Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Wednesday, September 11, 2013

Naga - The Guardians





A Naga Guards the Entrance to Wat Si Bunruang 

Isaan is a very special place here in Thailand.  Readers of this blog have some idea about the people, beliefs, festivals, and places that make this area so interesting and special.

We are in the midst of Vassa (Buddhist Lent, Buddhist Rain Retreat).  The 90 day period of Vassa will end on Wan Awk Phansa (Wan Ok Phansa, Wan Awk Phansa), 19 October.  The end of Vassa is a time for merit making and celebration throughout Isaan.

It is also time for a very special and unique cultural event - Bang Fai Phaya Nak just north of us in Nong Khai Province along the banks of the mighty Mekong River.  In this area of Thailand the Mekong River separates Thailand from the Lao People's Democratic Republic as well as the ethnic Lao Loum people.

This year the Bang Fai Phaya Nak Festival will be 18 - 19 October.  The festival celebrates a local phenomenon of glowing balls of light that rise from the depths of the water into the night sky before disappearing.  This phenomenon are most reported during the full moon of Wan Ok Phansa, the last day of the Buddhist Rain Retreat.

A Lighted Ship Floats Down The Mekong River During Bang Fai Phaya Nak

The celebration occurs on both sides of the Mekong River, Northeast Thailand and Laos sharing a common heritage and culture.

The legend that explains the fireballs is that the they are caused by a large serpent, Naga (Phaya Naga) that lives in the river.

Naga is a mythological deity that takes the form a a very great snake.  Nagas are found in the traditions and legends of Hinduism as well as in Buddhism.  I have written before about the amalgamation of Animist, Hindu and Buddhist beliefs and traditions here in Isaan.  The area was once Animist before Hindu and then Buddhist believers arrived.  Today in Isaan traditions and beliefs from all three remain a very strong part of not only the culture but of individual daily life.

Back in May, I wrote a blog about the Bun Bang Fai Festival - the festival in which rockets are fired into the air at the start of the monsoonal rain season here in Isaan and neighboring Lao.

http://hale-worldphotography.blogspot.com/2013/05/ban-that-rocket-launches.html

The tradition of firing the rockets is rooted in the Buddhist mythology in which Nagas play a large roll.

A Long time ago, during one of Buddha's many reincarnations, this time as a toad, the rain god (King of the Sky), Phaya Tan  (Taen) was angry with the people and animals. Buddha ( Phaya Khang Khok)'s, sermons were drawing people and creatures from earth and sky away from the King of the Sky.  He decided to punish them by withholding the necessary life giving and sustaining rains.  After seven years, seven months, and seven days of drought, the surviving people along with the animals got together and consulted with Buddha.  After much deliberations, they decided that Phaya Nak (Naga), the giant snake, would lead them in war against the rain god, Phaya Tan.  Phaya Tan defeated the giant snake and his troops.  After eventually overcoming Phaya Tan, Buddha rewarded  Phaya Nak (Naga) for his loyalty as well as service with the honor of being guardians.

Naga At Entrance to Sala Pha Bang, Royal Palace Luang Prabang LPDR



There is also another Buddhist legend involving nagas or snakes.  Today, young man who are participating in the ritual of becoming a novice Monk, after renouncing their worldly goods, are considered to be a "naga".

When Buddha was walking around preaching and teaching his disciples, Naga The Serpent King (Phaya Nak) took on human form, asked to become a Monk, and followed Buddha around listening to the sermons.

One day the naga fell asleep and reverted back to his snake form. Buddha told him that he could not be a Monk because he was not of this world - only humans could be a Monk. The naga agreed to leave the Sanga (religious community of Monks) but requested a favor. He asked Buddha that all young men who are about to be ordained as Monks be called "nagas". Buddha agreed.

To prevent a recurrence of this incident, all young men as part of their ordination are asked if they are human. Phaya Nak, despite leaving the monkhood, continued his devotion to Buddha and is often depicted in art as the seven headed cobra shielding Buddha from the rain.

Later on Buddha was traveling to perform a sermon during Vassa in the second heaven for Buddha mothers and the angels.  When Vassa ended and Buddha was returning to Earth, Phaya Nak and his followers made offerings and issued fireballs to welcome his return.  Since that time, at the end of Vassa fireballs rise from the Mekong although I did not see any when we attended Bang Fai Phaya Nak in 2009. The fact that I did not see them does not mean that they did not exist.  There have been times when others standing next to me, have seen "Phii" (ghosts, spirits) that I did not see
 and my camera did not capture - all more the reason that we hope to attend this year's festival.

Seven Headed Naga Guards Entrance to Sala Pha Bang, Royal Palace Luang Prabang LPDR


The Royal Barge "Anantanagaraj" - Seven Headed Naga Bow
Seven Headed Naga Guarding the Entrance to Wat Phra That Choeng Chum
Sakon Nakhon, Thailand
In our travels along the roads of this area, we became aware of a very interesting Wat in the village of Ban Kho Noi.  I have intended to photograph the Wat's grounds but it was not until two days ago that I had my camera and the weather was good.

Main Entrance to Wat Si Bunruang
I find Wat Si Bunruang very interesting because of the statues located at the entrance gate, entrance road and along the the front perimeter wall of the facility.  Two large and very colorful Nagas flank the ornate gateway to the Wat, their heads rising up at the entrance and their thick blue boodies undulating along the top of the wall to their up raised tails some eight meters away.  Along the front perimeter wall and alongside the driveway into the Wat are several thepanom (thep phanom), Thai angels.



Inside of the platform that supported each thepanom was a internal space for the storage of bones.  Many of the platforms had the opening to the reliquary was sealed with a plaque which included a photograph as well as information about the deceased person.

The encounters with the Naga of Wat Si Bunruang and researching this blog, has piqued my curiousity to attend Bun Bang Fai Phaya Nak next month.  I have check with Duang and, as usual, she is prepared to go on anther of my forays into the culture of Isaan.  Perhaps this year we will actually get to see the fireballs.

I have also got her to buy into attending this year's Sakon Nakhon Wax Castle Festival which we attended last year.  Same same but different?  I think so.



Friday, November 2, 2012

Sakon Nakhon Wax Castle Festival






Completed Wax Castle at Wat Suwaneen Gindalam, Sakon Nakhon, Thailand
As I have written before, October this year has been a very busy month for us.  One of our planned activities for October was to attend the Sakon Nakhon Wax Castle Festival here in Isaan.

The festival was held from October 26 to October 30 in Sakon Nakhon, an agricultural center of approximately 60,000 people 160 Km east of our home in Udonthani.  The Wax Festival is held to commemorate and celebrate the end of Buddhist Lent also referred to as Buddhist Retreat.

Buddhist Lent commences the day after the full moon of the eighth lunar month (July) and ends 90 days later on the full moon of the eleventh lunar month (October).  I will be writing more about the end of the Buddhist Retreat in my next blog.  For now the important point is that during the period from Khao Phansa to Ok Phansa, the Monks are restricted to their home Wat to focus on meditation and scripture.

We had attended the Ubonratchathani Candle Festival in July 2010.  That festival which commemorated the start of Buddhist Lent included both a day and night procession of large wax sculptures of scenes from the Ramakian.  After viewing and inspecting the sculptures, I wanted to return the next year but at an earlier time to witness how the large sculptures were made.  As often happens in life, events prevented us from returning in either 2011 or 2012.  There is a saying that goes something along the lines of "When one door closes, another door opens".  We returned to Thailand in July of this year, too late to go to Ubonratchathani but, thanks to the Internet I learned of the Sakon Nakhon Wax Castle Festival in October.

Due to a commitment to attend and requests to photograph Ok Phansa celebration in Tahsang Village, we were not able to attend the procession in Sakon Nakhon.  However, we could attend the early days of the festival - specifically to witness the castles being constructed.  I figured that the first day, the 26th, was too early.  After researching and finding a hotel for $21.64 a night in downtown Sakon Nakhon, we decided to drive the 2 hours on Saturday, 27 October, spend the night and return home on Sunday the 28th.  We could have planned on doing it all in one day, but I like to have flexibility built into our travel arrangements.  For $21.64, including taxes, a night, there was not much additional cost to have a possible second day at the festival.

The drive out to Sakon Nakhon was great - Highway 22 all the way.  Not much traffic, very few slow vehicles, very few traffic lights, wide and smooth paved highway, hardly any motorbikes, and no police - such a great way to start a holiday.

Our hotel, The Dusit, was a pleasant surprise.  The staff was great - very friendly and extremely willing to help.  The hotel is located downtown very close to the central market.  The exterior is rather nondescript but I knew that from my research.  Inside the hotel was very clean and the lobby was pretty as well as comfortable. Since I had no idea where the castles were being constructed, or where the long boat races were being held, I decided to hire a car and driver for the day.  We spoke with the staff at the hotel, and shortly a man with a nice car arrived.  We agreed to pay him 2,000 Baht ($65 USD) to take care of us from 11:00 AM until 5:00 PM.  With a car, I was able to bring some equipment such as a light stand, small octagon light modifier, and tripod to use in photographing the castles.

We have been fortunate in our travels relying upon local people to take us to the photographic opportunities.  Our trip to Sakon Nakhon was no exception.  Through my wife I explained what I was interested in. The driver understood and wrote down 6 places that we could go to.  Our first stop was Wat Suwaneen Gindalam on the outskirts of the city.


Wat Suwaneen Gindalam is located on a dirt road in a forested area.  The two wax castles were being constructed under an open sided shed.  The shed resembled a boat shed back in Connecticut with a corrugated metal roof and myriad plastic tarps to shelter the sculptures from the sun.  It has gotten cooler here in Isaan, but it is all relative.  The hot days of April when it can go up to 100 to 105F have cooled down to days of 85-90F - in the shade.  Care must be taken to protect the sculptures from melting in the sun.

The Wat grounds were filled with activity.  Besides people working in the shed, there were women outside of an auxiliary building preparing and cooking food.  Next to them some men setting up tables and chairs for a celebration the next day. Between the groups at the auxiliary building and the shed, a small group of teen aged boys were busy cutting banana stalks into fancy designs, making flower buds out of flower petals and decorating a small woven bamboo house to be used in conjunction with towing the wax castles.  As we entered the shed, we saw four young novice Monks busy cutting Styrofoam disks and  covering the disks with banana leaves.

Using A Speaker As A Table, Young Man Works on A Castle Component
Inside of the shed, beneath the metal roof and tarps, there were several workstations - tables to cast wax elements for the castle, equipment to melt wax, and tables to assemble wax components.  I guess they were short a table because a large speaker was being used as a table to assemble a house type component for the castle.

Worker Pours Wax to Create An Ornamental Casting

Wax Strips Are Prepared to be Melted
A combination of young men and young Monks were occupied in the shed constructing the wax castles.  The only female that we saw, a teen aged girl, was busy attaching a fabric skirt around the base of the smaller wax castle.  She was surrounded by two long unfurled rolls of fabric, pink and white, that she was creating a bunting over the yellow pleated fabric skirt of the float.

Bunting Being Applied to Base of Wax Castle

The people were very friendly and also very informative.  Our driver, who did not speak any English, kept telling Duang that all the people there were his friends,  Later we found out that he lived near the Wat.  I joked with him through Duang that I didn't care if they were his friends or not, I was getting some good pictures!  The Lao Loum people have great senses of humor and enjoy joking with each other or with a foreigner.  Duang and he went off to bring back some cold drinks for me - and the shed workers.

We spent two hours at this location.  It satisfied all my needs and exceeded my expectations.  In that first stop, our driver had earned his fee and I was happy.

Worker Uses Soldering Iron to Install Decorative Wax Casting
We learned a great deal talking with the workers and observing them.  First of all, the wax castles are not sculpted or carved from wax. The castles are first constructed of wood and 1/8" plywood - as in cabinet making.  Melted wax is poured into molds to create the decorative panels, statues, decorative elements that are attached to the wood base.  Soldering irons are used to fuse the various wax components together.  In some places, nail guns are employed to attach elements.

Cast Wax Panel Along Base of Float
Secondly, these exquisite works are not built during the three days leading up to the procession.  The construction of these castles actually starts with the beginning of Buddhist Lent/Buddhist  Retreat.  Hmmm ... that makes quite a bit of sense.  For the 90 day period of Lent, the Monks are supposed to stay at their home Wat.  Although they are supposed to concentrate on meditation and the scriptures, I suspect that working on the wax castles helps pass the time.

The castles at Wat Suwaneen Gindalam had been under construction for 2-1/2 months. The castles cost between 200,000 Baht to 250,000 Baht ( $6,666 to $8,333 USD) to build.  HRH The King provides funding to build the wax castles.  Some of the people are paid to work on the wax castles.  The man in the photograph above has worked on wax castles for 9 years.  Each year a new wax castle is built.  The Abbott of the Wat designs the wax castle.  The castles are mounted on a trailer which is towed by a tractor trailer truck that is completely decorated.  Florescent light tubes line the edge of the float to illuminate the castle at night during the procession through the downtown area.

Melting A Decoration Into Place

Young Man Works On Details Of Wax Statue

The wax castles are very detailed.  The architecture of the wax castles reminds me greatly of the Grand Palace in Bangkok.  Just as in the Grand Palace, mythological creatures such as the Garuda, and Yakshas from the Thai epic Ramakien (Ramakian) are used as structural and decorative elements.
When we left Wat Suwaneen Gindalam, the workers gave us a wax Garuda and a wax Lion statue as mementos of our visit.  The statues are now kept in our bedroom.

Novice Monk Making Flower Buds from Petals Spread Before Him
Binding Petals to Create A Flower Bud
 
The Smaller Wax Castle At Wat Suwaneen Gindalam
 
Our next stop was at Wat Sapansee which was even further outside of the city.  I was now in complete relaxed mode - the first stop had satisfied my needs so from then on it was "icing on the cake" for me.  I may have been more relaxed but I had not lost my focus.  There were the championship long boat races in town at 2:00 PM but we had seen them before in Kumphawapi and were planning on seeing them once gain on 3 and 4 November so we decided to forgo the races for more wax castle building.  Foreigners in Thailand often make light of a popular Thai expression "Same Same but different!"  Well our stop at Wat Sapansee was just like that expression - It was the same but it was different.
 
Tractor Trailer Truck Being Decorated At Wat Sapansee
Wat Sapansee was even busier than Wat Suwaneen Gindalam.  People were busy decorating the tractor that would pull the wax castle some 20 Km into Sakon Nakhon for the parade. Three boys were spraying the wax castle with water to keep it cooler as we arrived.  Many people were installing bumper pads made from rice stalks along the trailer frame where the wax castle would be mounted while others were attaching blocks of water soaked florist's arrangement media and chicken wire to the trailer frame. Monks were braiding strips of banana leaves into Nagas (mythological snakes) for decorations.  Some Monks and laymen were working on a special bamboo and wood castle off to the side.  Three women were working on making a long garland from string and plastic jasmine buds.  One of the old ladies with red stained lips from betelnut chewing started to flirt with me.  I told in Thai "Excuse me, I am sorry.  I have a Lao wife"  Without missing a heartbeat she replied "That's OK, I don't mind.  I can be your mistress"  We all had a big laugh.  I do appreciate and cherish the Lao Loum sense of humor.
 
Monk Braiding Banana Leaf Strips to Create "Nagas"
Off to the side there was another large group of women working on banana leaves and cutting Styrofoam for some kind of decoration.  Beyond them was yet another group of women preparing food - the ubiquitous "pauk pauk" - spicy papaya salad.
 
Making Wax Lotus Flower Decorations
The biggest group of people, a mixed group of all ages, was occupied making lotus flower decorations out of wax.  They dipped molds into orange melted wax to create an open flower cup.  A woman was slicing turmeric root which resembled a carrot to place in the center of the flower cup.  The slice of turmeric root was held in place with a simulated stem by using a splayed sliver of bamboo which another woman was creating by shaving bamboo with a knife.
 
Wax Lotus Flowers
We spent 1-1/4 hours at this location.  We bought ice-cream for everyone and I am still trying to figure out how 100 Baht ($3.33 USD) ended up feeding everyone, including me, a cup of ice cream from the motorbike ice-cream man.  There had to be more, much more than 20 people.  I guess it was just one of those mysteries of the universe or ... perhaps a modern day miracle?
 

It was very impressive to observe the sense of community and purpose exhibited by the people as they worked.  Monks, old women, young women, old men, young men, and children were all cooperating and having a great time as they worked on the wax castle. It was also reassuring to see the culturally unique arts and crafts being retained as well as passed along.  The fabric of Lao Loum life here in Isaan is a very rich tapestry.
 
A Hard Working Yai (Grandmother)
 
Making White Lotus Flowers
As we were preparing to leave the production of lotus flowers entered the final stages.  A young man arrived by motorbike and broke three good sized white candles into a pot over a charcoal fire (charcoal as in "homemade kind" and not a commercial hydrocarbon briquette product).  When the wax melted, some of the women dipped actual scored lotus bulbs into the wax and then into water to create a small diameter white lotus flower.  The previously assembled orange lotus flowers were then disassembled and reassembled to create the final lotus flower - orange outside, white inside, with a yellow turmeric slice in the center - gorgeous.
 
Four Completed Wax Lotus Flowers
Wat Sapansee Wax Castle
It was getting late in the afternoon and had become obvious that we would not get to all six Wats on our driver's list - not that it really mattered.  We had been to two excellent places and had become wet, thirsty and tired.
 
Our driver took us into town to Wat Phra That Choeng Chum which is a listed tourist attraction for Sakon Nakhon.  It is located at the edge of the lake where long boat racing was still going on at 4:00 PM.  It was noisy and very crowded so we did not take in the races.  Instead we went in another shed type structure to observe their wax castle.
 
Wat Phra That Choeng Chum Wax Castle
 
 
Wax Panel Detail - Scene from Ramakien
The Wat grounds were so inviting that decided to explore them first before returning to the car.  As so often is the case, a pause to relax was well rewarded.  The Wat structures, Chedi and Bot were beautiful.
 
 

Lao Style Chedi at Wat Phra That Choeng Chum
 
Lan Xang Era Bot at Wat Phra That Choeng Chum
 
Exterior Column Detail of Bot
Duang Prays At Wat Phra That Choeng Chum
We returned to our hotel at 5:00 PM; both of us exhausted and happy.  After a little rest and very nice dinner for less than $20 total, we were off to bed. It was a very quiet night's sleep.  We would definitely return to the Dusit Hotel.
 
The next morning on our way back to Udonthani we went back to Wat Suwaneen.  At the Wat we found out that the people had worked until 3:00 AM to complete the wax castles.  The castles were beautiful with fresh flowers and plastic jasmine blossom fringe arranged along the edges of the trailer.
 
Completed Wax Castle Float
 
Completed Portion That Was Under Construction The Day Before
 
An added bonus to our stop at the Wat was the people had completed installing the lights on the float and were checking them out.
 
Illuminated Wax Castle

 
 
Our return home was just as pleasant as our drive to Sakon Nakhon. We hope to return next year to witness the procession.  This short trip had been just as educational and enlightening as any of the other travels that we have made here in Southeast Asia and specifically in Isaan.


Monday, August 23, 2010

Latest Photo Gallery Available

A Scene from the Ramakien Carved In Wax During Night Procession on Asanha Puja Day

My latest photo gallery is now available for viewing at the link :

http://www.hale-worldphotography.com/Thailand/Isaan/Ubon-Ratchathani-Candle/13453783_MYrRh#979354529_GAWrZ

University Dancer Awaiting Start of Night Procession on Khao Phansa Day

Wednesday, August 4, 2010

Over My Head - The Ramakian

Wax figures from a processional float - three faced figure depicts the Hindu Lord Brahama

In my first blog regarding the Ubon Ratchathani Candle festival, I wrote briefly about many of the wax figures and panoramas being from the "Ramakian" - the epic Thai classic literary work.  The "Ramakian" is based upon the ancient Indian epic the "Ramayana".  The plots are identical but in the "Ramakian" modifications have been made to include Thai style of dress, Thai geography, and a Thai sensibilities to the legends.  It is a complicated and very exotic legend of creation, heroes, villains, love and war - a little something for everyone.  Both the "Ramakian" and the "Ramayana" are epic sagas in the same magnitude, scope, as well as importance to culture as other epics such as "Beowulf", "The Song of Roland", "Odyssey", and "Gilgamesh".

In Bangkok at the Wat Phra Kaeo there are fabulous murals depicting scenes from the "Ramqakian".  Over a year ago I wrote a blog about these murals.

http://hale-worldphotography.blogspot.com/2009/03/ramakian-murals.html

The "Ramayana" is believed to have been transported to Thailand and southeast Asia by traders.  The fact that a classic work of Indian literature would serve both as an inspiration and be absorbed into Thai culture is not surprising.  It seems to be an inherent trait of Thai culture to accept, tolerate, and incorporate different aspects of other cultures.  Just as Thai food is a sophisticated blend of tastes, textures, and sensations, Thai culture also reflects a long and varied assimilation of thoughts, traditions, and beliefs from different peoples.  Much of the process was precipitated and motivated by the many different wars of conquest and occupation in the region.  The Thai animist religion was absorbed into the Hindu religion which was absorbed into the current Buddhist religion to the point that beliefs, practices, and rituals of all three religions exist and flourish here in Isaan - indistinguishable from each other under the generalized identity of Buddhism.

Wax float with a large "Naga" along its side

In the Ramakian there are many fabulous mythological creatures - composite creatures that reside in the mythological Himmapan Forest.  The composite creatures are part one animal or human and part another animal.  There are Rhino, Monkey, Cattle, Fish, Bird, Crab, Naga (serpent), Crocodile, Canine, Horse, Lion, and Deer based creatures.  My personal favorite is the "Thep Kinnaree"

The "Thep Kinnaree" is the most beautiful creature in the Himmapan Forest.  It is one half woman, the top half and one half swan, the bottom half.  There are golden Kinnaree statues lining the road leading to the main terminal at Bangkok's international airport.  There are also many Kinnaree at the Grand Palace in Bangkok.  The male counterpart of the Kinnaree are "Thep Kinnanorn"- top half is a male human with the bottom half being a "Hongsa" - a mythological bird with a long beak.

The Himmapan Forest is located in the Himalaya Mountains below Buddhist heavens - not all that far from Thailand .  However us mortals can neither see, approach, or enter the forest which is unfortunate.  I would love to visit and photograph some of the exotic creatures there.

There are many depictions of Himmapan creatures in the art of India, Thailand, Cambodia, Laos, China and other countries in Asia.  There are many different creatures and many of them look very much alike.  In researching what sights I had seen on the wax floats at the Ubon Ratchathani I easily became confused and overwhelmed by the minute differences between some of the creatures - sort of trying to differentiate the meaning of some Thai words that due to the tonal aspects of the Thai language have 5 very different meanings depending on how the word is pronounced!  After awhile many of the different creatures started to look all alike.

I did find a very helpful and useful website to learn or at least to try to learn more about the Himmapan Forest and its mythological inhabitants.  It is well worth the effort to browse the website below"

http://www.himmapan.com/about_himmapan.html

The legends and creatures of the Ramakian as well as aspects of Hindu writings were heavily represented in the wax work adorning the floats created for the Ubon Ratchathani






Erawan the mythological 33 headed elephant - typically shown with only 3 heads