Showing posts with label "prints for sale". Show all posts
Showing posts with label "prints for sale". Show all posts

Sunday, October 14, 2018

Another day, Another Gallery





A gallery of 33 selected photos from the three day Yartung Festival in Lo Manthang, Upper Mustang is now available for viewing at the following link.

https://www.hale-worldphotography.com/2018-Yartung-Festival


The purpose of our trip to Upper Mustang, The Former Kingdom of Lo, in August during the monsoon season was to attend the three day festival.  Getting there was difficult as well as complicated due to weather as well as road conditions.  However, it was well worth the time and effort.

Once in Lo Manthang, we were able to unite with friends and to witness a unique cultural event.

Saturday, October 13, 2018

First Gallery of 2018 August Trip Is Available





The first gallery of photographs, "Faces of Nepal", is now available for viewing on my photography website.

https://www.hale-worldphotography.com/2018-Faces-of-Nepal

This gallery contains 39 selected portraits of some of the amazing people that we encountered during our 15 day tour to Nepal, specifically Upper Mustang for the Yartung Festival.

Nepal is an extraordinary place with some amazing people.  It is one of the most beautiful places that I have ever been to with some of the most kind people that I have met during all my travels.

Tuesday, July 24, 2018

2018 Bhutan Gallery




Cham Dancer at Domkhar Festival


A gallery of 77 selected photographs from our tour to Bhutan  in April/May is completed and available for viewing on my photography website.


Bhutan is a beautiful place that we have visited twice.  It is another a "place less visited".  However the widening and paving of the road across the country is making it more accessible for tourism and will undoubtedly impact the unique culture of this Buddhist kingdom.

I am happy to have captured some images, before the mass influx of 60 passenger tourist buses, of the culture before progress changes it all to something we are more comfortable as well as familiar with.



Monday, July 23, 2018

Upper Mustang, Nepal Gallery Is Available




Chhusang, Upper Mustang


Finally, after almost one year, the gallery of selected photographs from my tour there in October/November is completed and available for viewing on my photography website.


Upper Mustang is the most beautiful place that I have ever visited.  It is definitely a "place less visited".  In many places there is no road to get there ... you just follow tire tracks across the the rock strewn floor of the Kali Gandaki River Gorge.  There is truly "Freedom of the Road".

I am returning to Upper Mustang for the Yartung Festival in the capital of Lo Manthang.  This time I will be traveling only with my wife.  Returning falls in line with my philosophy of traveling to special places to start to understand them after the initial visit to learn of them.

This trip during the monsoon season as well as for a horse festival will over some different photography opportunities.

Saturday, January 27, 2018

Runny Noses & Dirty Faces - Children




Bringing Home the Harvest in Upper Mustang


It has been quite a while since I last posted on this blog.  I had been preoccupied with many activities.

My biggest and most enjoyable activity, was a tour of the Former Kingdom of Lo in the Upper Mustang region of northern Nepal.  It was a truly trip of a lifetime.  There were many photography opportunities that I took full advantage of.

A Runny Nose Greeting


Many of my photographs from the Nepal journey were of children - children photos that compliment my most popular photo gallery, "Runny Noses & Dirty Faces - Children", on my personal website.

Thirty-three selected photos from Nepal have been added to the gallery - pages 25 and 26.

http://www.hale-worldphotography.com/Children/Runny-Noses-and-Dirty-Faces

These photographs capture moments in the life of many independent and self confident little people that experience a life much different from what most of us are accustomed to or, for some, are comfortable with.


Sunday, July 30, 2017

Bhutan - Fifth Gallery Is Now Available





Finally!  Finally the fifth gallery of our trip to Bhutan earlier this Spring is available for viewing on my photography website.

 http://www.hale-worldphotography.com/Bhutan-Day-8

This gallery covers the eighth day of our journey across Bhutan.  Most importantly the gallery documents the first day of the 2017 tsheschu - Domhkar Festival.



May 5, 2017 was the first time that Duang and I had witnessed the sacred dances called "cham" which are so important and defining of Tibetan and Bhutanese religious culture.


The event made quite an impression upon us and we consider it to be an experience of a lifetime.

This gallery of 74 selected photographs has been distilled down from over 4,000 photographs that I took that day - thank goodness for digital photography, I could not afford to do it in the old days of film!  I am pleased and proud of these photographs which I believe represents the best work that I have ever done in photography.


Thursday, July 20, 2017

Bhutan - Fourth Gallery Is Available




Children Reacting to Passing Helicopter

We have returned from our month long trip back to America.  Now that we are back in Thailand with a repaired computer, easy access to the Internet, and access to my original files, it is time to focus on completing post processing of the photographs from our recent tour of Bhutan.

The fourth gallery, 19 photographs, from the fifth day of our tour - 2 May 2017 is now available for viewing on my personal photography website.

http://www.hale-worldphotography.com/Bhutan-Day-5



Man Making a Bucket for Yak Milking

Thursday, June 8, 2017

Bhutan - Third Gallery Is Available




The Butter Lamp Cleaner

Another gallery of our recent tour across Bhutan is now available for viewing.

http://www.hale-worldphotography.com/Bhutan-Day-12

This gallery of 20 photographs is from May 9th, the 12th day of our tour.

The photographs are from the eastern city of Mongar situated at 1600 meters elevation (5,249 feet).

Much of our day was spent at a wonderful temple named Kadam Gompa which serves as an elderly daycare center.  Many elderly people spend the day there worshiping and socializing along with being fed lunch while their children are working.  On the day that we were there, there was a special day long ritual going on for a special annual Buddhist holy day.

Duang and I spent most of the morning in the temple observing the special Mahayana ritual - Monks chanting, drums beating, horns blaring, incense burning ...  Because of the holiness of the temple and ritual, we were not allowed to take photographs but we were fed tea and bread along with the Monks that were all around us - a very special memory for us.  We returned in the afternoon.  Duang spent the afternoon in the temple worshiping while I spent the afternoon photographing outside of the temple and going to a primary school variety show.

Exiting the Temple - Watch Out for all those shoes!

Monday, June 5, 2017

Bhutan - Second Gallery is Available - Brokpa Cultural Program



      
Brokpa Dancer Performing a Cham, a Ritual Dance

The second gallery, 41 photographs, from our recent tour across Bhutan is now available for viewing on my personal photography site.

http://www.hale-worldphotography.com/Bhutan-Day-14

The gallery covers the 14th day of our tour, a very special day.  We had reached the eastern most location of our journey across Bhutan.  We attended a cultural exchange program sponsored by our tour company.  A group of Brokpa people, semi-nomadic people who tend yak herds, had hiked two days to participate in the program highlighted by their performance of traditional Mahayana Buddhist chams (ritual dances) along with their unique Yak dance.

As per tradition in Bhutan, we as sponsors and esteemed guests, served lunch to the Brokpa people as well as the local villagers who show up.  It was a great event with many opportunities to get up close and personal with the Brokpa people as well as the people who inhabit the farms in the area.  Best of all, the only foreigners in attendance were our travel companions.

Young Monk With Puppy

It was a great day which left me wondering as to which group enjoyed themselves the most - much happiness in a land that values GNH, Gross National Happiness, rather than GNP, Gross National Product.

Saturday, June 3, 2017

Bhutan - First Gallery is Available










Three weeks ago, Duang and I returned from a very special tour of an extraordinary place - Bhutan.

We had spent 16 days traveling across the land-locked Himalayan kingdom (Constitutional Monarchy).

We were fortune to travel with a small group of extremely interesting people from the USA,  Canada, Russia, and Australia.

Our tour was truly the trip of a lifetime.

We returned home to Thailand with many new friends, some wonderful memories as well as a desire to return in the Fall of 2018.




I also returned with 12,823 photos.  I have been very busy and will continue to be busy, if not obsessed, for the foreseeable future with editing as well as post processing the photos.

The first gallery of 26 selected photos is now available for viewing on my personal photography website at the following link:

http://www.hale-worldphotography.com/Bhutan-Day-13

As time goes by, I will be adding more galleries as well  as blog entries documenting this extraordinary place and wonderful people - often referred to as "The Last Shangri-la"


Saturday, December 3, 2016

New Gallery is available - "Thailand Tobacco"




A new gallery of 17 photographs, "Thailand Tobacco" is now available for viewing on my photography website.

Most of these photographs were taken around 2:00 AM along the bank of the Mekong River separating Thailand from Lao People's Democratic Republic (LPDR).

http://www.hale-worldphotography.com/Thailand-Tobacco



Friday, December 2, 2016

Korb Siarn Khru Ritual Gallery Is Available



Khone Mask
A new gallery has been added to my photography website:

http://www.hale-worldphotography.com/Korb-Siarn-Khru-Ritual




The gallery contains 26 black & white photographs of a special occult ritual conducted in some parts of Thailand associated with Thai Saiyasart.

An earlier entry of my blog provides some insight into this unique ritual and practise.

https://hale-worldphotography.blogspot.com/2016/05/korb-siarn-khru-2016.html

It is a glimpse into a world not viewed by most tourists to the "Land of Smiles"



Wednesday, December 23, 2015

A New Gallery - "Back In Time - Angkor Wat"








A new photo gallery is now available on my photography website.

http://www.hale-worldphotography.com/Back-In-Time-Angkor-Wat

This gallery of 35 photographs from our trip to Angkor Wat a year ago is a departure from my normal practice for my photographic work.  I typically post and populate my galleries with color photographs.  I prefer color because, for me, it better represents the reality of the moment that was captured.

For a photographer, or any artist, it is important to maintain an open mind and, more importantly, to continually refine one's style and improve one's skills.  I have started to venture a little more into black and white for some of my photographs.  For this series of photographs, in particular, the use of black and white is appropriate and, now in my opinion, preferable to color.

The ruins of Angkor Wat and its environs are a profusion of vegetation and weathered stone.  I find that in most cases the focus on the muted tones of the ruins are distracted by the vegetation in color photographs.

On Facebook, I recently seen and enjoyed many photographs from the 1880s and early 1900s of Southeast Asia.  I also noted how popular the postings were.

For this gallery I decided to try to capture more of the mood of the ruins than can be conveyed in an "as shot" reality of today.  To capture my interpretation of the mood for the ruins, I post processed my shots to convert them into a more 1880s and early 1900s photographs.



My goal is to provide a more unique opportunity to clients to purchase different type and style photographs of the Angkor Wat and its environs than is so commonly available from others.

Saturday, October 31, 2015

Additional Photos - Isaan Go-Go Girls





Dancing At A Tambon Nong Roy Wan Party
 Eleven new photos have been added today to one of my more popular photo galleries, "Isaan Go-Go Girls"  My brother-in-law stages and performs in shows all over this area so I have a great many opportunities to photograph the action.  Best of all - I get backstage with no trouble at all.

These shows have a combination of old music - Mahlam Lao (Morlam Lao) and Mahlam Zing which is updated electrified music with dancers.  The motivation for haing these shows is quite varied - from raising money for the local Buddhist temple to celebrating good fortune at winning the lottery.

The new photos added today are from three separate shows - a local government employees retirement party, a Tambon Nong Roy Wan Party, and a House Warming Party.

I suspect most people are not familiar with a Tambon Nong Roy Wan Party - sometimes referred to as a "Bone Party".  Some of the best parties that I have attended have been these parties. Theoretically, 100 days after a person has been cremated, there is a big merit making celebration.  Part of the celebration is to make offerings to the local Monks and to the spirits.  The other part of the ritual is to a big party - plenty of food, too much drinking, and a big show of ethnic music complete with 1960s style Go-Go dancers.

http://www.hale-worldphotography.com/People/Isaan-Go-Go-Girls



House Warming Party Entertainment


Tuesday, October 27, 2015

Additional Photos Posted - "Runny Noses & Dirty Faces - Children"







Sixteen new photographs were added today to my photography website.  The photos are added to the end of the gallery.

http://www.hale-worldphotography.com/Children/Runny-Noses-and-Dirty-Faces




By far, "Runny Noses & Dirty Faces - Children" is my most popular gallery on my website.  As of the end of September 2015, there have been 189,605 page views compared to the next most popular gallery, "Maehongson Oct 2006", with 80,094 page views.

Twenty-six prints from "Runny Noses & Dirty Faces - Children" gallery are hung in a hospital located in Germany.  I am pleased to have been selected for the project to redecorate the hospital corridors.

Wednesday, October 7, 2015

A New Gallery Is Available




Tavan, Vietnam

The latest gallery of my photography website is now available.  This gallery contains selected photographs from our trip to the Sa Pa Region in the Tonkinese Alps of Vietnam.

               http://www.hale-worldphotography.com/Vietnam-2015



Saturday, July 25, 2015

Sailfest Fireworks 2015






We returned from our annual visit to the USA two days ago.  I had not planned on doing to much traveling during this visit which turned out to be prophetic - my father died 16 days after our arrival.  We consider ourselves fortunate to have spent some time with him before he got sick and died.

One goal that I did have for our USA trip was to photograph the Sailfest Fireworks in my boyhood home of Groton on 11 July which turned out to be the night of my father's burial.  I had some new equipment along with some refined technique that I wanted to try out.

Eight days earlier I tried out the new equipment and refined technique to photograph the 75th year anniversary fireworks display for Ocean Beach Park in New London from Eastern Point Beach in Groton.  That trial run produced satisfactory results and increased my eagerness for the grand display associated with the annual Sailfest celebration.

Duang and I hiked from my parent's house to our favorite viewing location inside of Fort Griswold State Park.  Once again, I pointed out landmarks from my youth, my elementary school, my high school swim coach's home, the package store (liquor store) where I used a doctored-up ID, the location of my friend's pizza store, ..., along with tales of long ago times.

We walk because of the difficulties in parking and the heavy traffic around the viewing areas along the Thames River in Groton.  Although we were some of the last people to leave the confines of the fort at the conclusion of the fireworks program, we arrived at my parent's home while many people were still stuck in traffic.



I ended up taking 204 photographs during the 20 minute show.  Shooting 4 second exposures, I was essentially pressing my remote trigger as soon as the previous exposure had been completed. Since I had set up my equipment and tested it out prior to the start of the display, once the show commenced I could sit on our saht, look up and enjoy the show - watching the camera display above me in order to press the remote as each previous exposure was completed.  My research, experimentation and preparation were well rewarded with some very nice exposures.

My latest gallery on my website shows some of the results.

http://www.hale-worldphotography.com/Sailfest-Fireworks-2015

I hope that you enjoy the photos.


Thursday, May 14, 2015

Bun Bang Fei - Ban That 2015 Gallery Is Available






A new gallery of 22 selected photographs from this year's Bun Bang Fei event in Ban That, Thailand is now available for viewing and for your consideration.



During the Bun Bang Fei event, hundreds of homemade PVC-Gunpowder rockets are launched into the sky.  The event is a Lao cultural tradition which is celebrated on both sides of the Mekong River.


                         http://www.hale-worldphotography.com/Bun-Bang-Fei-Ban-That-2015




Sunday, May 10, 2015

Korb Siarn Khru Ritual Gallery Available




Siarn Ruesi
A 24 photo gallery of the recent Korb Siarn Khru Ritual here in Isaan is now available for viewing and your consideration.

http://www.hale-worldphotography.com/Korb-Siarn-Khru-Ceremony



Monday, May 4, 2015

Korb Siarn Khru Ceremony - 2015 (2558)



Korb Siarn Khru Ceremony In the Isaan Countryside



Ruesi Masks

In a Wai Khru ceremony, devotees pay homage and demonstrate their respect for their teachers and the deities associated with their art or practice.  The term, "teachers", is not restricted to the people who are employed to teach reading, writing, and arithmetic.  Teachers in this sense of the word includes all those that have instructed, inspired, and trained others in a wide variety of matters.

Buddha is considered to be the greatest of teachers.  There are teachers of many things such as music, dance, martial arts, astrology, traditional healing, and magic.

The Wai Khru ceremony is not a Buddhist ceremony although Buddhism is often involved in the ritual.  The origins of the Wai Khru ceremony are in the Animist and subsequent influence of Brahmanism.  Animism was the original religious belief system of the native peoples of Thailand and in particular the inhabitants of the region referred to as Isaan (Northeast).  The history of Southeast Asia is fraught with migrations, wars, invasion, and subjugation. One of the consequences of the turbulent past was the spread of different religions and philosophies.  One of the religions that spread to Thailand was Brahmanism, the precursor of Hinduism, originating in Northern India but most likely spread in Thailand from Cambodia as part of the Khmer Empire.

Rather than eliminating the former Animist practices, beliefs and rituals with the arrival of Brahmanism, the old traditions were assimilated into the new system.  The same thing occurred later when Buddhism arrived from Ceylon.

This all makes for a very interesting and quite often confusing religious system which is practiced here in Isaan today.  Today, 95% of the Thai people are Theravada Buddhists but a vast majority of the Thai people's religious beliefs, practices, as well as rituals are vestiges or heavily influenced by Animism and Brahmanism.  The Wai Khru Ceremony is one example.

A Table of Offerings for May 1st's Wai Khru Ceremony

My ambition and goal in photography is "to show extraordinary people doing ordinary things.  In so doing, I wish to show how different people appear, to provide a glimpse of other cultures, to celebrate the diversity of mankind, and to demonstrate that despite our appearances, we are so much alike"

Attending large and well known events such as the Wai Khru Ceremonies and Korb Siarn Khru Ceremonies provide opportunities to meet my ambition and achieve my goals in regards to photography. I prefer the smaller, more intimate venues where there are not television cameras, reporters, or thousands or even hundreds of tourists.  These events and venues, where the people are conducting rituals for their own benefit offer much better opportunities to experience and better understand the event and its impact on the local people.

Living in Thailand and being married to an ethnic Lao, gives me many opportunities to experience and photograph "extraordinary people doing ordinary things."  Often I have opportunities to experience and photograph "ordinary people doing extraordinary things"  Often my wife, Duang, will get a phone call from someone in the extended family notifying her of some ritual, event, or thing that they believe that I would like to photograph.  Just as new religious systems have been assimilated, I have been assimilated into Duang's extended family.

Such an opportunity occurred once again on - May 1.  Duang had gotten a call earlier in the week that a Wai Khru Ceremony along with an associated Korb Siarn Khru Ceremony was going to happen at Wat Pha That Nong Mat, the "Outside" Wat in Tahsang Village.  We drove out to the Wat under the bright and hot sun through the parched sugar cane fields to the "Outside" Wat (the Wat outside of the village as opposed to the Wat inside the village).  The rainy season has not fully arrived yet so the farm land is dry and dusty

A Pig's Head Offering to the Spirits
At the perimeter of the Wat's grounds, near the small huts were the Monks sleep, we went to the small Ruesi shrine.  We had gone to the small shrine a few times for special rituals where Duang and her friend would be doused with buckets of water by the Monk in a special ritual and when Duang's youngest brother received some special blessing while wearing an ornate mask.  Visiting this shrine is not a common occurrence for us.

Three pavilions had been erected around the shrine with plastic chairs set up for people  to sit out of the strong sun light.  In front of the shrine a large folding table covered with a white cloth had been set up.  Upon the white cloth covered table there were many objects associated with the upcoming ritual.

There was a Pahn Sii Khwan, a centerpiece made by local women out of fresh banana leaves, jasmine buds and chrysanthemums, along with a smaller handmade arrangement on the table along with food offerings to the spirits and deities. The main food offering was a  cooked pig head.  Offerings of a pig head are not common and typically reserved for special occasions. There were also offerings of eggs, pineapple, cooked prawns, sweet potatoes, coconut, cooked duck, oranges, limes, bananas, mangoes, prepared bananas, sticky rice and coconut wrapped in banana leaves, apples and some bowls of special desserts.

Ruesi (Luesi) Mask - "Siarn Ruesi"
The table also had a silver colored pressed metal ornate tray upon which rolled up sai sin (sacred) string, a tiger skin cloth and a full life sized Ruesi mask (Siarn Ruesi) and a pumalai of chrysanthemums along with jasmine buds.  These items all symbolize things for and in the ritual.

Pumalai symbolize and celebrate beauty of this life but as they age and deteriorate they remind people of the impermanence of this life as well as the fate that awaits all of us.  The tiger skin patterned cloth is symbolic of Ruesi, hermits of the forest some of who make Sak Yant (magical tattoos). In another  silver colored pressed metal ornate tray containing the sweet potatoes were lotus flower buds, white candles and joss sticks.

The young Monk of the Wat performed an typical offering ritual outside at the white covered table while devotees sat in chairs underneath the pavilions.  After completing this part of the ritual, he went inside of the shrine for the remainder of ceremony - the Korb Siarn Khru Ceremony.


Children Observing the Korb Siarn Khru Ceremony Outside of the shrine

The Ruesi shrine was very congested.  One wall of the room was covered with statues and masks related to Ruesi. High on two walls of the shrine panels with many Yant symbols - symbols thousand of years old.  Ruesi is a hermit sage that is prominent in several legends as well as stories in Thai folklore.

Ruesi were and are hermit sages who spend their time meditating and developing their psychic powers - sort of like wizards.  They collect magical herbs, and minerals.  Using magical ingredients they produce love charms, spells and powerful amulets. The goal of the Ruesi is to help others have a happier life by telling their fortunes, conducting rituals and making spells to reduce the effects of bad karma.  Ruesi also are able to ward off evil spirits.  They also help people by protecting them from enemies.  Certain rituals performed by Ruesi can bring good luck and fortune to their devotees. Some of the Ruesi make Sak Yants, the magical and powerful tattoos know throughout this world.

I was about to once again dip my toes, if not enter once again, into a new world, the world of the occult in Thailand - "Saiyasart" (waes -magical spells).

As Dorothy said in the Wizard of Oz - "Toto, I've a feeling that we're not in Kansas anymore" or at least any parts of Kansas that I visited some 21 years ago!



One of the most important Ruesi rituals is performed once a year is the Korb Siarn Khru - laying the Ruesi mask of the master teacher, Ruesi Por Gae, on the devotee  The Korb Siarn Khru is performed during the Wai Khru Ceremony.  The Siarn Ruesi mask is a full sized mask with head dress with an open mouth, three eyes, two teeth sticking out of the mouth, a moustache, and a beard.  There are also masks of other deities within the Ruesi pantheon - some of them being tigers, elephants, yaks (giants) and other creatures.


Siarn Ruesi As Part of Shrine

Inside of the shrine there was a matrix overhead formed by stringing sai sin  across the room in a checkerboard pattern.  Where the sai sin intersected, separate lengths of sai sin were coiled up.  As the devotees entered the shrine they uncoiled the sai sin and wrapped the free length around their head connecting them physically and spiritually to the Buddha image in the corner of the room, the Ruesi image and the items used by the Monk in the ritual.  A thick sai sin dropped down from the overhead grid just to the right of the Monk conducting the ritual.  He held the thick cord in his hand and several times during his incantations would violently pull on the heavy cord causing the entire grid to pulsate up and down in rhythm to his chanting.  It was at this time that things started getting intense and for many people - very intense.

A Devotee Exhibited the First Signs of Spirit Possession
As part of this initial ritual which involved all the devotees as a group of roughly 20 people, the Monk would sprinkle the crowd with sacred water that had been produced during his chanting by wax dropping from two lit horizontal white candles suspended over a metal bowl of water.

A sort of mass hysteria developed in the devotees as the volume, intensity, and rhythm of the Monk's chanting increased.  Some of the devotees would have their bodies stiffen and go into spasms.  They would begin to hyperventilate followed by roars, squeals, and animal sounds. Their limbs would start to flail about followed by the entire body going into convulsive spasms.  The devotees who have Sak Yant tattoos adorning their body, are now in the possession of their internal animal spirits - animal spirits associated with their Sak Yant tattoos.

It was quite an experience being in the midst of all this confusion and intensity.  Rudyard Kipling's poem, "If" comes into my mind after the event.

If you can keep your head when all about you
Are losing theirs ...

Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son!
 
                     

To be honest, I had anticipate a certain degree of this when I first entered the shrine.  I positioned myself between the two stations where the Monks were situated. I was just to the right of the young Monk that conducted the ritual.  I was also next to a huge young man, a Thai man, perhaps the biggest Thai I ever saw - I estimate that he was 2 meters tall (6' 3") and 135 KG (300 pounds) and muscular - he looked like an NFL player!  He and about 4 other young men were responsible for controlling the people who had gotten out of control due to spirit position.  They would restrain the people, talk gently to them and as a last resort lift the people off of the ground.  It is widely known that to bring someone out of spirit possession you need to get their feet off the ground - it works about 95% of the time.  If it does not work - you get the possessed to lay flat on the ground and ride out their possession.  I have also used the technique of pulling on their ear lobe three times (signifying the three gems of Buddhism) to bring people out of spirit possession.  Perhaps it was really the realization that a falang (foreigner) was trying to bring them back that actually snapped them out of their possession.

For additional protection I had one of the shrine's structural columns at my back and a Rusei shrine also on my back.  That was one direction that I did not have to worry about.  I did not have to worry about in front of me where the Monks were.  I figured that the huge Thai guy had my left flank covered leaving me to only worry about my right flank.

To be honest, there were moments when I felt very uncomfortable with all the screaming, growling, screeching, and  growling along with the highly unusual movements of the possessed people about me. Once or twice I thought about bolting out of the shrine - but it was just too interesting to leave.

Lan Sai (Grandson)  Peelawat Enthralled By the Ritual
The intensity quickly diminished once the young Monk sprinkled the devotees with the sacred water.

Sprinkling Devotees and A Falang With Sacred Water
The devotees then scrunched forward to the Monk with their pre-prepared offering plates (candles, joss sticks, flower buds, three cigarettes and sprigs of leaves) along with their money offering.  The individual plates were gathered and placed first on a gold colored pressed metal tray and then transferred to the raised platform where the Monks were seated.

Monk Accepting A Batch of Offerings
As their turn arrived the devotees, who had not made their offerings previously, would place themselves in front of one of the two Monks involved in the ritual.  Once in place they would make an offering and give it to the Monk.

A Lady-Boy Makes Offering to the Monk
After accepting the offering and placing them on the raised  area off to the left from where he was seated, the Monk would start chanting.  It was a special chant called a "Kata".  Chanting a Kata is necessary to cast a spell.  As the Monk was chanting, he selected a Ruesi mask and placed it over the face and head of the devotee.  As the Monk's chanting became louder and more animated, the devotee tensed up with his arms and hands becoming rigid as if going into a catatonic state or becoming possessed - for some ; once again.

Placing A Ruesi Mask On the Devotee's Head

A Devotee, Wearing A Siarn Ruesi, Tenses As He Becomes Possessed
The devotees would grunt, howl, and screech the sounds of the animal or deity that was possessing them - their spirit.  The devotees would then start to writhe, crawl, jump, and hop as the spirit took control of their body.  To prevent damage to the devotee, Monk, observers and the shrine, layperson assistants flanking the devotee, would restrain the devotee as the possession reached its apogee.  The Monk would then blow upon the devotee to energize the Sak Yant tattoos and to complete the transference of the spell.  The Monk would then remove the mask.  The devotee, physically and emotionally spent, would then perform a wai (bowed, raised hands clasped in prayer position - the Thai demonstration of respect and gratitude) before leaving the shrine.

A Possessed Devotee Being Restrained

Monk Using A Walking Staff to Help Break A Particularly Strong Possession

So what was that all about?

In the Korb Khru ritual, devotees believe that they receive very powerful blessings, are rid of evil influences and black magic is eliminated,  In addition, the merits and strengths of the ancient Ruesi Por Gae, the master teacher of all Sak Yant practitioners.  The Master Teacher, Kroo, protects devotees of his teachings that have passed through the ages amongst the teachers from word of mouth.

I learned from Duang that the young Monk at the "Outside" Wat had studied under the very famous Sak Yant master - Luang Pi Nunn at the famous Wat Bang Phra near Bangkok..  People often remark that it is a small world obviously referring to this physical world but apparently the spirit world is also somewhat finite.

A Devotee With Sak Yant Tattoos Receives A Spell

The Korb Siarn Khru and subsequent Wai Khru Ceremony at Tahsang Village lasted from 10:00 A.M. to 3:00 P.M.  People, all of them from local villages, arrived by motorbike or pick up truck. There were five waves of roughly 20 devotees at a time undergoing the the laying of the mask and white magic spell.

There were no tourist vans or tour buses. It was a event for ordinary people - local people.  It was an extraordinary event - a great opportunity for photography and a special opportunity to experience a unique aspect of Thai culture.

Although I did not participate in the ritual, just experiencing and photographing it, Duang told me that I had earned merit as well as she because we had purchased and distributed soft drinks along with drinking water to the people.  Her cousin had prepared a big pot of food - Pad Thai that we also distributed.  Another family donated and distributed ice-cream - earning them their merit for the day.


This was just a glimpse into the realm of the occult here in Isaan.  Interestingly the occult here is related to doing good and benefiting people whereas my previous view of the occult in the West was that it was related to doing evil.

There is always something to learn and experience no matter where you are or how old you are if you are only willing to get off the beaten track and interact with the ordinary people.

If you have seen it before, there is always the opportunity to better understand and gain greater knowledge.