A Granddaughter's Farewell

Almost two weeks ago, my wife and I attended the funeral of an old man out in the countryside on the border of Changwat Udon Thani and Changwat Sakon Nakhon.  Attending the funeral was not out of morbid curiosity regarding death but rather an acceptance of one's obligations and duties as a member of a large family and an even larger community.

The grandfather of the young Monk from Wat Pha That Nong Mat outside of Tahsang Village had died and on 17 May he was to be cremated.  The young Monk is a close friend to Duang's family and many of the villagers of Tahsang Village.  A group of the villagers were going to attend the cremation to show their respect for both the dead man and his grandson the Monk.  I agreed to go and bring some of the villagers with us.

We first drove approximately 45 minutes south of our home to pick-up my mother-in-law, our grandson Peelawat, and two other older female relatives.  We then drove north for about two hours to Ban Dong Yen.

One lane of the two lane road in front of the dead man's home as blocked off - a typical situation for funerals, weddings, Monk Ordinations, housewarmings, and Bone Parties.  The additional real estate is used for parking and setting up pavilions for guests where they can eat and drink.

Son Carries Part of the Funeral Shrine From House to Pick-Up Truck

At roughly 12:45 PM the refrigerated coffin containing the consumable coffin and the corpse were removed from the home and placed in the back of a pick-up truck for the procession to the local Wat for the cremation ritual.

Family and Friends Load the Coffin On to Pick-Up Truck

I have attended many funerals here in Isaan, many more than I had attended in my previous 60 years in America.  I remember being sheltered as a child from attending funerals.  It was not until I was 17 or 18 years old that I attended a funeral.  Such is not the case here in Isaan.  At the earliest age and more importantly, throughout childhood, children attend and participate in funerals.

Children attend and participate in funerals as full members of the family or community.

I am often reminded of a wonderful quote from National Geographic contributor, Wade Davis, a renowned Canadian Anthropologist.  In his documentary series "Light At the End of the World" regarding the Buddhist attitude towards death ... "The Buddhists spend all their lives getting ready for a moment that we spend most of our lives pretending does not exist, which is the moment of our death". 

In Isaan death is a milestone of life which is familiar to and accepted by all people from a very early age. The conclusion of this life, which for many has been very difficult, presents the hope as well as opportunity for a better and easier life in the future - another step towards eventual enlightenment.

With this blog entry, my 20th related to the funeral rituals of the ethnic Lao Loum people of Isaan, what can be written or photographed that has not been done before?

Each funeral has been very similar but each had some unique aspects.  The different aspects are related to family traditions and the economic reality of the family.  For me, the most interesting aspect of the funerals, was the different people attending and their interaction with each other as well as with the ritual.

So with each funeral that we attend, I look for the special moments, the hidden details, and the personal moments of the event.  There are some standard shots that I end up taking at each funeral but I am always looking for the unique photos that tell a more unique and personal story or photos that better define the culture in regards to death.

This latest funeral was no exception.  There was an aspect to the funeral that I had not witnessed before.  Part of the funeral procession involved ritualized fishing.

Crossing the Bridge Over the River Songkhram, A Man Casts His Net Over the Road

At the front of the funeral procession, there was a man carrying a woven basket filled with popped rice.  Periodically as the procession marched along he would cast handfuls of the popped rice in front of the procession.  This is very typical in funeral processions.  The rice is offerings of nourishment to the local spirits.

However for this funeral, he was joined by three other men with unique responsibilities and duties.  One man walked at the head of the procession carrying a burning homemade taper.  Another man carried a hand fish net - the type used everyday to capture fish.  Another man next to him and often in front of him carried a spiked woven basket that is used to capture fish that are often found in the mud slurry of the rice paddies during planting season.

One end of the woven basket is a larger diameter than the other open end of the basket.  The larger end of the basket has the ribs of the basket exposed about 2 to 3 centimeters past the first hoop of the basket.  When a fish is spotted in the shallow mud slurry of the rice paddy, the larger diameter end of the basket is quickly shoved into the slurry to capture the fish.  The fisherman or more likely, the rice planter who has been interrupted in his work, reaches down through the small end of the basket to retrieve the fish.

I spent most of my time ahead of the procession so that I could photograph it as it approached.  Rather than being a solemn procession as one would expect for a funeral, the front of the procession was quite joyous with a great deal of laughing, joking, and animated conversation.

Several times when throwing the fish net, the "fisherman" fell down - much to his amusement and the amusement of the other men.  I suspect that he was somewhat unstable from drinking the local whiskey all morning long.  On occasion it appeared that he was trying to net the other fisherman who carried the basket.  The road that we traveled on was not heavily used by vehicles but it was very apparent that water buffalo had come along that way.  Upon coming upon a large mound of water buffalo dung in the middle of the road, I cautioned the fishermen not to catch it - much to the amusement of everyone.

So what was going on with the net, basket and burning taper.  I asked Duang and she told me something along the lines of :  the men did not want to think about dying. they did not want the spirit of the deceased man to be sad so they were making believe that it was nighttime and they were all happy because they were fishing together.

After crossing the bridge over the Songkhram River we found ourselves in Changwat Sakon Nakhon and in the village of Khok Si.  The procession took a left turn down a narrow village road on its way to the Wat.

By this time, the men at the head of the procession had been joined by some of the children.  One of the aspects of life here that I particularly enjoy, is observing the confidence, self-reliance, self assurance and independence of the children. The children, at least one of them, a granddaughter were not timid or shy at the turn of events that they found themselves in.

I ended up taking several photographs throughout the cremation ritual of one granddaughter.  Her demeanor and demonstration of respect for her departed grandfather was inspiring and fit very well with the message that I intended to make about an aspect of life here.  "Life" here in a blog about a funeral ... death?  How can that be?  It actually is quite logical from the Buddhist standpoint.  Death frees us from this life and until we attain enlightenment, frees us to be born again.  So for Buddhists there can be no life without first having death.

Requesting Permission For the Procession to Enter the Wat Grounds

When the front of the procession arrived at the gate to the Wat, we could not enter.  The men at the front of the procession knelt before a Monk and talked for awhile.  They then seemed to ask permission as the truck carrying the coffin caught up to the group.  Perhaps as a symbol for the transition of the procession to a more serious mode, the man with the fishing net finally captured the other fisherman that had the basket to the delight of everyone - right in front of the gate to the Wat.

Personal Possessions and Prosthesis to be Burned As Part of Funeral Ritual

The procession entered into the Wat's extensive grounds at a side entrance at the back of the property. The crematorium was located very close to the entrance.

The coffin containing the corpse was removed from the refrigerated coffin and placed on two metal sawhorses at grade level in front of the crematorium rather than at the door to the furnace as in all previous cremations that I have attended.

A cardboard box of the deceased man's personal effects and his  two prosthesis were placed in a fire pit off to the side of the crematorium.  The man had both of his legs amputated due to the effect of diabetes.  Although obesity is not an issue in this area, and the people's diet is far removed from Western diet, diabetes is very prevalent here.  I suspect that it is perhaps due to genetics or possibly a virus.  As is typical in the cremation ritual, once the flames commence to consume the corpse, the personal possessions are burned.

A Granddaughter Watches As Her Grandfather Is Bathed in Coconut Water

The cover of the consumable coffin was removed to expose the corpse.  Monks and people came forward to pour coconut water straight from coconuts on the corpse.  Others poured water from bamboo stalk containers.  The granddaughter who had caught my attention showed no fear or revulsion.  She seemed more curious and remorseful over what she was witnessing.

 The young girl joined her parents following the coffin up the stairs of the crematorium for it to be placed upon a bed of charcoal on a heavy metal carriage.

The little girl remained alone at the doorway to the furnace as the doors were closed and the charcoal was ignited - a fitting and poignant tribute to the grandfather that she obviously loved.

People Scramble to Catch Candies and Coins Cast From the Raised Floor of the Crematorium

So it is ... life and death here in Isaan.  Life and death are embraced at an early age.

Children are integrated into their culture and society to prepare them for their future days ... in this lifetime as well as the others to come.

Bun Kaithin - Day 2

Tahsang Villager Places Sticky Rice Offering Into Monk's Bowl

Sunday, 25th November, was the day selected for Tahsang Villagers to celebrate Kaithina with the Monks at the "Outside" Wat.  The previous day, the villagers had celebrated the festival by making money trees to offer to the Monks in gratitude for all that they do.  Following the procession through the streets, 6 of 7, of the village, everyone returned to their homes for the night.  Some women prepared food to offer to the Monks the following morning as part of the daily merit making ritual.

Other women, such as my wife, chose to get up early on Sunday morning to prepare food for the Monks.  Duang woke up at 3:45 A.M. to prepare fresh food for our scheduled 6:00 A. M. departure for Tahsang Village.

We stopped at Duang's house in the village to pick up our Grandson, Peelawat, and my mother-in-law to drive out to the Wat.  Our truck was enlisted to transport many of the money trees, banana stalks, and decorations from the civic pavilion.

Villager's Offerings For the Monks

The partially completed Bot was decorated with the banana stalks, pennants, and colorful decorations.  The middle of the section where lay people participate in the ritual was filled with all the money tree as well as other offerings such as sahts (woven reed mats), mons (pillows), religious decorative bowls, artificial flowers, and handicrafts.

The religious celebration commenced as a typical merit making ritual where people make offerings to the Monks.  A Shaman leads the people in a ritual which offers the food to the Monks.  The ritual involves lighting of small candles, chanting, and presenting a small dish with the lit candles and some leaves to the Abbott of the Wat.  The Monks then perform their portion of the ritual by chanting.  One part of this ritual involves the lay people pouring water from a bottle or special metal container into a bowl as they and the Monks chant.  The water in the bowls is then carefully taken outside of the Wat and poured at the base of various plants or trees in another private ritual.

After that portion of the ritual was completed, the Monks ate while the lay people watched and prepared to eat after the Monks.  The Monks only take what they can eat,  After they have eaten, the remaining food is consumed by the lay people.  There is always a surplus of food.  On special days such as Sunday, there is a great deal of surplus of food as well as variety of food.  The eating of the surplus food sustains the very poor of the community.  My wife and her children were nourished by this arrangement many years ago.  The eating of the surplus of food also serves as an opportunity for the community to socialize. Each morning and especially on festival days, there is a sort of pot-luck meal for the people.

Nong, Peelawat, and Tey Playing in the Dirt

Nong of Tahsang Village On Ok Phansa Day - 30 Oct

After they finished eating, the Monks left the Bot.  The lay people took their time to eat their meal.  After finishing their meal, the people gathered up their money trees and other offerings.  They assembled outside near remnants of an earlier structure and chedi at the site.  By this time I had been surrounded by several of my little friends from the village.  My Grandson, Peelawat, likes to hang around me even though we can not talk about too much.  One of my new favorite models, Nong, likes to hang around with Peelawat , Tey and me.  She is 20 months old and likes to be one of the "guys".  Sometimes being one of the "guys" can be difficult and carries a price.  Last week Peelawat ran her over with his bicycle - not intentional but he was unable to stop in time or to avoid her.  Nong had a cut on her head and a scrape on her arm.  She has recovered fine and is back following Peelawat around, and doing whatever he or Tey does. Whenever I take a photograph, she runs up to me so that I can show her the result on the monitor.  The day before, she was seated in the back of a pick up truck.  I took her photograph and showed her.  She smiled and then pointed up in the sky and said something.  I looked and saw nothing.  She pointed again and repeated her words.  Again I was unable to see what she was trying to show me.  She insisted and repeated her gesture as well as words.  This time I tried very hard and saw a helium balloon floating away just about out of sight.  I have to admire and love the persistence of children!  I thanked her for sharing.

Villagers Assembling For A Procession Around the Wat

The villagers commenced their procession around the Wat.  I stayed ahead of them so that I could take photographs of the procession.  Peelawat stayed with me along with Tey and Nong.  The procession was lead by some men with long brooms, sweeping the ground ahead of the villagers.

As is the case in other religious processions, the people walked three  times around the remnants of the Wat.  They walked and danced to ethnic Lao music as the circumambulated the old chedi.  Everyone was smiling and very happy.

As the villagers were finishing up their third circuit of the chedi ruins, I broke off followed by 8 of the children.  I could not help but think of the story of the Pied Piper.  Anyhow, I removed my shoes and climbed the stairs to the area where the Buddha used to be kept, as I started up the stairs I looked back and motioned for the children to remove their shoes and sit down.

The Wrong Place At the Wrong Time

The Monks were inside the worship hall adjusting their clothing.  After awhile of taking photos, one of the Monks let me know that the ceremony was at the other hall.  I exited the hall and found all the children right where I had left them.  Together we all crossed the yard to the proper location much to the amusement of the assembled villagers.

Monks Commence Ritual to Accept Robes (Kaithin)

In the new Bot, there was a special ritual for the offering of the robes (Kaithin).  The Monks rather than the usual single line configuration, were set up in a semi-circle.  They all took turns chanting rather than the usual Abbott and one other Monk.  Chanting was first performed over the robes that were in a plastic shipping bag.  The robes were then removed from the bag, a braided gold colored belt was wrapped around the robes, and additional chanting was performed as Monks held on to the ends of the belt.

After the Monks had accepted the robes, the people took their money trees apart.  The process was done very deliberately and carefully - the bills all had to be facing in the same direction.  The  stack of bills were folded in half and secured with an elastic band.  The wad of cash was then placed into a plastic envelope and brought up to offer to the Monks.  The Monks gave special religious pennants to each family that donated.  The pennants are to bring good luck.  After all the offerings had been made to the Monks, the Monks passed out cardboard boxes that contained a religious statue for the people's home.

The offerings were counted and announced to the people - 109,127 Baht ($3,637 USD) which will be spent to finish the new Bot.

Once again I had the privilege to participate and document a unique event in the Lao Loum culture here in Isaan.  Be it a religious celebration, a funeral, a wedding, or the ordination of a Monk, the community bonds in Isaan are strong.  These bonds start developing at a very early age with babies and toddlers participating in all the rituals.  Some people would say that these are poor people but don't tell them that.  They think that it is all about being happy rather than what you have.  Personally I call the people very fortunate.

Thailand Royal Barge Procession

The Royal Barge, "Suphannahongsa" (Golden Swan)

Finally after one week of photo editing and post processing, I am ready to share the experience of witnessing last week's Royal Barge Procession in Bangkok.

The Royal Barge Procession is quite a unique event. The first Royal Barge Procession was conducted over 700 years ago. The purpose of last week's procession was to transport HRH Crown Prince Maha Vajiralongkom down the Chao Phraya River to Wat Arun where he would be making offerings of robes to the resident Monks.

Following the end of Buddhist Lent also referred to as Buddhist Retreat on 30 October of this year there is a one month period of special merit making known as Kathina. Kathina is a time when people show appreciation to the Monks by offering them gifts, typically robes.

The legend is that long ago thirty Monks were travel to spend the Buddhist Retreat with Gautama Buddha but they didn't make it to him in time.  The Buddhist Retreat started before their arrival at their destination so they stopped where they were.  When they finally got to Gautama Buddha after the Buddhist Retreat ended, he rewarded their obedience and faith by giving them some cloth that had been given to him.  The Monks were to make the cloth into a robe to be given to one of them.  They used a frame called a "kathina" to help in making the robe hence the term "Kathina" for the season and its associated festivals.  When the Royal Family of Thailand offers robes to Monks the merit making ritual is known as "The Royal Kathin Ceremony"

Sometimes The Royal Kathin Ceremony is determined by the King to require a Royal Barge Procession.  In the 19th century, previous King did not want to create more confusion and gridlock in the streets of Bangkok so he traveled by river to make the robe offerings which started the modern use of the Royal Barge Procession for the Royal Kathin Ceremony.

There are two formations for a Royal Barge Procession major and Minor.  For this procession the major as in "Major Battle Formation" was decided upon.  The major battle formation consists of five columns of barges where as the minor procession consists of three columns.  The main battle formation consisted of 52 barges and 2,200 costumed Thai Navy sailors rowing the craft.



Five Columns of Barges In the Major Formation



 

A Royal Barge Procession is a grand event which requires a great deal of planning, coordination, and logistics. Some of the barges are over 100 years old and must be inspected and repaired to ensure that they are seaworthy. Because the Chao Phraya River is a main commercial artery for Thailand, the river must be cleared of all traffic prior to the procession for the safety and security of the participants. Like many rivers in heavily populated areas, the Chao Phraya River also has a great deal of debris floating down it to the sea. Part of the preparations involved for the procession is cleaning the river of floating debris.

Picking Up Debris Prior to Procession

To ensure that the procession fulfilled expectations, starting on September 27th and ending on November 6th, there were 7 rehearsals and two dress rehearsals for the procession.

The Suphannahongsa Royal Barge Proceeding Down River - A Magnificent Sight

There are four Royal Golden Barges in the procession.  The grandest, which HRH Crown Prince Maha sat in is the Suphannahongsa (Golden Swan). The Hongsa or Hamsa (Pali, the native language of Buddhism in Thailand) is a mythical winged swan like creature that the Hindu god, Brahma, rides. The current vessel was launched in 1911.  It was constructed from a single teak tree and is 46.15 meters long.  It is propelled by 50 oarsman.

The Hamsa carries a garland from its mouth at the bow of the barge.  The garland is a polished wood ball covered with small mirrors, followed by chandelier type arrangement of mirrors after which are three crystal ornaments and finally a large tassel of yak fur. Yak fur?  Although there are no yaks in Thailand, yak fur was selected it is from an animal that is considered high and noble.  Yak fur also glistens in the light and does not mat together when it is wet (something to definitely consider for the front of a boat).  When dry, yak fur fluffs up very nicely as can be seen in this photograph.

The bow of Subannahongsa is adorned with a large floral garland made from fresh jasmine, roses, false globe and amsranth.

Royal Barge Anantanagaraj (Anata, The King of Serpents)

Second in ranking of the four Royal Barges is the Anantanagaraj Royal Barge.  It is 44.85 meters long, propelled by 54 oarsman, and was launched in 1914.  The figurehead of the barge is a seven headed serpent, a mythical creature named "Naga".  The Naga is said to have raised its heads and sheltered Buddha from a storm once while he was meditating.



Royal barge Anekkachatphuchong (The Variety of Serpents)

The oldest of the Royal barges is the Royal Barge Anekkachatphuchchong.  It is 45.67 meters long, propelled by 61 oarsmen, and was built in the late 19th century by order of King Rama V.  The most distinctive feature is rather the lack of a distinctive ornamental bow figurehead.  The Anekkachatphucchong is artistically pleasing in it's simple but elegant bow. It is a fine example of beauty and elegance in its simplicity.  It is the lightest barge displacing 7.7 tons.

Royal Barge Narai Song Suban Ratchakan Thi Kao (God Narayana on his Carrier Garuda)

The newest Royal Barge, Narai Song Suban Ratchakan Thi Kao, was launched on May 6, 1996 to coincide with the 50th anniversary of King Rama IX ascending to the throne.  The barge is 44.3 meters long and propelled by 50 oarsmen.  It is also the heaviest barges displacing 20 tons.

The Royal Barges are accompanied by five classes of escort barges.  The bows of escort barges have figueheads of mythical creatures from the Thai epic, "Ramakian" or a painting of a mythical creature.

There are two barges of the Suea Class.  These barges are distinguished by painted tiger (Suea) faces on the bow and tiger stripes along their side.  Cannons on these barges are mounted above the bow whereas on the other barges the cannons are mounted in the bow.  The Suea class barges are the Suea Thayan Chon and the Suea Kamron Sindh.  Each barge is propelled by 26 oarsman and are roughly 22,2 meters long.

Suea Class Barge, Sueaa Kamron Sin, Underway

 

The Ekachai Class Barges, Ekachai Hern How and Ekachai Lao Thong. have paintings, a pattern of gold leaf over black lacquer, of a half Naga half dragon mythical creature, the Hera, on them. The bow figureheads are tapered cylinders which represents the beast's horn. These barges do not have cannon on them.  They are a little over 29.6 meters long and propelled by 38 oarsmen.

A Ekachai Class Escort Barge with Crew

Four Krabi Class Barges participate in the Royal Barge Procession.  Krabi Class Barges are distinguished by Monkey Warrior figureheads.  The Monkey Warriors are mythical creatures from the Thai epic, "Ramakian".  Hanuman, white monkey warrior, is on the bow of the Krabi Prab Muang Marn.  Nilaphat, black monkey warrior, adorns the bow of the Krabi Ran Ron Rap. The other two Krabi Class barges have crowned figureheads of ruler from mythical land of Kishkindha kingdom.  The Pali Rang Thawip has a figurehead with a green body and the Sukrip Khrong Mueang has a red body figurehead.

Krabi Prap Mueang Man (Hanuman Figurehead)

The Pali Rang Thawip (foreground)

The procession includes two Krut Class Barges, the Krut Hen Het and the Krut Tret Traichak.  The figureheads on Krut Class barges are garudas that have nagas on their feet and wings.  Garudas are mythical creatures that transport the Hindu god, Vishnu.  They are also the enemies of nagas.  Again these creatures are creatures of the Ramakian.  Krut Hern Het has a red garuda and the Krut Tret Traichak has a pink garuda figurehead. They are propelled by 34 oarsmen.

Krut Hern Het

The last class of escort barges is the Asura Class.  There are two barges in the class, each propelled by 40 oarsmen.   Their figureheads are mythical creatures called Asura, half bird and half ogre.  The bottom half is bird with the top half being an ogre.

Two Asura Class Escorts

The remainder of the escort barges are smaller scout boats

A Scout Escort Barge

Another Type of Scout Escort Barge

Besides the stunning visuals of the various Royal Barges and the Escort Barges, the costumes of the various personnel on board the barges was extremely colorful and interesting.  Oarsmen wore distinctive uniforms depending upon the class of barge that they were assigned to.  Officers, Signalmen, Standard Bearers, Steersmen, Timekeepers, Drummers, and Chanter all have unique uniforms.

Besides the visual smorgasbord of shapes, colors, and textures be it barges or costumes, there was an audio component of the Royal Barge Procession.  Just before the start of the procession, perhaps 5 minutes before it commenced there were loud flourishes that trumpeted over the river.  The flourishes put the flourishes played for the President of the United States to shame but then again these were fit, if not for a King, then for a Crown Prince.  It was amazing how quiet the scene was.  The river had been closed to traffic for over 6 hours and due to import of the event the crowds were extremely respectful as well as quiet.  After the interlude following the flourishes, the silence was broken by a single voice broadcast over the river by powerful loudspeakers on the other side of the river.  The voice was a mature, I believe alto, and evoked memories of holy rituals.  I later found out that the lilting almost haunting chant was specifically written for this procession.  It was chanted by a man on the Royal Barge, Anantanagaraj, and broadcast to the sound systems along the river. Receivers and amplifiers on the various other barges except for the Suphannahongsa, so that the oarsmen can hear the chant and respond to it.  As the Procession got fully underway, his chanting was answered by the oarsmen in the barges and the staccato beat of wooden poles striking the bottom of  the escort barges by the fore and aft timekeepers for setting a rowing cadence.  At some points in the 45 minute procession, buglers on the escort barges would blare out some commands.  So the Procession was impressive to listen to as well as to observe.

At our hotel we were subjected to some special rules due to the Royal barge Procession.  People were not allowed to stand on their balconies, look out of their room's windows, our stand on the elevated terraces of the hotel.  Why?  Doing so would put common people in an elevated position over HRH The Crown Prince which would be a violation of protocol.  The swimming pool alongside of the river was also closed again so as to not violate protocol.  Guests were expected to be properly dressed also just as if you were to visit a Wat (Temple).  There were two policemen standing along the river with us for security purposes and to ensure protocol was not violated.  These were requirements were quite reasonable and willingly accepted by everyone for such a spectacular event.

The river remained closed until after sunset.  What goes down the river must go back up the river.  After the merit making of the Royal Kathin Ceremony at Wat Arun, Thai Royal Navy vessels towed the barges back up the river to their home berths or storage locations,

As Twilight Descends On Bangkok, Some barges Are Towed Up River

It had been a long day but a spectacular day for us.  It was so interesting to witness such a unique event, an event that has it origins over 700 years ago.  I know that given another opportunity to witness a Royal Barge Procession, we will take advantage of it.  My only concern will be how to witness some of the rehearsals and dress rehearsals as well.

Ubon Ratchathani Candle Festival - Part 2

Having learned a lesson the previous day, we immediately took a Tuk-Tuk when we left our hotel at 7:30 A.M. to got to the Ubon Ratchathani Candle festival sites.

Our goal for the morning was to look at the large floats up close prior to the start of the morning procession which was scheduled to commence at 8:30 A.M.  We, or rather Duang, explained to the Tik-Tuk driver what we wanted to do.  He brought us to the area near Wat Sriubonrattanaram where the side streets were filled with the wax work floats awaiting the start of the morning's procession.

We were not disappointed at all with the access to closely inspect the wax sculptures.  There were no barriers or security to prevent you from getting as close as you wanted to each of the floats.  The biggest difficulty was attempting to take a meaningful photograph of the float without some one in the picture.  Thais like to be photographed and especially love to have their picture taken in front of something unique such as a large wax float as they give the "V" gesture or pose with Momma and Grand Momma.  I patiently waited for the opportunities to take my shots as the smell of the sculptures heating up in the morning sun transported me back in space and time to my young days back in Groton, Connecticut, to the days of melted Crayola crayons on hot summer afternoons.  Duang even more patiently waited for me to take my shots before moving on to the next attraction.

In response to posting some photos on my Facebook account, a friend asked about the wax sculptures.  The wax sculptures are not solid wax.  The sculptures and panoramas would be way to heavy and expensive if they were solid beeswax.  The heads are hollow.  The large figures are wax placed upon either Styrofoam substrates or on  chicken wire/plaster frames.  Wax is applied to the substrate and the details carved into the wax layer(s).  It is our intention to visit the area once again next year but earlier in July to witness the sculptures and panoramas being created.

In addition to the staging of the floats for the upcoming procession, the side streets were also filling up with performers who were also going to participate in the morning procession.  While the streets were filling with performers and people like us wandering around to get close up views, the sidewalks were filled with a combination of static stalls and wandering vendors selling soft drinks, water, food, balloons, and small toys.  Because of the religious context of the day, the start of Buddhist Lent, there were no sales of beer or the local version of moonshine whiskey along the procession route.  Unlike most events that we attend here in Isaan we did not see anyone consuming alcohol or any one under the influence of alcohol.  Also unlike so many of the events that we attend here in Isaan, we did not witness any fights.  I suspect (tongue in cheek along with a wink of an eye) that the lack of alcohol and the absence of fist fights are related. It made for a very enjoyable festival and from what I observed it didn't seem to impair anyone from enjoying the events.

The entrepreneurship of the Lao Loum people never seems to cease to amaze me.  There were all kinds of places - stalls, booths, or just umbrellas over an ice chest where you could buy water, soda, or juices.  It appeared to me that any one who had a cooler and the seed money to buy drinks and ice could set up to make some money.  I did not see any of the business licenses, health permits, tax ID numbers, or other bureaucratic requirements that would be required to do the same back in the USA.  I was very surprised to see that the prices for the beverages were not inflated because of the festival.  The cost of a drink was the same as the everyday price for the same drink at the 7-11 during the remainder of the year.  I could not help but reflect upon the outrageous cost of a soda or other soft drink at an American sports or music concert venue.

Intersections were popular locations for food vendors.  Food was grilled over charcoal fires contained in barbecues constructed out or steel barrels split in two and set up horizontally on metal legs.  Other foods were boiled or fried over small charcoal fires contained in two gallon sized refractory lined metal cans.  The odors of the fires and various foods that were being cooked added to the overall ambiance of the event.  Some large corporations were passing out free bottles of ice water and cold fruit juices.  With this being Thailand, no one was keeping track of how many a person was given.  Since it was getting later in the morning and despite the heavy clouded sky, it was hot and humid, I was perspiring heavily.  Fortunately the free drink people took good care of me and Duang ensured that I had plenty of soda to drink - soda in a plastic bag filled with ice along with a  straw ($0.35 USD each).  Often when you buy a soft drink from a vendor here in Isaan, the vendor will pour the drink into a small plastic bag filled with crushed ice along with a straw thus retaining the original container or more importantly being able to receive the fee for recycling the container for themselves.

Just as the previous night's procession, there were many dance groups.  The dance groups were from local and regional elementary and high schools along with universities.  They perform traditional dances to traditional music played by musicians riding along with them in a truck or to recorded music played (blared?) over large speakers mounted on a vehicle as part of their entourage.  The music is high energy and it is difficult to refrain from dancing to it.  Mahlam Lao music is played throughout Isaan all the time.  I have seen and heard it blasting from portable radios as people worked in the fields planting sugar cane and harvesting rice.  The previous night I was unable to get close up photographs of the beautiful dancers so one of my objectives for the day was to get some close up photos of the performers.  I was not disappointed with the opportunities that presented themselves throughout the day and evening.  I seriously believe that students are taught modeling and posing as part of their curriculum - they all seem to be so photogenic.

After the morning procession, we retired to the Wat.  According to the schedule of events there was to be "give King candle to Monk" and "give King loin cloth" from 11:00 A.M. to 12:00 P.M.  at the Wat.  It seemed like it would be interesting if for no other reason to see what the event actually was.  We arrived at the Wat and it was curiously not crowded whats so ever.  A Monk arrived and blessed us along with the 5 other people who were there.  We waited a while - being entertained by a young toddler's antics while her mother was worshiping.  After a while a group of people arrived, obviously not involved in any kind of ceremony but a falang, his girl friend, and extended family.  As so often happens here in Isaan, Duang and the girl friend got involved in an extensive conversation - leaving the falang from Sweden and I to have our own extended conversation.  We never saw any "give King loin cloth" or "give King candle to Monk" but spent an enjoyable afternoon and received a blessing - not bad.

During the two days of the Festival I was often asked by people to answer some questions.  The questions were related to homework assignments for students learning English.  Because the students were often shy, the contact was typically made by either their teacher or their mother.  This allowed us to meet many people and learn more about the region as well as the festival.  It helped to pass the time quickly.

We spent some time talking to an older woman at a booth sponsored by a knife company.  The booth was actually a school where the company taught people to do fancy culinary carving using their products.  She was working on carving a lotus flower out of a piece of pumpkin.  The instructor had given her one of his flowers as a model.  His flower was absolutely gorgeous.  The were also samples of carved carrots and leaves carved from pumpkin.  Duang and I watched the woman, a boy who came along, and ate some lunch in the relative cool of the covered booth.  After awhile the woman finished her flower and did a leaf.  I praised her leaf and jokingly suggested that she specialize in carving leaves.  At this point, I tried my hand at carving a leaf much to every one's amusement.  There always seems to be something to do to either amuse yourself or others here in Isaan.

5:00 P.M. quickly rolled around and it was time to prepare for the evening procession but that is for another blog entry ...