One of the large floats during Wan Kao Phansa night procession |
For the first festivals, communities would gather bees wax and create fancy candles. The fancy candle would be placed in a sedan chair, a chair that has long poles extending from it in order that it can be carried upon the shoulders of porters. The candles were then paraded to the Town Hall where the Prince would award prizes to the communities that made the most beautiful candles.
The competition for awards from the Prince over time caused an escalation in both the size and elaborate designs associated with the candles. Candles increased from bamboo diameter size to banana stalk diameter size to today's large panoramas. Candles evolved from simple smooth surface to surfaces decorated with papers and fabrics to today's extremely intricate carvings. Today different colored waxes are entering into the competition for recognition. The process continues to evolve with the goal always to get a leg up on the competition.
In addition to the traditional Thai wax creations there is also an international wax carving competition associated with the Ubon Candle Festival. Artists from Spain, China, Germany, Japan, Poland, as well as some other countries that I can not remember submitted works of "wax art". I don't remember all of the submittals because, to be frank, they paled in comparison to any of the Thai works. One piece of "art" was a bull carved from wax. The bull shape was created from a series of large flat surfaces akin to shaping the wax with a snow shovel. Without too much hyperbole I believe that with a little effort I could create a similar wax sculpture. Another international entry was a basic rectangular tower with some surface texture carved into it and a round ball atop the tower. It would not be unrealistic to contemplate that with some training i.e. 2 to 4 weeks I could produce a similar work. As for the Thai wax works, there is no way no matter how much time or training I received that I could even approach the beauty, complexity, or intricacies of their art. To me comparing the the international works to the Thai works would be like comparing or rather trying to compare sculpture by Michelangelo to a brick wall. The winning international competition entry was a Panda from China. It was interesting bordering perhaps on "cute" but hardly jaw dropping or inspiring.
International competition winner from China - "Panda" |
The Candle Festival actually started on June 28 with the international artists commencing to create their works. From July 1 to July 31 on Fridays, Saturdays and Sundays there were cultural performances. During the last two weeks of the Festival, people can view demonstrations of local silk weaving as well as watch the large wax floats being built and carved.
Our visit this year was limited to the Asarnha Puja Day and Wan Kao Pansa events. We scheduled our arrival on Monday 26, 2010 so that we could witness the ceremony "ceremony of inviting the candle of Royal watercourse and king loin cloth (Phaarbnamfom cloth)" starting at 15:30 to 17:00 followed by the Bai Srii ritual and "celebrating the King candle". After lunch at our hotel we inquired about the location of the various ceremonies and were told that they were about 1-1/2 to 2 kilometers away. In America we have a saying about things being a "country mile away". The implication is that out in the country distances are not accurate and one mile could very well be more like 3 or 4 miles away. This must also be true here in Isaan. We set off for what was supposed to be only a 1 to 1-1/2 mile walk to the festival site. After quite a ways walking along on the typical urban Thai sidewalks, uneven, broken pavement, various tripping hazards and obstructions, we asked for directions from a local shop keeper. She informed us that it was another 2.5 kilometers away. That decided the issue. We were going to take a Tuk-Tuk the rest of the way. My camera backpack was filled with two digital cameras, a flash, spare batteries, rain gear, and an umbrella which made it about 12 kilos (25 pounds). My shoulders were aching. We flagged down a Tuk-Tuk and for 60 baht ($1.80) he took us though 4 police traffic barricades to deliver us exactly at the Festival site.
The Festival was concentrated at two locations, Ubon National Museum and Wat Sriubonrattanaram, which are fortunately across the street from each other. By chance or fortune we ended up at the Ubon National Museum. It was here that the international wax sculptures were on display, along with a small performing stage as well as numerous refreshment stalls. After wandering around for awhile we gravitated towards the performing stage area. There was a competition going on. Young girls from 5 years old to around 14 years old were each performing the same song. The song is a very upbeat about spicy pappaya salad, "Pauk Pauk" (Lao) or "Som Tom" (Thai), which along with sticky rice is a staple of the Isaan diet. The song is an invitation to passing people to come buy and eat the girl's very tasty food. It is a sort of "Hee Haw" type of song and dance routine. It is not sophisticated but it is definitely very entertaining.