Showing posts with label Maehongson. Show all posts
Showing posts with label Maehongson. Show all posts

Wednesday, January 8, 2014

Allen's World, 2013 In Review



Now that just about everyone has gotten out their "Year In Review" or "2013 In Review", I thought that I would share some of my favorite photographs for the year that just concluded.  Staying here in Thailand gives me the opportunity to actually have two years in review, 2013 as well as the Buddhist Era year of 2556.

Life here in Isaan continued to be very interesting as well as fulfilling.  There were more than a year's share of festivals, family events, travels, and ordinary daily activities to keep me both satisfied and more importantly happy.

So let's see what the past year brought forth.

January - Udonthani
http://hale-worldphotography.blogspot.com/2013/02/for-love-of-king-and-country.html

February - Ban Chiang
http://hale-worldphotography.blogspot.com/2013/02/ban-chiang-weekend.html
March - Si That
http://hale-worldphotography.blogspot.com/2013/03/a-rare-day.html

April - Maehongson
http://hale-worldphotography.blogspot.com/2013/04/poi-sang-long-festival-wednesday-03.html

May - Ban That
http://hale-worldphotography.blogspot.com/2013/05/ban-that-rocket-launches.html

June - Yellowstone National Park


July - Ban Nong Han
http://hale-worldphotography.blogspot.com/2013/07/road-of-opportunity-plenty-of.html

August - Ban Tahsang
http://hale-worldphotography.blogspot.com/2013/08/all-along-back-roads.html

September - Ban Nong Han


October - Sakon Nakhon
http://hale-worldphotography.blogspot.com/2013/10/wax-castles-of-sakon-nakhon.html

November - Ban Tahsang
http://hale-worldphotography.blogspot.com/2013/11/another-rice-harvest.html

December - Luang Prabang


It had been quite a memorable year as every year is.  It was filled with joy, sadness, challenges like all the previous years.  It had been a year of many opportunities just as all previous years and as I know this new year, 2014, will be - for everyone.

Wednesday, May 8, 2013

"Shan Farmers", New Gallery Available





A new gallery, "Shan Farmers", is now available at my personal photography website for viewing.

This gallery of  29 photographs from last month's trip to the Thai-Myanmar Border documents the harvest activities of Tai Yai (Shan) people.




http://www.hale-worldphotography.com/People/Shan/Shan-Farmers/29310329_V3VQWv

Saturday, May 4, 2013

Wat Pa Tam Wua Forest Monastery




Yesterday I wrote about becoming reacquainted with the Monk of the forest monastery. Today I will be writing of our visit to him.

After our visit to Ban Huaysuatao, we drove over to the Wat Pa Tam Wua Forest Monastery.  The Monastery is located 37 km from Maehongson on Highway 1095 headed towards Pai.  The village where the monastery is located is called Mae Suya.  Although 37 km is not that long of a distance, travel to the monastery takes longer than expected due to the many curves and elevation changes along Highway 1095.

With Highway 1095 In the Background, Yong Boy Does Flip
The side road off of Highway 1095 leading the 1 km to the monastery is well marked with a large sign for the monastery as well as many yellow Buddhist flags.  At the intersection there is also a small bridge crossing a stream.  In 2009, I photographed young boys enjoying themselves in a pool of water created by a sandbag dam at the bridge.



This visit, there were no boys enjoying a swim on a hot April afternoon in Maehongson Province.  There was no deep pool of water to dive, flip, or even to swim in.  The sand bag dam had been removed and was in the process of being rebuilt.

We drove the narrow lane back to Monastery and parked the truck on the flat grass tract of land next to the entrance of the facility.   We had arrived at 4:15 P.M. so the people staying at the monastery were busy cleaning the area.  Men and women dressed in the white modest loose fitting clothing of Thai mediators were busy sweeping the grounds and facilities with brooms.

In the dining area, Thai people were making preparations to serve tea at 5:00 P.M.

In a pavilion located between the parking area and the entrance to the facilities, local people were being paid their weekly wages in cash with entries and acknowledgements being written in a bound accounting ledger.

We asked around regarding the location of the Abbott and were told that he was not expected back until 6:00 P.M. for evening chanting and meditation.  This was of some concern to me because the sun was getting low and we were also leaving the next morning at 4:00 A.M. to drive all the way back home.  Duang was also concerned.  I told Duang that we would wait until 5:00 P.M. and if the Monk had not returned by then we would return to Maehongson with what little light remained.  I had no sooner said this when we became aware of some commotion at the entrance to the facility - it was the Monk and his superiors from Bangkok.

The Monk invited Duang and I to accompany him on his afternoon rounds of the facility.  I walked beside Ajahn Luongta Saiyut and Duang followed a few steps behind.  In the late afternoon light we toured the facilities that are nestled between tall craggy limestone hills on three sides.  The grounds are park like in nature - many trees, shrubs, flowers accentuating the lush green grounds.  The air was only interrupted by the sounds of birds and insects - a definite refuge from the onslaught to the senses that modern life presents.

Sprinkled about the grounds were small wooden huts where the guests stay.  A small stream divided the grounds into an area where the guests reside as well as study and the area where the Monks live.  On our tour of the area, the Abbott made a point to greet each of the guests who were busy cleaning their hut or the grounds.  All the guests seemed happy and relaxed.  Everyone was smiling and the smiles were not smiles that tend to make me uncomfortable.  Last year people from 109 countries visited the forest monastery.

When we arrived at one of the huts, the Abbott had one of his Thai helpers go in and come out with the special amulets that Ajahn Luongta Saiyut wanted to give us.  We knelt on the ground facing the Abbott as he faced a tall craggy limestone hill and chanted before placing the amulet around my neck and then repeated the process for Duang. I attempted to make an offering to the Monk but he politely declined.  The Monk excused himself to go prepare for the evening's activities but not before making sure that we were advised to walk a little further to visit the fish pond.

Duang and I walked a little ways further to the fish pond. As we walked along the edge of the pond, fish of various sizes would surface as if expecting to be fed.  At one end of the small pond was a covered bench where a young Monk and three local Novice Monks were seated.  We stopped and socialized for a while before making our way to a pavilion where Duang worshiped.  We then made our way back to the truck but not before encountering Ajahn Luongta Saiyut (AKA "Luang Ta") and his guests from Bangkok.  They wished us a safe journey and good luck.

Wat Pa Tam Wua Forest Monastery is a place for meditation, refuge and self discovery.  At the monastery, people are taught meditation methods with "Vipassana" (Mindfulness on Breathing) being the focused practice.  Two vegetarian meals are served each day with tea, coffee, juice or milk served in place of dinner.

Participants at the monastery are asked to observe 5 Buddhist precepts - refrain from killing, stealing, sexual misconduct, false speech, drug abuse, and no smoking.  Men and women have separate housing and people are expected keep their hut clean, help out in the kitchen, and clean up after themselves.

The monastery is operated through donations.  There is no charge for staying at the monastery for the public who seek to learn practices of spirituality however the sacred grounds are not a hotel or resort.

Ajahn Luongta Saiyut is a remarkable man.  He is very outgoing and personable.  He speaks impeccable English and in addition to Thai he also speaks Burmese, Lao, and Chinese. He founded Wat Pa Tam Wua Forest Monastery.  He has been a forest monk for over 38 years and spent over 17 years as a wandering Buddhist monk.  Based upon our visits with him, I have no doubt that he is an inspiring as well as an effective teacher.  His phone numbers are +66 (8) 1031 3326, +66 (8) 7982 1168

Even if you do not want to study meditation, I suggest a visit to Wat Pa Tam Wua Forest Monastery - if for no other reasons than to experience the peaceful surroundings for an hour or two along with an opportunity to meet as well as to speak with Luang Ta.

Friday, May 3, 2013

Ban Huay Sua Tao, Ban Huaysuatao, or Ban Huai Sua Tao






People travel for many reasons.  Some travel to escape their past or present; not necessarily to evade legal difficulties but more likely to escape the disappointments and unfulfilled personal expectations of their lifetime to date.  Others travel in order to tick off a destination on a personal, or often public quest, sort of like defining their personal worth and meaning by a series of exotic locales.  We travel in order to learn more and experience the unique locations and people that we can share with others who do not have such opportunities.

It is our desire to learn more and to experience that often leads us to return to specific locales - to better comprehend and understand the land and people.  There is a reaffirmation of the human condition and spirit that comes from learning that others in different lands, as well as cultures experience the same triumphs, disappointments or challenges that we do.

One such locale for us is Ban Huay Sua Tao which is sometimes spelled Ban Huaysuatao. or even as Ban Huai Sua Tao. Ban Huay Sua Tao is a small refugee camp located near Maehongson in Northern Thailand very close to the border with Myanmar (Burma).  The village is a refugee camp for the Karenni (Red Karen) people.  The Karenni people are known for two subgroups, the Padaung and the Kayaw people.  The Karenni are involved in a struggle (war) back in Myanmar (Burma) for independence.  The people in the camp had fled the violence as well as persecution back in Myanmar.




The Padaung people are the people that some of their women wear brass coils around their neck leading to the phrases "Long Necked Women" or "Giraffe Women" terms that I am not comfortable with.  I prefer to refer to them as "Padaung" people.  The Kayaw people are distinguished by the practice of the women to elongate their ear lobes with heavy objects or large objects.





I first visited the village in October 2006 on my first trip to the Maehongson.  Huay Sua Tao was the first of three Padaung villages that my personal guide brought me to.  Prior to going on the October 2006 journey, I had done some research.  Like many others who research the area I was made aware of the "human zoo" nature of the camps.  My sharp sense of curiosity and desire to take some unique photographs, overcame any trepidation or hesitancy that the unflattering information the guide books could have caused.  I was so glad that I went.  I was also infuriated at the arrogance exhibited in the guide books as well as the Internet. I spent over two hours at the village and got to meet and befriend three remarkable villagers.  Yes, the people were asking you to look at their souvenirs and hopefully buy some.  Yes, tour buses would discharge their tourists who would make their mad dash along the main street of the village blasting away with their point and shoot cameras, but in 15 minutes they were gone.

What I found were very interesting people maintaining their culture as best as they could in not the best of conditions or circumstances.  The people were proud and dignified.  They were willing to share their culture and life story with people who were willing to spend some time with them.  They were just as interested in learning about your culture. They were also very willing to have their photographs taken.

Our trip to Huay Sua Tao last month was my 5th and Duang's 3rd visit.  It was an opportunity to visit with old friends, catch up on what has happened during the past four years, and to reminisce about past visits as well as experiences.

Padaung Woman Weaving Cloth To Sell At Her Souvenir Booth
Just as we noticed through out Mae Hong Son Province this year, the number of people visiting Ban Huai Sua Tao was down significantly. The main street of the village was deserted except for children returning home from filling their squirt gun with water from the stream that flows along the edge of the village.

Children Filling Their Squirt Guns From Local Stream

"Main Street" - Ban Huai Sua Tao

We found Ma Plae and La Mae without any difficulty.  La Mae was Village Headman when I first met him and his wife, Ma Plae, back in October 2006.  La Mae is no longer Village Headman and has been in the refugee camp now for 22 years.  He hopes that he and Ma Plae will be able to immigrate to New Zealand in the future.  It appears that Ma Plae may be sponsored by a relative already in New Zealand.  If successful she will go to New Zealand and then sponsor her husband.  La Mae is hopeful but remains somewhat pessimistic of his chances.

Kuhn La Mae
While we were visiting them, another villager came over.  After visiting for a while she went back to her home and returned shortly.  She is in the process of applying for immigration to New Zealand.  She had a packet of documents that she was asking for help to better understand them.  I read the documents and explained them in English, sometimes more than one different way, to Duang and Ma Plae, who then explained them in Thai to the woman.  I was amazed at the complexity of the process.  One difficulty that the woman was experiencing was that she did not have a birth certificate.  Because she can not go back to Myanmar to get one, she can make a written statement as to her name, date and place of birth.  The problem is the requirement be signed by a judge, court official. or Justice of the Peace.  From the woman, I learned that it was not possible to get this from local Thai officials.  I suggested that she get her statement signed by an official from UNHCR (United Nations High Commissioner for Refugees) organization that periodically visit the camps or some NGO official to sign as well as stamp the document.

Kuhn Ma Plae Playing and Singing
Ma Plae played her guitar and sang some traditional songs.  We reminisced about the two previous times that she and I had sung together.  Sure enough we reprised those occasions with another duet.  She singing her song and I singing "Jambalaya" lyrics to the same tune.  Soon our concert evolved into me teaching Ma Plae the English lyrics or rather teaching her the lyrics that I remembered!  I am sending her the full lyrics to prepare for our next visit.



As Duang and Ma Plae socialized I wandered about the village renewing acquantainences and making new friends.

Village Friends

Padaung Mother and One of Her Nine Children


One of the young women that I photographed had an amazing resemblance to one of my favorite Padaung subjects, Ma Jon also known as "Freida", from the camp at Baan Nai Soi.  It turns out that this woman is 29 years old which would also be roughly Freida's age today.  I knew it was not Freida because I heard 4 years ago that she had immigrated to another country, "Finland" if I remember correctly.  In talking with La Mae earlier I had learned that Ma Jon had actually immigrated to New Zealand.

Padaung Matron - Mother of Nine, Six Still Living
I returned to Ma Plae and La Mae's home to visit some more.  Soon a group of Buddhist Monks stopped by.  The leader of the group is a friend of La Mae's.  He is a Forest Monk from a retreat off of Highway 1095 on the way back to Pai.  He spoke excellent English.  As he was speaking, I realized that I too knew the Monk.  Four years ago when Duang and I last visited the area, we had visited him at his forest retreat.  At the time we were not officially married.  He told Duang to take good care of me and he told me to listen to Duang.  In the four years since then, Duang has taken very good care of me.  As for me, I listened to her quite a few times.  I mainly don't listen to her when she wants me to go to the clinic, doctor, or to the hospital whenever I first get a runny nose or other minor ailment.  When I told the Monk that I knew him from 4 years earlier, he remembered and shared his memories of the visit.  He invited us to visit him at his retreat later that afternoon.  He had some special amulets that he wanted to give us.  We promised him that we would visit later in the afternoon.

Mudhan Sewing a Blouse
On our way out of Ban Huay Sua Tao we stopped by Mudhan's booth.  She was busy sewing a new blouse - zig zag stitches by hand that looked like an electric serge machine had produced the.  Mudhan is another special person that I met on my  first visit to the camp in October 2006, when she was nineteen.  I had come upon her when I was exploring the upper street of the village - the street that few tourists wander along - no souvenir booths.  She was sitting outside her home breastfeeding her infant son.  I pantomimed a request to photograph her and her son and she allowed me to.  The photographs are some of my all time favorites.  On my return visit in December of that year I was pleased to give her prints of those special photographs.

On our last visit in April 2009, we got to play with her infant daughter, Peelada.  We asked her if she was planning on having any more children and she replied that Peelada was going to be her last child.  During this visit I made a point of reminding her and she laughed as she informed us that she had not had any more babies.  She asked if we had any babies together.  I told her that Duang could not have children now but we still keep trying!  She laughed and was still laughing when I told her we would return someday, hopefully in the near future, and check to see she had any more children.

It had been a great visit to the camp; an opportunity to share experiences with friends and to make some new friends.

Saturday, April 27, 2013

Poi Sang Long Gallery - Now Available For Viewing and Print Purchase






A gallery of 63 photographs from this year's Poi Sang Long Festival in Maehongson, Thailand is now available for viewing as well as print purchase on my personal photography website.



http://www.hale-worldphotography.com/People/Shan/Poi-Sang-Long-2013/29120515_HKxD7G



Monday, April 22, 2013

The Band



Shan Musician - A Leaf Blower
As some people get to be around my age, they talk about "getting the band back together".

No, this blog is not about a group of middle aged or older men hoping to possibly recapture the enthusiasm, glory, and vitality of a long past time.  This blog is not about the Windjammers or Mustangs from my high school years or my fraternity band the "Wazoos".  This blog is not even about "The Band" that was so instrumental in the music scene of 1968-1975 or is it even about "We're An American Band" a song made famous in 1973 by Grand Funk Railroad.

This blog is about today.  It is not about glory.  It is about a band, a simple and humble band ... a Shan band.

On Thursday, the second day of the Poi Sang Long Festival, we returned to Wat Hua Wiang at a more reasonable hour to witness the start of the procession through the center of the city.  We arrived about an hour before the scheduled start of the procession so there was plenty of time as well as opportunities to photograph the people.

Towards the front of the second wave of the participants in the procession, we found a decorated flat bed truck ... and a familiar face.  Seated at the head of the flat bed, was the very same leaf blower musician that we had seen four years ago.  Time had been kind to this man.  He looked exactly the same.

A Violin Type Instrument With Attached Sound Horn and Microphone 
The band that he plays in had changed somewhat.  There was now a keyboard and banjo joining the traditional drum, guitar like stringed instrument, and a violin type instrument.  All the musicians were dressed in traditional Shan clothing.

Another Stringed Instrument in the Band
The stringed instruments were very interesting.   The violin type instruments had a metal sound box that transitioned into a sound horn - a sort of mechanical amplifier.  A small microphone was attached inside of the sound horn to allow electrical amplification of the sound.


The banjo also had a electrical hook up to allow for electrical amplification of its sound.

Electrical amplification was necessary because the band provides the traditional Shan music during the course of the procession.  Periodically along the procession route, a large troupe of Shan women, dressed in traditional Shan costume, perform traditional dances to the band's music.  In between the dance stops, the band performs traditional music to entertain the crowds along the streets.



Drummer Tunes Drum With His Hammer
My taste in music is very eclectic although it excludes jazz, hip hop and rap.  The Shan music is very ethnic in it sounds.  It resembles, at least to my ears, Chinese music which is understandable because the Shan people originally migrated from China to Burma (Myanmar) before immigrating to Northern Thailand.  Leaf blowing also is a part of some Chinese ethnic music.  The Hmong as well as the Shan peoples still utilize leaves in their ethnic music.  The sound from blowing on leaves is squawking sound however the skilled musician can make the sound over a wide frequency and actually carry a tune with them.  The melding of the instruments created a "Toto, I have a feeling we're not in Kansas anymore" moment.


I enjoyed listening to the Shan music.  Like other ethnic music, the Shan music captures and defines the unique aspects of a people's culture.  It serves as a link to a shared common experience and past while serving as a bridge to the future.  Ethnic music is also a celebration of the diversity of mankind.  It is a celebration that I hope continues forever.  I do not want to live in a homogenized world, a world of common government, common laws, common thought, common lifestyles and worst of all common culture.  At my age I do not have to worry about living in a homogenized world but I have concerns for the world that my grandchildren and their children or grandchildren could find themselves in.



People like the members of the Shan band are on the front lines maintaining and sharing their unique cultures. We are all enriched by their efforts.


"Allen's World" is a large world with many fascinating people and many diverse unique cultures to experience and to strive to understand.  It is an interesting place that is open to all, not just me and my wife, to explore, to cherish, and to appreciate.  The most important step in what can be a wonderful journey for any one is that first step outside of their comfort zone.  I hope to see more fellow travelers on some these back roads - roads outside of their comfort zones.

Saturday, April 20, 2013

Thai Yai Architecture






Wat Huaipha  December 05, 2006
The Shan, Thai Yai, originated in Myanmar, which was formerly known as "Burma".  They immigrated to Northern Thailand to work in the forest industry in the last half of the 19th century.  They congregated in Chiang Mai and Mae Hong Son Provinces.  Mae Hong Son was settled by Shan people in 1830.

Due to the remote location and, until relatively recently, the isolation of Mae Hong Son Province the Shan were able to maintain their cultural identity - their customs, their music, their dress, their festivals and their architecture.

War Huaipha - 1 April 2009
Shan temples, Wats, are unique and distinctive.  Whenever I am in Maehongson, I make it a point to visit Wat Jong Kham, Wat Jong Klang, and Wat Huaipha are typical Shan structures - multiple stacked layers resembling a wedding cake with decorative pressed metal trimming along the edges for icing.

Wat Jong Kham and Wat Jong Klang
The Shan temples are typically wood with intricate carvings and an intricate symmetry.  They blend in very well with their surroundings.

Wat Huai Phueng, Ban Huai Phueng, Thailand


Wat Hua Wiang, Mae Hong Son, Thailand

 
Wat Hua Wiang, Mae Hong Son, Thailand

One of my favorites is Wat Huaipha located north of Mae Hong Son on the side of  but lower in elevation of Highway 1095.  I first became aware of this Wat on my first trip to the Maehongson (Mae Hong Son) area in October 2006.  It was late afternoon and my guide was returning me to my hotel in Maehongson.  The sun was low in the afternoon sky giving the wood exterior of the Wat a warm golden glow.  I immediately recognized it as an excellent photo opportunity.  However, we had quickly passed it.  I was shooting film at the time and I was reluctant to change to a faster film to be able to capture the shot.  As too often people find themselves on a trip, I had also developed a case of tunnel focus.  My mind had been set and focused on the destination up ahead - the hotel.  As such I was reluctant to have the driver stop, turn around, and drive back up the hill to visit the Wat.  I thought that I could get "That Shot" later on.  Well I never did get that opportunity during that trip.

I returned in December of the same year and made sure that we stopped at the Wat in the late afternoon to take photographs of the Wat in the golden light.  I had learned a valuable lesson on my first trip - to take advantage of every opportunity for photographs; even if it means turning around and retracing part of your route.  Just as in life, opportunities are special gifts that should be appreciated and used.  Opportunities may not return.

Wat Huaipha - December 2006
Since the first trip in October 2006, I make it a point to stop and check out the lighting to photograph Wat Huaipha.  Each visit has presented different opportunities for photographing the unique Shan architecture.

Wat Huaipha - April 2013

After visiting the garlic and soybean workers, we found ourselves driving past Wat Huaipha in the late afternoon.  Driving past the Wat on this trip was not a problem.  From our last trip in 2009, I knew that further down Highway 1095 past the Wat was the entrance to the small village where the Wat is located.  We drove through the extremely narrow streets of the village until I found a suitable spot half on the street and half off of the street - as good as it got in the village but a common practise here in Thailand.  Duang was tired from our full day of activities so she elected to remain in the truck since I told her that I would not be long.

I walked the short distance to the Wat and walked around the grounds.  The sun was fairly low in the sky and not too high above the western mountains.  There was a slight golden color to the light but nothing that I would describe as exciting let alone spectacular.  I took some photos but nothing that excited me.  After awhile, I heard loud shouting from inside of the Sala.  The shouting was very animated and came from young voices.  The shouting was definitely not the type associated with arguing or fighting.  The shouting sounded to me to be like young children playing a game; an enthusiastic game. I climbed the wood stairs into the Sala.  As I entered into the Sala, I quickly understood what was going on.

Novice Monks Learning Scriptures By Rote - Loud Rote at That
In the Sala strongly lit by the golden directional light of the setting sun through the windows and door on the west site of the building, the Abbott and a Monk in his early twenties were instructing four young Novice Monks in Buddhist scripture.  The older Monks would ask the young Novices questions.  If the young Novices knew the answer, they would shout out the answer, with each  trying to out do the other in volume as well as enthusiasm.  When a Novice did not have the answer he woud refer to some papers to find the answer.  It appeared that one of the Novices was having a particularly difficult time with the answers.  He was referring to the study papers often and was off to the side getting individualized instruction the the twenty something Monk.



It was a great scene made even more spectacular by the strong natural lighting.  I found this to be very exciting.  As exciting as it was, it was also a scene that required respect and minimal interference on my part.  I decided to not use any speedlights to photograph the scene.  I set my camera to a high ISO (light sensitivity) to be able to take photographs at high enough speed to minimize blurring from camera shake.  My tripod was in the truck and with the setting sun, I realized that I did not have enough time or light to retrieve it.  I would have to deal with and make the best out of what was available; what was presented to me.  It was very much like life. It often is not perfect but you can make the best of it.


It was enjoyable and inspiring to witness this scene.




 
 
It was enjoyable and inspiring to witness this scene. I went back to the truck so that Duang could see and most likely appreciate and understand more than me what was transpiring inside of the Sala.  We returned together and I was so pleased to see the look on her face - I knew that I had helped to make her day memorable.



 

 
Another objective our trip had been achieved - photographs of some Shan Wats  but that was not all.  We had been fortunately given the opportunity of a scene that has been repeated countless times over the past 2,556 years - Monks teaching Novices the teaching of Buddha - another of the connections that ties today to our far distant past.  It was a continuation that binds many of people all over the world and activity that will mind the future to our present day.
 
Just as the Shan architecture helps to identify and define a people.  The propogation of faith identifies and defines people.  Our visit to photograph a temple ended up being much more.  Our visit ended up being an opportunity to witness and experience some of the spiritual world.