled up to be eaten.   The sugar product resembles asbestos in texture as well as coloring.  It seems to be a Thai form of cotton candy.  It melts quickly and completely in your mouth.  It is softer and less stiff than American cotton candy.  It resembles chopped soft fibers rather than spun filaments of cotton candy.  The Thai product can be rolled and molded into compact balls quite easily but that it not the accepted practice for eating it.  This component is purchased from manufacturers. Sai Mai vendors distribute the product in various sized plastic bags sealed with elastic bands for sale.

The second component of Sai Mai is a small diameter thin crepe.  The crepes are made freshly at the stall and several are placed in small plastic bags.  The crepes are made out of rice flour and water.  Unlike crepes that include eggs, salt, and vanilla, in a runny matter these crepes are a thick paste that is smeared on the hot griddle BY HAND.

The griddle is a typical propane gas open flame device - just like I have seen used in Europe to make crepes.  I watched in awe as the vendor grabbed a handful of rice flour paste and smeared three small circles on the hot plate.  Almost immediately after finishing the third circle, the vendor used a thin pastry scraper in his other hand to remove and stack the one millimeter thick crepes on a table near the stove.  After creating a stack of around one centimeter thick, the stacked crepes were carefully placed in a small plastic bag after the vendor washed his "paste" hand in a nearby tub of water.



We bought two bags of Sai Mai and associated bags of crepes for 50 baht ($1.50 USD).

Upon arrival in Tahsang Village we were enthusiastically welcomed by Peelawat, Kwan, Tey, Mai, Phere, and Phu.  We sat upon the raised platform outside of the home and laid out the Sai Mai. components.  In a process very much like "rolling your own", the children carefully separated a crepe from the stack, laid it flat in their hand, grabbed some of the sugar product in their other hand, sprinkled the sugar fibers across the center-line of the crepe, folded the filled crepe in half and rolled it into a tube.  The completed treat was then consumed in two to three bites.  Duang and I joined in the feeding frenzy.  In very little time, the treats were completely consumed.

I suspect that we will be enjoying some more Sai Mai before the season is over.

Monday, September 16, 2013

Kao Tawtek - The Rest of the Story; Final Process




Popped Rice Is Added to Other Ingredients
Last Thursday, as promised, we received the phone call from the family out in Tahsang Village that the next day 13 Friday, they would be finishing up making their Kao Tawtek (Thai Cracker Jacks).  Once again Duang and I drove out to her mother's home to help, and photograph the last steps of the process to produce the special treats that are used to mark the Mid Autumn (Moon) Festival on 19 September (yes, yet another trip out to the village).

In my previous blog regarding offering the treats to the Monks, I stated that the ritual was part of Kao Patducdin.  In speaking with her mother, Duang realized that she had given me the wrong information.  Although the date is the same and the purpose is the same, the day is actually Bun Kao Sa rather than Kao Patducdin.

The previous day the family had grated mature coconut meat and cooked the shavings over an open outside fire in water, and sugar.  When we arrived at Duang's mother's house.  The family was assembled next door under the protection of the covered porch area.

Duang's Aunt Adding Margarine to Kao Tawtek Mixture
Open pots of cool cooked coconut and sugar water mixture lay on the ground next to bags of the popped rice that we had seen prepared earlier in the week.  There were also several cans of sweetened condensed milk awaiting to be opened.  On the raised wooden platform that serves as a combination table, couch, bed, playroom, and food prep area, there were clear plastic bags of "Kao Pong" and bags of roasted peanuts. Unlike my previous experience with another aunt on the other side of the village, there was no millet to add to the kao tawtek. I guess family recipes can even vary amongst family members.

Kao Pong is a rice product very much like "Rice Krispies" - a sort of puffed rice as opposed to "popped" rice which is more like popcorn.  The family did not make the Kao Pong .  They purchased it at a local market.  According to Duang, Kao Pong is produced by cooking rice seed in water and some coloring.  The Kao Pong was beige and yellowish in color.  When we arrived, a cousin was sifting the Kao Pong with a fine fish net to separate powder and fine fragments from the product that would go into the Kao Tawtek.

Sifting Kao Pong To Get Rid of Fine
The fines that ended up on the ground did not go to waste.  Both local dogs and the village "free range" chickens made periodic forays amongst all the  family workers to feast upon the unexpected treat.

Mixing Up the Sifted Kao Pong
A caramel type sauce was made by heating industrial strength margarine (I call it "industrial strength" because of its color.) and, the coconut mixture, and cans of sweetened condensed milk.  No attempt was made to confuse anyone into believing this margarine was butter!  It hearkened back memories from my very young years when a deep yellow capsule had to be mixed into Oleo to make margarine).   The margarine and sweetened condensed milk mixture was stirred with a wood paddle that typically is used to propel the family steel pirogue in the nearby flood plain.

Stirring the Caramel Base With Pirogue Paddle
Occasionally, Duang's aunt, using the paddle, would take some of the hot bubbling caramel mixture and drop it into a small bowl of water to determine if the mixture was ready for the next step of the process.  When the sauce had been heated to the proper temperature and reached the desired condition, other workers came over to the large wok with the bags of popped and bags of puffed rice as well as the peanuts.  They poured the ingredients into the bubbling brown sweet liquid using large metal serving trays to direct the cascade of dry ingredients into the wok as well as to immediately commence mixing all the ingredients together.

Time to Mix The Kao Tawek
After the ingredients are quickly and completely mixed in the hot wok, the amalgamated kao tawtek is scooped out of the wok using the same metal serving trays used for mixing.  The Kao Tawtek is placed into a large plastic tub and placed on the elevated platform where the majority of the workers sat.

Kao Tawtek Packaging Circle
Most of the workers have the responsibility of filling small plastic bags with the still warm Kao Tawtek. There are two methods used to fill the individual bags.  The first method is to grab the appropriate amount from the plastic tub with a bare hand and shove it in the bag.  The other method is to invert the plastic bag over your hand and grab the required amount of kao tawtek with the covered hand - just like selecting pastries or donuts in a bakery. The selection of method is an individual choice.

The bags are stuffed with the warm mixture and are formed into uniform bricks of sweet treat by squeezing and pressing with the hands.

Duang Seals A Bag of Kao Tawtek Using Heat From A Candle
The remainder of the seated workers are occupied sealing the filled bags of Kao Tawtek.  There is no need for specialized equipment such as electron beam sealers or even heated metal plate sealers.  The workers use a lit candle to seal each bag. A thin yellow candle that is used in rituals at the Wat is set on top of the platform and lit to provide the heat to seal the bags. The top of the plastic bag is folded over and the resulting seam created between the body of the bag and folded flap is melted with the candle.  Sealing the bag helps to keep the treat fresh and just as importantly - keeps the ants out.



All the activity is not performed in silence.  Everyone seems to be talking, talking loudly, all at the same time.  The din is often punctuated by laughing and exclamations of "Ugh Ugh".  Canadians are well know for incorporating "Eh" into many of their sentences.  Well the Lao Loum are even more apt to use the ubiquitous "Ugh Ugh" into just about every sentence.  "Ugh, Ugh" is an extremely versatile phrase - it means "Yes", "I agree". "For sure", "Definitely", and used to emphasize the previous statement.

QC Dept, Phere and Peelawat, Testing the Sweetened Condensed Milk
Periodically the workers would change jobs.  Duang helped out filling bags as well as sealing bags.  Her cousin stirring the pot, well actually "wok" and dumped ingredients into the caramel. Duang's aunt, Kwan's grandmother, concentrated on stirring the wok and mixing.  Everyone seemed to be enjoying themselves.

Little Packages Placed In Bag to Make A Bigger Package
The small packets of Kao Tawtek were placed into larger plastic bags to form big blocks of the treats.  Besides offering Kao Tawtek to the Monks, and the hungry spirits, the treats will be given to elderly family members as gestures of appreciation at this time of the year.  Besides donating their time and labor to produce the Kao Tawtek, family members also donate some of the ingredients such as rice and coconuts.

Cousin Youpin Gathering Somme Greens Alongside the Street for Lunch
After three hours it was break time - betel nut chewing and eating time.  Cousin Youpin went along the village street collecting some greens to add to the lunch of sticky rice, fish, and vegetarian curry.  Now that there has been so wet for so long, it is not uncommon to see people gathering food from the plants that grow wild along the roads and, in this case, village streets.  The Lao Loum people, long ago, learned to live off of the land - often making do with what is readily available.

Lunch Time!

Betel-nut Chewing Time
I had gone off to another outdoor raised platform to rest and cool off.  It was less "confusing" there and there was more room for my camera gear. Our days are still hot - 90F to 95F for high temperatures. All the stooping and squatting to get different perspectives for the photos had made me very sweaty, tired, and thirsty. Soon I looked up to see a common sight - Duang bringing me some Pepsi to drink.  I never have to ask, she just seems to intuitively know when it is time.

Nothing Like Ice Cold Pepsi to Drink on a Hot Day!
Duang donated 1,000 baht to help pay or most likely pay for the store bought ingredients such as sweetened condensed milk, sugar, peanuts, plastic bags, and Kao Pong.  We left with four bags, little bags, of Kao Tawtek.

Like the fisherman who goes to Alaska to catch salmon, has it canned or frozen, and shipped back to their home, I realize that it would have been much cheaper to just buy some Kao Tawtek at the store (market). Just like that fisherman, I realize that buying it is not the same - not the same pleasure or experience that has been enjoyed.

For me there is also the added sense of being part of a family as well as community along with seeing the joy of my wife in her being able to make these things happen..


Wednesday, September 11, 2013

Naga - The Guardians





A Naga Guards the Entrance to Wat Si Bunruang 

Isaan is a very special place here in Thailand.  Readers of this blog have some idea about the people, beliefs, festivals, and places that make this area so interesting and special.

We are in the midst of Vassa (Buddhist Lent, Buddhist Rain Retreat).  The 90 day period of Vassa will end on Wan Awk Phansa (Wan Ok Phansa, Wan Awk Phansa), 19 October.  The end of Vassa is a time for merit making and celebration throughout Isaan.

It is also time for a very special and unique cultural event - Bang Fai Phaya Nak just north of us in Nong Khai Province along the banks of the mighty Mekong River.  In this area of Thailand the Mekong River separates Thailand from the Lao People's Democratic Republic as well as the ethnic Lao Loum people.

This year the Bang Fai Phaya Nak Festival will be 18 - 19 October.  The festival celebrates a local phenomenon of glowing balls of light that rise from the depths of the water into the night sky before disappearing.  This phenomenon are most reported during the full moon of Wan Ok Phansa, the last day of the Buddhist Rain Retreat.

A Lighted Ship Floats Down The Mekong River During Bang Fai Phaya Nak

The celebration occurs on both sides of the Mekong River, Northeast Thailand and Laos sharing a common heritage and culture.

The legend that explains the fireballs is that the they are caused by a large serpent, Naga (Phaya Naga) that lives in the river.

Naga is a mythological deity that takes the form a a very great snake.  Nagas are found in the traditions and legends of Hinduism as well as in Buddhism.  I have written before about the amalgamation of Animist, Hindu and Buddhist beliefs and traditions here in Isaan.  The area was once Animist before Hindu and then Buddhist believers arrived.  Today in Isaan traditions and beliefs from all three remain a very strong part of not only the culture but of individual daily life.

Back in May, I wrote a blog about the Bun Bang Fai Festival - the festival in which rockets are fired into the air at the start of the monsoonal rain season here in Isaan and neighboring Lao.

http://hale-worldphotography.blogspot.com/2013/05/ban-that-rocket-launches.html

The tradition of firing the rockets is rooted in the Buddhist mythology in which Nagas play a large roll.

A Long time ago, during one of Buddha's many reincarnations, this time as a toad, the rain god (King of the Sky), Phaya Tan  (Taen) was angry with the people and animals. Buddha ( Phaya Khang Khok)'s, sermons were drawing people and creatures from earth and sky away from the King of the Sky.  He decided to punish them by withholding the necessary life giving and sustaining rains.  After seven years, seven months, and seven days of drought, the surviving people along with the animals got together and consulted with Buddha.  After much deliberations, they decided that Phaya Nak (Naga), the giant snake, would lead them in war against the rain god, Phaya Tan.  Phaya Tan defeated the giant snake and his troops.  After eventually overcoming Phaya Tan, Buddha rewarded  Phaya Nak (Naga) for his loyalty as well as service with the honor of being guardians.

Naga At Entrance to Sala Pha Bang, Royal Palace Luang Prabang LPDR



There is also another Buddhist legend involving nagas or snakes.  Today, young man who are participating in the ritual of becoming a novice Monk, after renouncing their worldly goods, are considered to be a "naga".

When Buddha was walking around preaching and teaching his disciples, Naga The Serpent King (Phaya Nak) took on human form, asked to become a Monk, and followed Buddha around listening to the sermons.

One day the naga fell asleep and reverted back to his snake form. Buddha told him that he could not be a Monk because he was not of this world - only humans could be a Monk. The naga agreed to leave the Sanga (religious community of Monks) but requested a favor. He asked Buddha that all young men who are about to be ordained as Monks be called "nagas". Buddha agreed.

To prevent a recurrence of this incident, all young men as part of their ordination are asked if they are human. Phaya Nak, despite leaving the monkhood, continued his devotion to Buddha and is often depicted in art as the seven headed cobra shielding Buddha from the rain.

Later on Buddha was traveling to perform a sermon during Vassa in the second heaven for Buddha mothers and the angels.  When Vassa ended and Buddha was returning to Earth, Phaya Nak and his followers made offerings and issued fireballs to welcome his return.  Since that time, at the end of Vassa fireballs rise from the Mekong although I did not see any when we attended Bang Fai Phaya Nak in 2009. The fact that I did not see them does not mean that they did not exist.  There have been times when others standing next to me, have seen "Phii" (ghosts, spirits) that I did not see
 and my camera did not capture - all more the reason that we hope to attend this year's festival.

Seven Headed Naga Guards Entrance to Sala Pha Bang, Royal Palace Luang Prabang LPDR


The Royal Barge "Anantanagaraj" - Seven Headed Naga Bow
Seven Headed Naga Guarding the Entrance to Wat Phra That Choeng Chum
Sakon Nakhon, Thailand
In our travels along the roads of this area, we became aware of a very interesting Wat in the village of Ban Kho Noi.  I have intended to photograph the Wat's grounds but it was not until two days ago that I had my camera and the weather was good.

Main Entrance to Wat Si Bunruang
I find Wat Si Bunruang very interesting because of the statues located at the entrance gate, entrance road and along the the front perimeter wall of the facility.  Two large and very colorful Nagas flank the ornate gateway to the Wat, their heads rising up at the entrance and their thick blue boodies undulating along the top of the wall to their up raised tails some eight meters away.  Along the front perimeter wall and alongside the driveway into the Wat are several thepanom (thep phanom), Thai angels.



Inside of the platform that supported each thepanom was a internal space for the storage of bones.  Many of the platforms had the opening to the reliquary was sealed with a plaque which included a photograph as well as information about the deceased person.

The encounters with the Naga of Wat Si Bunruang and researching this blog, has piqued my curiousity to attend Bun Bang Fai Phaya Nak next month.  I have check with Duang and, as usual, she is prepared to go on anther of my forays into the culture of Isaan.  Perhaps this year we will actually get to see the fireballs.

I have also got her to buy into attending this year's Sakon Nakhon Wax Castle Festival which we attended last year.  Same same but different?  I think so.



Tuesday, September 10, 2013

"Same Same But Different"




A Young Boy Places A Daugchan On the Coffin

"Same, same but different" is an often used phrase used here in Thailand.  I have written about the phrase before but once again I am impressed with how meaningful and appropriate it is in describing a situation or condition.  Many falang here in Isaan detest the phrase but I actually embrace the expression.

In my life to date I have visited and positioned myself in many situations that I had previously experienced.  Some would ask, "Why go to Machu Picchu twice?", "Why go to Yellowstone National Park seven times?", "Why do this or that more than once" and "Why go there once again?"  The answer for me is simple.  My answer is "Same, same but different"  Revisiting or placing yourself in position to re-experience something allows a person to greater appreciate the original. The greater appreciation comes from the opportunity to more deeply understand and the opportunity to recognize the nuances that are often overlooked during initial exposure.

So what does this have to do with the photo of a young boy placing a "daugchan" on a coffin?

Two days ago, Duang and I drove out into the Isaan countryside to attend the cremation ritual of a family member - "Cousin of my father".  "Cousin of my father" was an elderly woman who died in the village near Ban Tahsang.  Many of my blogs have dealt with the strong sense of family and community that exists amongst the Lao Loum (Lowland Lao) people of Isaan.  Enjoying the sense of belonging and comfort of such a culture does not come free.  Just as saying goes "There is no such thing as a free lunch", appreciating the benefits of such a culture comes at a cost.  The cost, which I find nominal, is participating in the culture.  With such a large family, 23 Aunts and Uncles, as well as 93 cousins at one time, there always seems to be a wedding, Monk ordination, birth, or funeral that we are expected to attend.  I do not mind and enjoy accompanying Duang in the execution of her "family duties".

Food Offerings for the Spirit Placed On the Floor at the Head of the Coffin

The funeral that we attended the other day was the tenth that we have gone to in two and one-half years. Each funeral has been the same as the others but also different.  The ritual is essentially the same but there are nuances that make each one unique.  Since I am now well familiar with the ritual, there are certain photographs that I expect to take during the ritual.  Because I am familiar with the ritual, I am more capable of looking for and recognizing nuances that make each ritual unique and hopefully makes for more interesting photographs.

Since this was a family funeral, there were many familiar faces in the crowd.  Duang's uncle, the Buddhist Monk, an Abbott to be specific, was the senior Monk in attendance.  "Rocketman", the senior Monk from the "inside" Wat in Ban Tahsang, also participated in the ritual.  Many people in the crowd were people that I have photographed over the past two and one-half years here in Isaan.

Local Government Official Bringing An Offering of Kaithin  His head is bowed in a gesture of respect.
The cremation ritual had all the elements that I have come to expect - the body laying in repose at the family home, people coming to the home with offerings of cash or rice; all of which were duly registered in a ledger, food and drink for visitors, government officials paying insurance money and collections from neighboring villages of the sub-district, offerings of food to participating Monks, sons, grandsons, and nephews with freshly shaved heads and wearing new robes as novice Monks, the procession through the village, the school teacher reciting the deceased person's history and list of immediate family over a P.A.  system to the attendees, the washing of the corpse with coconut water and bottled water, the procession of attendees to the entrance of the furnace to place "good luck charms" (daugchan) on top of the coffin, the tossing from the elevated floor of the crematorium of colorful wrapped coins and candy to the attendees below as the body commences to be cremated, and the firing of three fireworks as smoke starts to rise out of the crematorium chimney.

The following are blog links to previous blogs that I have written regarding funerals here in Isaan.







http://hale-worldphotography.blogspot.com/2012/10/another-lao-loum-funeral-here-in-isaan.html

http://hale-worldphotography.blogspot.com/2012/10/death-be-not-private-lao-loum-experience.html

http://hale-worldphotography.blogspot.com/2013/02/yet-another-lao-loum-funeral.html


Duang's Uncle, the Abbott, Accepting Offering of Robe (Kaithin)
Like all the funerals that I have attended here, there were many people taking photographs - any and all photographs.  I typically position myself next to and up against the heavy metal doors to the furnace at the foot of the coffin.  This position gives me fairly good perspective and keeps me from interfering with the ritual.  Doctors have a motto or oath to "Do no harm".  My guiding principle in taking photographs is to "Do not interfere"  This cremation ritual had more photographers than I have encountered previously - just about everyone in Isaan has a cellphone with a camera in it.  Now many of the younger people have smart phones with rather sophisticated camera capabilities built into them.

One of the older men who was helping to organize and guide the activities at the entrance to the furnace asked me where I was from.  I replied "America".  He then asked or rather pantomimed, if the ritual playing out before us was the same in America? I responded by my limited Thai and pantomime that this was very different in America and that taking photographs of the corpse as well as cremation ritual would not be acceptable and most likely start a fight.  He understood but seemed somewhat shocked.

A Young Girl Places Daugchan On Coffin
Prior to opening the coffin to pour coconut water and drinking water on the corpse, attendees walk up the steps of the Wat's crematorium to the coffin that is placed upon two metal sawhorses at the doors to the furnace.  They carry small paper and bamboo objects called "Daugchan", good luck tokens, and place them in metal trays on top of the coffin.  They first "wai", slightly bowing the head as the hands in the praying position are raised to the forehead, and then place their daugchan on the pile building up in the trays.  The wai is the Thai expression of respect that people use to greet each other or to say goodbye.  Some people will knock three times on the side of the coffin in a final farewell gesture.  Other people will call out in controlled voices words to the effect "Good luck to you, I will miss you, I hope to see you again soon."  The scene is always dignified and touching.



From a very age, Lao Loum people here in Isaan learn that this life is of a limited duration and that death awaits everyone.  Children are not sheltered from the consequences of life - death.  Young children attend and participate in the funeral ritual for neighbors, family friends as well as family members.  "Family members" here is not limited to immediate family.  It includes aunts, uncles, cousins and all those connected to them through marriage.

I have been to funerals where the local school had its students, all 36 of them, go to a funeral of a villager as a field trip.

Another Child Prepared to Pay Final Respects

Attending funerals is a civic as well as religious experience for the children.  Our grandson when he was three attended his first funeral.  He didn't fully understand the ritual but he did enjoy the dragon fruit that he was eating during the ritual at the deceased person's home.  He did understand some of the merit making ritual though.  Children at a very early age commence to learn the Buddhist rituals.



One of the first group of people to place daugchan on the coffin of the deceased person, are the young male relatives who have become Novice Monks for the funeral.  They have cut their hair and had their heads shaved as part of the ritual.  They wear Monk robes and are part of the lead contingent of Monks holding on to the si sin  (cotton cord) that is attached to the coffin which has been placed on a farm truck or pick up truck.  After the coffin has been placed on the sawhorses at the entrance to the crematorium furnace, a si sin connects the coffin to the Buddha statue in the open sided building where the Monks participate in the merit making ritual for the deceased as well as participants in the ritual.


After the last daugchan have been placed upon the coffin. the trays are removed, and the thin top of the coffin is removed.  Monks are the first people to pour coconut water on the exposed corpse.  Family members follow the Monks to pour coconut water or drinking water on the corpse.

Family Members Preparing to Pour Coconut Water
The hands of the deceased clasp offerings of special small flowers, small yellow candle(s), and currency.  The currency is for the spirit on its upcoming journey.  Metal coins that get melted in the cremation are recovered and used as talisman for immediate family members.  Men often have a small tube containing a piece of the melted coins or a tooth as part of their amulets they wear around their neck.  This funeral ritual was different because it was the first one where I saw a daughter, let alone a son, place coins in the mouth of the corpse.

The hands of the copse are bound together with cotton cord, very similar to butchers string.  The thighs and ankles are also bound by the same cord with all three bindings connected by cord running down the center-line of the deceased person.  Part of the ritual is for these bindings to be cut using a heavy cane knife or as occurred at this funeral - a rice harvesting sickle. Symbolism and ties to daily as well as religious life are very strong in these rituals.


After the body has been cleansed and refreshed, the blanket and saht that the corpse had been resting upon are removed and brought to an area next to the crematorium to be burned in a separate open fire along with the remaining possessions of the deceased.  Slits are then placed in the thin walled coffin using the heavy cane knife or in this case rice harvesting sickle to drain the coconut water and drinking water from the coffin. The body is rolled on to its side to gain access for making the drain slots.  The body is then rolled back on top of coconut halves that have been placed in the coffin. The daugchan are then placed into the coffin.

The very heavy metal carriage and charcoal bed is pulled out along embedded rails from the interior of the furnace.  Flammable liquid such as diesel fuel or naphtha is poured on the charcoals. The coffin is lifted from the metal sawhorses and placed on top of the charcoal bed.  More flammable fluid is poured around the coffin with some being poured in the coffin.  The heavy metal carriage is then rolled back into the furnace.  The heavy bottom door of the furnace is closed and dogged into place followed by the upper half door.



A Monk will approach a small port in the upper door and place a burning candle or daugchan to commence the cremation.

A the smoke starts to flow out of the crematorium chimney, firecrackers are set off to scare away any bad spirits who may be in the area.  This facilitates the release of the deceased person's spirit on its journey.  As the firecrackers fire off, pandemonium breaks out in the area in front of the crematorium below the furnace platform area.  Handfuls of small denomination coins wrapped in colorful foil and candy also wrapped in colorful wrappings are tossed to the children and some adventurous adults below.

People Scramble For Falling Coins as well as Candy Underneath Si Sein Connecting Crematorium to Sala

It was another funeral - same same but different.  It was an occasion the learn and experience more of the ethnic Lao culture of Isaan.  It was a time to strengthen family as well as community bonds. It was also an opportunity to photograph a unique aspect of life here and to be able to share it with others.  All in all just another great day!