Fishing In Isaan - Two Different Ways

Raising A Large Dip Net In Isaan

Last week I shared my experience of watching two Monks and some Tahsang Village men catching fish by draining the water and feeling around for the fish in the resulting muck.  That is one way to go fishing here in Isaan.

Another way to catch fish is to dip net for them.  The Mekong River is about 40 Km from here and serves as the border between Thailand and the Lao People's Democratic Republic.  The Mekong River is one of the planet's greatest rivers.  Besides supporting thriving international river commerce. the Mekong River supports the peoples of China, Laos, Myanmar, Cambodia, Thailand and Vietnam with its fish stocks.

However here in Isaan, most of the wild fish that is caught is not from the mighty Mekong River or even in rivers of much less size or fame.  There are not many streams to catch fish in either.  The wild fish are mainly caught in drainage ditches, drainage sloughs, mud holes, and flood plains.

In Isaan, rain typically falls from may until October.  In between, very little rain falls.  However, the land is flat and does not drain very well.  By the time that the natural monsoonal rains stop in October, the land is saturated, the rivers are flooding, and there is plenty of standing water.  The Mekong River floods which backs up the small streams that feed it from the interior of Isaan.  Since the water can not drain quickly into the Mekong or other waterways flowing to the south, the water level on floodplains of Isaan will rise dramatically.  This in turn supports the growth and reproduction of wild fish species.  The higher water levels allow the fish to migrate and feed upon recently submerged vegetation.  In addition to being a food source for the fish the submerged vegetation provides shelter for breeding and raising young fish.

In September when water levels are about their highest and into January when water levels have diminished greatly to the point that fishing isn't possible, you will find people fishing the drainage ditches  drainage sloughs, mud holes, and floodplains.  In many areas, people construct platforms out of bamboo from where they drop and raise nets to the water below.  In other locations people will wade out into the water to drop and raise nets that they have attached to a long bamboo pole or they will cast a large nylon net onto the waters to try to catch fish.

Fishing Platforms Outside of Baan Tahsang (Tahsang Village)

Duang's sister, as I pointed out in an earlier blog, had a large ditch dug along her back property line on the Kumphawapi floodplain.  Since her neighbors did the same thing there is now a good place for fishing for a better part of the year.  I had not been out to her place in wto years and I was shocked to see how many fishing platforms had been constructed.  When I arrived my sister-in-law's yard was filled with motorbikes and pick up trucks.  I quickly found out that the vehicles belonged to people fishing in the new ditch or slough.  I thought that perhaps my in-laws had set up a fish for fee business or at least park for a fee business.  They looked at me like I was crazy and through Duang I found out that all the people were family. Since Duang has 23 Aunts and Uncles along with 96 cousins just on her side of the family, it is easy to understand how a place could get crowded with "family".

Duang went off to the village to get her hair done and I wandered around taking photographs.

Fishing - Isaan Style   I Guess Since No Bait Is Used, There Is No Need To Stay Awake

On the day that I visited the site, people were using drop nets and throwing nets to catch fish.  In both techniques, no bait was used.  In the case of the drop nets, the people were using very large nets that were rigged off of their fishing platform.  Levers, fulcrums, and pulleys were used to provide mechanical advantages for raising and lowering the nets.  Other than the corrugated metal used in some of the platforms for roofing all the materials were local. Three pieces of thin walled tubing were welded together to create the each of the two required combination pin connection and journal bearing for the bamboo poles of the net boom and bamboo poles of the base of the platform.  I had seen young men performing welding repairs on some farm equipment at the Tahsang Village miller's house, so I suspect he was the source of these vital metal connections.  Many of the fishing platforms had little shelters built on them where the fishermen could eat, drink, and fish out of the direct sun light.  Oh, some of the fishermen also slept in the shelters.

When the fisherman thinks he has waited long enough, or when he wakes up, he will raise the net to determine if he has caught any fish.  If he has not, the net is lowered and the wait will start again.  If he has caught some fish he will use a net on the end of a long bamboo pole to scoop them up.  The fish are then placed in a bucket of water kept in the shade.  We are not talking about catching very big fish - the vast majority of the fish are around 4 to 6 inches long (10 to 15 cm).  There are no size limits on the catch with people keeping fish that would be too small to even use as bait in the USA.  There is no license required to fish.

Wakened From His Nap, Lao Loum Fisherman Checks His Net

Many of the larger sized fish never make it to the bucket, they are cooked and eaten on site.  Fishing along the embankment was a family gathering with people of all ages eating, drinking, gossiping, and some people actually fishing.  It was a great big picnic if not a party.

Fresh Fish Being Grilled

Some of the men were using hand nets to work sections of the slough.  Fish fences had been set along the ditch to encourage the fish to travel along certain routes.  The men using the hand nets collaborated to take advantage of the fences and the placement of their nets to trap the fish.

Casting Their Nets Upon The Waters In Isaan

 Once the nets had sunk to the bottom, the fishermen would pull them in.  Soon they would be holding a mass of nylon netting coated and dripping with chocolate colored muck.  Sometimes they would even find a couple of small fish in the last bit of the net once the muck was washed away.  The small fish would be placed in a small fisherman's creel floating near the fisherman,  The creel is woven from strips of local hardwood and is kept afloat by lashing empty 1.5 liter plastic bottles to it. One of Duang's uncles, most likely more than one, weaves these creels in Tahsang Village.  I have watched and photographed other villagers making the throwing nets.  Again, the people exhibit an amazing degree of self-reliance as well as self sufficiency.

Starting To Haul Net With Floating Creel Close By

Getting Down to the Business End of the Net

Most of the fishermen had completed fishing when I headed back from the slough to go to my in-law's house.  On my way back to the house I came upon, what for me was an extraordinary scene.  Near where the motorbikes and pick up trucks were parked, a tarp had been placed on the ground.  All the buckets and creels had been emptied on top of the tarp.  People were sorting through the fish and creating at least twelve equal piles of fish for the people to take home with them.  The individual extended family members were cooperating for the greater overall good of the family.  This was yet another example of the sharing and caring nature of the Lao Loum people here in Isaan.

Dividing Up The Day's Catch

Here's Hoping That Third Time Is Really the Charm

Our Spirit Houses - Relocated Once Again

Here's hoping that the saying "Third time is the charm" or perhaps the saying "If you want a job done correctly the first time, hire a professional"  well maybe not "hire" in this case but rather "use the services of" is true.

When we moved into our home in Udonthani in September of 2008 there was a special ritual to install two spirit houses on our property.  Spirit houses (san phra phum) are shrines to the animist spirits. The houses are found throughout Thailand, Laos, and Cambodia. The spirit house is built like a miniature Buddhist temple mounted on a pillar or platform. They are meant to be the homes of the land spirits.

Spirit worship, referred to as "Animism", in Thailand goes back to the migration of the Thai people from northern Vietnam. Animism predated Buddhism in Thailand and Buddhism developed side by side with Animism in Thailand. The two religions are very intricately interwoven and many practices today in Buddhism are actually Animism beliefs and rituals.

The spirit houses are a shrine where offerings of food, fruit, flowers, candles, incense, water, soft drinks as well as whiskey are made.

The san phra phum provide a dwelling for the wandering guardian spirits for the buildings and areas of  land. The spirits can cause problems and suffering if they are not kept happy. There are spirit houses at homes, shopping centers, businesses, government buildings, factories, oil refineries - everywhere but at a Wat. The spirit houses are not part of Buddhism.

The spirits are kept happy by offering them gifts frequently. People believe that the spirits can influence coming events, grant wishes, and keep people healthy. I have seen the daily ritual of offering candles, incense, fruit and whiskey made at some Go-Go bars prior to opening for the night.

I wrote about the installation of our spirit houses in a previous blog back in September 2008.

http://hale-worldphotography.blogspot.com/2009/01/17-september-2008-spirit-houses.html

Everything seemed to going just fine until 2010.  In 2010, Duang's uncle, who had selected the location for our spirit houses and performed the ritual associated with installing them, became ill.  He was hospitalized and was eventually sent home when the doctors said that they could not do anything more for him.  In October 2010, another Shaman had told Duang and her relatives that the uncle would be dead within two weeks unless our Spirit Houses were relocated.  According to the Shaman, Duang's uncle was not fully qualified to do a spirit house installation ritual.  We went ahead and had the Shaman do a relocation ritual of our spirit houses.  He actually ended up leaving one in the original location in the front yard and moved one house to our side yard.

The relocation ritual was subject of a blog entry on October 29, 2010.  Amazingly Duang's uncle who had been sent home to die survived well into 2012.  We were fortunate to be able to visit him a few times upon our return to Thailand before he died this October

http://hale-worldphotography.blogspot.com/2010/10/having-answers-faith.html

Amazingly Duang's uncle who had been sent home to die survived well into 2012.  We were fortunate to be able to visit him a few times upon our return to Thailand before he died this October

Recently my wife has been dealing with a health issue along with family issues in addition to a number of funerals that we have been attending since our return from the USA.  Apparently in consultations with people, Duang became convinced that the problem was due to our spirit houses.  Even though the spirit houses had been relocated by a second Brahman, the spirits were still not happy which was manifested in the issues that Duang and her family were dealing with.

I do not get into metaphysical discussions with my wife regarding her beliefs.  I support her because those beliefs provide her comfort and a moral compass.  It is her heritage and her culture. Her devotion to those beliefs was part of what attracted me to her in the beginning. I am content to just know what her beliefs are.

Mass Transit In Isaan - 14 People in a Pick Up Truck

Duang made all the arrangements to have the Monk from the Wat outside of her home village to come to our home and preside over the relocation of the spirit houses.

Last Thursday, the Monk, his handler, Duang's mother, our grandson, Peelawat, and 10 grandmothers from Tahsang Village arrived at home in the early morning for the relocation ritual.  The grandmothers were a combination of aunts and friends.  Personally I suspect that they were Tahsang Village's answer to the "Red Hat Society".

Monks are not allowed to drive motor vehicles or to travel unaccompanied with women so each Wat has a layman who will assist Monks in these activities.

Under Peelawat's Watchful Eye, Women Prepare For Ritual

While the Monk determined what should be done with the spirit house, the women helped Duang to prepare for ritual and common meal for after the ritual.

Preparing Petals for the Ritual

Part of the preparation was to strip a bunch of chrysanthemums of their petals and place them on a religious pressed metal stand.  Other preparations include setting up plates and trays of bananas, oranges, grapes, coconut  and other fruits as offerings to the spirits.  Duang had also had me buy a box of beer, Leo, but that turned out to be an offering to the old ladies rather than to the spirits.

After the Monk had finished the ritual he came inside and ate his only meal of the day.  When he had selected his food to eat, I went upstairs to get a break from the animated conversation of the old women while they outside underneath our car port.  Later in the day, I thought that I would treat myself to a beer.  I was shocked to discover that the ladies had drank all the beer.  Perhaps that was the reason for the animated conversations.

Duang and Tey's Grandmother Prepare White Candles for the Ritual.

Besides having a Monk performing the spirit house ritual, this relocation involved me more greatly.  I had to stick some of the burning Joss sticks into the fruit offerings that Duang had placed before the spirit houses.  In previous rituals, I had only held on to three lit Joss Sticks.  Perhaps that is what was missing?  Maybe it was the white candles in addition to the yellow candles?  We also did not use chrysanthemum petals previously.

Duang Places Lit White Candles

The Monk Lights Joss Sticks

The relocation ritual concluded with Duang placing some long garlands over the relocated houses.

The morning went along well with the only "issue" being our grandson, Peelawat. starting to sing out a sort of snake charmer music that I hum to him when we play Muay Thai boxing.   The music is played when the boxers perform their "wai khru ram muay" but is definitely not appropriate to do when a Monk is chanting as part of a formal ritual.  His great grandmother quickly stopped him.

I am optimistic that having had a Monk perform the ritual, the spirits are happy now and the spirit houses can remain where they are now.

Duang is feeling more secure and confident now that the houses have been properly installed in the correct location - at the side of our yard.  She says that it will all be better for us and the family now.

As for me, I am wondering and perhaps I am somewhat confused.

In late September, I was contacted by a client in Europe who wanted to use 23 of my photographs in a public display.  We had agreed on pricing and I had sent a Limited Copyright License Agreement for use of the photographs along with an invoice.  In late October I contacted the client and informed them that the invoice had not been paid nor had they returned the conformed Limited Copyright Agreement for use of the photographs.  The client informed me that they would check with the public institution where the photographs would be displayed.  After almost two months of no word, I believed that there was no longer an interest.

The very night that the spirit houses were properly relocated, I received an email informing me that the project had been approved and the funds allocated.  By the end of the next day, I had received both the conformed LCLA and the license fee.  When I told Duang of the developments  Duang just knowingly smiled and said "Buddha take care, now"

This is not the first time that unexplained things, for me, but ordinary based upon Duang's faith and beliefs have happened.  I often joke that I have no hope if she decides to use her powers against me.

I have written that in my blogs that I write of what I have seen and experienced.  I do not try to proselytize.

I wrote earlier in this blog that I support Duang in her beliefs because those beliefs provide her comfort and a moral compass.  It could also be that after having witnessed and experienced several things with her  ... I am keeping my options open or at least keeping the spirits happy.

New and Recent Photographs Added

Little Nong of Tahsang Village

Thirty-one new and recent photographs have been added to my most popular photo gallery, "Runny Noses and Dirty Faces - Children".  As you can see there is a new runny nose and I have also added some dirty faces to the gallery.

http://www.hale-worldphotography.com/Children/Runny-Noses-and-Dirty-Faces/7422101_hTQhXZ

Monks In The Mud - Fishing In Isaan

Monks Fishing By Hand Outside Tahsang Village

On my photography website I have a gallery entitled "Monks In The Mist",http://www.hale-worldphotography.com/Travel/Monks-In-The-Mist/11244834_wcKqQz and another gallery entitled "Monks In The Morning" http://www.hale-worldphotography.com/Travel/Luang-Namtha-Monks/11225188_Bjrhpm  Today, I ended up taking photographs that could be placed in a gallery entitled "Monks In The Mud".

We started the day with three main objects.  The first was to burn a CD of photographs for my client in Europe and send it to her.  The second objective was to go out to Kumphawapi and pay the monthly fees for our grandson to attend school.  The last objective for the day was for me to write a blog on fishing in Isaan.  I had recently posted a photograph on Facebook that one of my friends had expressed some interest in what was going on.  I had promised a blog related to the photograph soon.

Well, for many reasons, "soon" here in Isaan takes a while to become reality.  My main delay was getting caught up with editing and post processing the photos that I have taken in the past month.  I then started to clear up the backlog of blog entries that have been in my head for the past month.

First thing in the morning we got a call from Duang's mother asking why I was not coming out to the village to photograph the Monks doing something with the fish in the ditch outside of Tahsang Village.  Well, since we were then aware that something was going on, we incorporated a visit to Tahsang Village into our schedule.

I had seen a new holding pond being constructed outside of the Wat that is inside of Tahsang Village so I assumed there was going to be some kind of ritual or blessing to fill the ditch with water from the flood plain and stock it with some fish.  Well, I sure got that wrong. What was actually happening was the Monks from the Wat outside of the village along with some of the villagers were draining the ditch outside of that Wat and removing the fish.  They were removing the fish for the villagers to eat and to sell any surplus to help pay the electrical bill for the Wat.  The monthly bill for the Wat runs around 1,000 Baht ($33 USD) a month.

Tahsang Village Men Fishing By Hand

When we arrived at the ditch we discovered that the fishing had been going on for a while.  The ditch had been divided up into two sections.  The first and largest section had been drained to the point that rather than holding water, it contained about 18 to 24 inches of muck, a sort of earth pudding, and fish.  Several of the men were bent over knee deep in the muck searching for and grabbing fish with their hands.  When they did catch a fish, they washed it off in a bucket of water and either placed it in a collecting bucket or tossed it up on the embankment where people were cooking fish over the coals of a log fire.

Fish Being Cooked the "Old Fashioned Way"

I knew that they had been at it for awhile not by the number of fish that they had caught but by the number of beer bottles and Lao Lao (Isaan Moonshine type whiskey) up on the embankment where the fish were being cooked.  The people may have been working but that never seems to prevent them from enjoying themselves or making a party out of it.

The two young Monks of the Wat were also out in the muck grabbing fish with their hands.  The Monks did not kill the fish nor did they eat because it was past noon.  They only eat one meal a day and it must be completed by noon.  I suspect that they were doing it for the fun of it and camaraderie with the villagers. No matter their motivation, they were enjoying themselves as much as any one.

The Monks Working To Corner A Fish

A wide range of "fishing" attire was worn by the men.  Some of men wore pakamas (cotton cloth strip) wrapped around their waist and up through their crotch so that the looked like the main character from the 1937 film, "Sabu, The Elephant Boy".  One man was wearing only his western style athletic briefs.  Other men wore a sarong around their waist while others opted to wear cotton shorts or cutoff sweat pants.  The Monks were wearing something similar to Sabu The Elephant Boy undergarment only it was the same color as their Monk robes.   Well actually it was the same color as their robe before they entered into the ditch.  After everyone entered into the ditch, they were quickly covered with a grey creamy muck.  Their garment was also more intricately wrapped and twisted than the laymen.  The older Monk, perhaps 25 years old, had a belt type device around the top of his garment,  The device was not a simple belt but was comprised of tubes, cords, and perhaps a small chain.

Two Monks After Fish

I was invited to join them fishing but once again I was happy to remind them that it looked like work and I did not want the Police to come and take me to jail because I was working.  Having told them that they were happy to just have me take pictures of them.  I did not tell them that I did not have the heart or courage to go into the muck and actually try to grab something that I could not see with my bare hands. I did joke with them that I had brought a tuna fish sandwich to eat for lunch because I wasn't sure that they would be catching anything.

The Older Monk Takes A Rest From Fishing

They caught several small fish, ranging in size from 6 inches to perhaps 16 inches.  The smaller fish appeared to be Talapia and the larger fish I believe were Snakeheads,  They caught a few eel like creatures and some large snails.

Everyone had a great time laughing and joking as they fished.  The older Monk fell when he walked into a hole hidden under the muck - much to his amusement and everyone else.  The biggest laugh, so big that I almost fell down the embankment, was brought about by the youngest Monk.  He was squatted down in the muck when all of a sudden he started yelling and jumped up as a big splash could be seen exiting between his legs.  The largest fish of the day had swum between his legs and apparently brushed up against his inner thigh or someplace near there. I missed the shot but did see the fish.  Everyone was laughing hysterically including the Monk once he overcame his initial shock.  About 10 minutes later he captured what we believed was the offending fish.

The fish that were to be eaten were cooked the old fashioned way - they were thrown on to a bed of coals from the burning of a couple logs - no scaling, no gutting and no seasoning.  As the need for more coals became apparent the burning log was moved closer to the center of the fire.  Some of the fish were thrown on the coals alive and some people dispatched their fish before cooking them.  One man shoved a fresh twig down their throat to cook them over the coals.  A couple men placed the fish's head on an empty beer bottle laying on the ground and pounded the head forcefully with the bottom of another empty beer bottle. No matter how the fish were prepared, everyone seemed to really enjoy eating them.  I enjoyed eating and was thankful for my tuna sandwich.

One of My Buddies Displaying His Catch

Udonthani is the capital in Thailand of liver cancer incidence caused by a parasite that infects fresh water fish and snails.  The hospitals have signs posted informing the people of the danger of eating improperly prepared fish and snails.  The main contributor to infection is the consumption of unpasteurized fermented fish - a Lao Loum staple.  I am leery of eating local caught and prepared fish and snails.  I am not afraid of the fermented fish because just the smell of it makes me sick so I would never be eating it.

After the smaller section of the ditch had been drained and fished the village men went to the Wat where the women had prepared  all kinds of local dishes from the fish that had not been grilled.

Having had their fun for the day, the Monks returned to their quarters.

Having had our fun for another day, we returned to our home in Udonthani.

The Singing Monks of Isaan

Monk Singing His Role As A "Father" - At This Point A " Dead Father" In A Dream

I have had the elements of this blog organized in my mind for almost a month now.  The combination of a desire to complete editing and post processing all the photographs associated with this blog entry along with some inexplicable reticence to finalize the blog have delayed me until today.

Today, as it turns out, was worth waiting for.  As you can tell from the title this blog entry is about singing Monks - Buddhist Monks.  Most people are familiar with the chanting of many sects of Christian Monks.  Back in the 1960's there was a famous "Singing Nun". On the cable news today there was story about an Italian Monk who has signed a recording contract.  Buddhist Monks are renowned for their chanting.  On the Internet you can find many videos and mp 3 recordings of Buddhist Monks chanting.

Buddhist Monks singing?  I suspect that not many people are familiar with Buddhist Monks singing.  If you research on the Internet you will undoubtedly quite easily find that Monks are not supposed to sing.  Well there are many things that Buddhists as well as Buddhist Monks should or should not do. The practical application and inclusion of local customs and practices make defining Buddhist practices in short universal statements difficult.  Think in terms of a house - the foundations of homes are basically the same.  The functions of a house are the same.  However there are many different appearing structures built upon a foundation to serve the function of a house.

I have written several times about rituals or elements of rituals that although they were performed by Buddhists and in some cases in which Buddhist Monks participated, they were not part of Buddhism.  The  tying of strings around the wrists of laypeople, the sprinkling of holy water on laypeople, the wearing of amulets, idols, talisman  and use of fireworks are all vestiges of earlier animist and Hindu beliefs and practices to the local cultures which are Buddhist today. Buddhism is an an tremendously tolerant "religion" in that these practices are not condemned but assimilated and accepted into the Buddhist practice for they give the local people confidence and inspiration to continue along on their Buddhist path.

Last month we attended a special merit making event in Tahsang Village for some of my wife's relatives.  The special merit making ritual is difficult to describe in a few words - it is essentially a big party to mark the death of a relative.  The party is not to celebrate the death per se but it is an occasion to assist the spirit of the departed on its journey to its next life by making offerings to and for the spirit as well as the local Monks.

These events are quite common here in Isaan.  Theoretically these events are held around one year after the person has died.  But the reality is they are held when the family can financially afford to pay or finance them.  For the event we attended last month, Duang's Aunt was holding the event for her husband who died 10 years ago and for her mother who died 20 years ago.  Due to the cost of such events they are some times combined with another occasion which requires a big "celebration".   In the case of  Duang's Aunt last month, her son was also becoming a Monk.  The event lasts all day and all night with it completing the next day.

We arrived in the morning to participate in the offering of food to the Monks and cutting of Duang's nephew's hair in preparation to becoming a Monk. In the early afternoon  three throne like chairs were set up underneath the main canopy.  These golden intricately carved wood chairs are used for Monks to sit cross legged upon while reading or lecturing the scriptures.  However on that day, I learned that they are also used for another purpose - for Monks to sit in while they sing.

After the chairs had been set up, three Monks that I had never seen before arrived.  These Monks brought their own microphones, amplifiers, mixing boards, and computers.  They even had a young man to set it up for them.  I knew that I was about to learn something new.

From Duang, I learned that these Monks were from another village and they go and put on a "show" for people.  The "show" turned out to be a morality play - a play about life and Buddhist family values.  One Monk played the part of a father.  The second Monk played the part of a son.  The third Monk, the youngest played the part of the mother.  Most of the performance was song with dialogue providing transitions between the songs.

According to Duang we were witnessing "Nangmakao".  A performance usually takes 4 hours. Due to the need to parade through the village as part of the Monk Ordination ritual later in the afternoon, this performance was cut down to three hours.  It is a story about a mother, father, grown-up son, and grown-up daughter. The daughter is "no-good" in that she talks bad to her parents and does not take care of her parents.  "Take care" involves financially, and materially supporting your parents. It runs the gamut from giving them money each month to cooking and cleaning as necessary to keep your parents well.  In the Lao Loum culture the burden of this is the responsibility of the youngest daughter but expected of all the children.  So in this story the daughter is especially bad - not respecting and taking care of her parents and not doing it as the youngest daughter.  The son on the other hand is a good person.  He takes care of his parents.  The songs deal with what the daughter does not do and should do.  The songs from each family member's perspective deals with their sadness and disappointment that the daughter does not have a "good heart".

A Monk. in the role of "Mother" Cries About Her Children

As part of the morality play, the son dreams that his mother and father die.  The spirits of his deceased parents want food and money for their journey to the next life but are not able to get them.  The son, who was a good son but not a perfect son, is devastated at the loss of his parents.  He laments the times that he did not respect them and the fights that he had with his father.  The mother cries as she sings about all the times her children did not visit her and take care of her. The father is more angry in his singing and laments about how sad and how much the mother cries because of the children.  Despite the son and daughter being wealthy, the father sings that they do not want to take care of their parents apparently telling them to go away like dogs in the street to get food  This is definitely not nice in any culture - for sure!

The son wakes up from his dream and kind of reads the riot act to his sister about taking care of their parents.  The daughter turns a new leaf and starts to pray to Buddha every day and takes care of her parents like she is supposed to  do.  The son also takes care of his parents and becomes an even better son.

The songs are sung in the style of traditional Mahlam Lao but without any musical accompaniment.  The songs are sung with a great deal of warbling and tonal range.  This link is one of the songs that the Monks sang but without the instrumental accompaniment.   http://youtu.be/OnoSvHUVHGo

As the Monks performed, laypeople would approach them, and place money offerings to the Monks in the cloth bag that hung from each golden throne.  The Monks would then place "Saikaen" in the offering plate for the layperson.  "Saikaen" are braided string bracelets over which the Monks have recited scriptures and chanted over.  They are worn by people for good luck and fortune.  They are dropped on an offering plate to ensure that Monks have no physical contact with women.  For larger offerings to Monks or from a Monk, the object is first placed on a folded cloth which the recipient will then pull towards them to accept the offering.

Duang Accepts "Saikaen" From Singing Monk

At the beginning of the performance, two trays of food and drink were placed on the raised platform where the Monks had been previously seated.  The food and drink were offerings to the spirits of the deceased husband and deceased mother of Duang's aunt.

At the conclusion of the Nangmakao, a special merit making ritual was performed for the benefit of the two departed spirits.  Laypeople burned Joss Sticks as the Monks chanted about the spirits going up rather than hanging around now that they have been given food, money, and the Monks have taken care them

Merit Making Ritual for the Departed Spirits.

There was not a dry eye underneath the canopy - it was quite emotional and sad.

I earned some merit too, not necessarily in terms of the Buddhist religion, but with my in-laws when Duang noticed and pointed out to everyone that I was crying too as I was taking photographs.

It was a very moving experience.  The youngest Monk, who played the role of the Mother, gave Duang his card.  I told her that when I died I wanted them to do their singing for me but I was not planning on it being any time soon.  I also had Duang tell him that if she died before me, I would become a Monk and he and I could go to all the villages to make people cry with our singing.  We all had a good laugh.

Spirit Houses Constructed for Merit Making Ritual

The next morning the spirit houses specially constructed for the departed people along with the money offerings, rice, sahts (woven reed mats), mons (pillows) and other offerings collected from the laypeople would be paraded through the village on their way to be presented to the local Monks on behalf of the departed spirits as well as donors.

Last weekend, we attended in Nongdaeng Village another ritual for the spirit of a departed relative.  The most recent ritual was for the death of a mother 5 years ago.  This event also included singing Monks but different ones than at the December ritual.  This time there was also the full 4 hour version of the "Nangmakao".  Once again it was a very interesting, and moving experience.

Monk Singing "Father" Role of Nangmakao in Nongdaeng Village

Our grandson, Peelawat who will be 4 years old next month, seemed to enjoy the performance.  He split up his time on my lap, as I took photographs, and on Duang's lap where she instructed him in worshiping   He also got to eat ice cream and drink Coke so he was happy the entire four hours.

Peelawat learning to Chant In Pali

A Monk Singing As Part of Merit Making Ritual

Family Making Offerings to Spirit of Their Grandmother

Food Offerings for the Spirit

So although Monks are not supposed to sing, apparently the local custom in Isaan allows them to sing in order to instruct the Lao Loum laypeople the teachings of Buddha and to assist people to make merit for the departed.

This is the way that life is here in Isaan.

There is always something new to witness and learn even if you think that you have seen it all.

Things are not always the way they seem or as simple as they appear at first.

There are many levels of understanding and as you delve deeper into the details of the culture, the richer the world around you becomes and the fuller your life becomes.

There is no need for any of us to watch a "reality show", for real life is waiting for each one of us if we but open our eyes, ears, and mind.

The Beat of a Different Drum

Two nights ago, we attended a a traditional Mahlam Lao show in Nongdaeng Village located here in Isaan, the Northeast of Thailand.  The show which started at 21:00 would run until 03:00 or 04:00 - that it is the way it is here in the Lao Loum culture.  The people work hard and when they decide to party, it is an all out, no holds barred event.  I experienced the same spirit the two times that I lived and worked in Brasil.

The show was part of the merit making event to mark the death of one one Duang's relatives some twenty years ago.  In the Lao Loum culture here in Isaan, there is a merit making ritual after a person has been cremated.  This ritual which can and is often viewed as a party is typically about one year after the cremation but the real determining factor is when the family is capable of paying for the event.

The event is very much like the celebrations for a son becoming a Monk, or a couple getting married.  Canopies are erected in the front yard or if the front yard is not large enough - in the street in front of the family home.  Round tables and plastic chairs are set up beneath the canopies at which guests can eat and drink.  Underneath one of the canopies accommodations are made for the visit from the Monks - do to their status, Monks are seated at a higher level than the laypeople.  This most typically accomplished by erecting an elevated wood platform reserved for the Monks.  The platform in covered in cloth and sahts (woven reed mats).  Small squares of higher value fabrics or decorated textiles designate the area for each Monk to sit.

Sometimes if a special merit making service is to be conducted, such as a sermon, or what I refer to as a "morality play", the participating Monks are seated in an ornate gold colored raised throne like chair where they can sit with their legs crossed.

Off to the side and in back of the home there are canopies for preparing and cooking food for all the guests. People typically arrive around 08:00 and will stay until 20:00 or even much later if there is a show associated with the celebration.  For the entire time, people are eating and drinking.  Each table, at a minimum, typically has a 1.5 liter bottle of Coke, 1.5 liter bottle of Sprite, a couple bottles of drinking water, a couple bottles of Leo Beer, and perhaps a bottle of whiskey with "Lao Lao" being the type of choice.  Young girls ensure that there is plenty of ice at each table for the soft drinks, and beer.  People here drink their beer "on the rocks" and their whiskey "neat" or "straight up".  Empty bottles are quickly replaced.

As new guests arrive, they are quickly ushered to a table to be start eating and drinking.  The food is ethnic cuisine and typical consists of 7 or 8 dishes or rather different items.  There is a difference between "dishes" and 'items"  many of the foods are eaten with the hand so there may not be an individual dish for each guest. The guests will make a small ball of sticky rice in their hand and dip the ball in a common bowl of whatever at the center of the table.  Often soups are consumed from a common bowl at the table with each guest having their own spoon.

The celebration that we attended on the 12th was a grand event.   After the day events we returned to our home to freshen up and get some rest for the night's activities.  We returned for the night show.

The night show was a more traditional Lao music event.  The music was based upon the ubiquitous Lao musical instrument, the khene.  The singing was a sort of Lao rap except that for the most part there were no set lyrics.  The performer made up or rather adlibbed the words to suit the occasion or moment.  The singing style is also long and drawn out with a great deal of warbling as well as tonal range - again very Lao.

Besides the khene, the music is performed by conga type drums, and cymbals.  This is the accompaniment that you would find in traditional Lao villages.  In a concession to evolving times and mores, the group also had a couple of electric guitars, keyboard, and drum set for some of their songs. There were also four go-go dancers.

I was most impressed by the traditional drummer playing the two conga style drummers.  He was a show  unto himself.  I almost took as many pictures of him as I did of the go-go dancers.

The drummer had a distinctive face.  His age and face reflected a life of many experiences and I suspect more than a few adventures.  He performed on the drums with a zest and confidence that a lifetime of experience allows - confidence, uniqueness, and individuality.

I have written most recently twice about little "Eat" from Tahsang Village marching to the beat of a different drummer.  I had also mentioned that as a person who has marched and sometimes danced to the beat of a different drum, I had appreciation for little "Eat".  Well at the night show I found a man who marched, danced, and even played a beat to a different drum.  What could be better than that?  Imagine being comfortable and confident enough to march and dance enthusiastically to your beat on your own drum.  That truly must be a component of being "free".

Kissing the Drums In Appreciation

The drummer danced around his drums playing them with his hand and striking their sides with a drum stick.  The drums bore the scars of many a performance.

Playing the Drum With His Forehead

As part of his performance the drummer also would strike the drums with his forehead.  At other times he would "dry hump" his drums.

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He would also, on occasion, direct a pelvic thrust towards one of go-go dancers, perhaps all four of them.

Mahlam Lao shows are akin to vaudeville shows - singing, dancing, stand up comedy, music, and always a definite bawdy element.  Many of the jokes at best are double entendre and many times risque.  Many of the lyrics song between the male and female singers have to do with things of a sexual nature.  Sometimes the  female singer will try to grab the male singer by his genitals but seems to always not to succeed much to the delight of the crowd.  The male will sing about what he would like to do and can do to the female singer.  He will sometimes bend down to try to get a better glimpse of her but she always manages to foil his efforts - again the amusement of the crowd.  The antics are never obscene and often remind me of how close friends and family after a few drinks might joke and tease each other.

The Audience Loving the Show

The drummer was demonstrating his freedom to be himself.  It was comforting as well as reassuring to me to see that such diversity in culture still exists and to know that in areas such as Isaan are thriving.

There seems to be pressure in these modern times to develop a more homogeneous mankind perhaps in the belief that the more people are alike, the less conflict there will be. That scares me for it is the diversity of mankind and especially their culture that adds to the richness of living - for everyone.

There is no one culture that has the optimal solutions or even answers for all peoples.

There is no culture, let alone any society, that can best meet the needs and wishes of all peoples.

Seeing the drummer the other night - marching, dancing, and playing to the different beat of his own drum, gave me optimism that we hopefully will never get to "One World"

In "Allen's World" I am free to be me but even more importantly, you are free to be you.

Wai Khru Ram Muay

 

 

In yesterday's blog, I wrote about the students of Tahsang Village performing "Wai Khru Ram Muay".

The complexity, beauty, and hypnotic nature of the ritual is dificult for me to describe in words.  I know that my description of the music as being like "snake charmer" music did not do it much justice.

Today I found a very good clip on Youtube that shows a Wai Khru Ram Muay performed by three fighters.  In a Muay Thai match, the Wai Khru Ram Muay would be performed inside of the ring by the two fighters after they had first entered the ring and paid respects to each of the corners of the ring.  In a Muay Thai match, the fighters may or may not perform their Wai Khru Ram Muay at the same time or in unison. Their movements are highly individualized but share common elements.  Besides paying respect to Buddha, their teachers, their trainers, their country, there is a certain psychological intimidation element to the Wai Khru Ram Muay.

The link to the Youtube video is below:

http://www.youtube.com/embed/OPK5JtxjIM0

Our four year old grandson, Peelawat, performs his own versions of the Wai Khru Ram Muay; I suspect it is something that he has picked up from the older boys at school.  This weekend, I will share this video along with some others of Wai Khru Ram Muay with him and show him a special movement - "Chang" (elephant).

Duang and I attended a match in Pattaya.  The fighters were performing their Wai Khru Ram Muay when one of the fighters went to his knees bent his forehead to the mat and rose his torso upright with his right arm and hand placed at his chin to simulate an elephant's trunk - the place went crazy.  I have practiced the movement ever since and now that he is four, I will pass it along to Peelawat.

I think that it is going to be another great weekend.